Royal Academy Exhibition of 1881

The Royal Academy Exhibition of 1881 was the hundred and thirteenth annual Summer Exhibition of the Royal Academy of Arts. It was held from 2 May to 1 August 1881 at Burlington House in Piccadilly, attracting 344,000 visitors during its run. [1]
The exhibition is best known through William Powell Frith's painting A Private View at the Royal Academy, 1881 which was produced two years later and featured at the 1883 exhibition. It shows fashionable society figures mingling in front of the walls hung with that year's submissions.
Academic art was represented in a number of paintings. Edwin Long's Diana or Christ? featured a scene in Ancient Rome. [2] Also featured were A Roman Holiday by Briton Rivière, Winter Quarters by Frank Paton, The Symbol by Frank Dicksee and The Battle of Kandahar by Richard Caron Woodville.[3] James Tissot displayed Quiet and Goodbye on the Mersey.[4]
The exhibition faced completion elsewhere with the rival show at the Grosvenor Gallery featuring prominent works while Elizabeth Thompson's submission to the Royal Academy The Defence of Rorke's Drift was overshadowed by her Scotland Forever! on display at the nearby Egyptian Hall.[5]
Gallery
Diana or Christ? by Edwin Long_-_The_Defence_of_Rorke's_Drift_-_RCIN_405897_-_Royal_Collection.jpg)
Sappho and Alcaeus by Lawrence Alma-Tadema- For Better, For Worse by William Powell Frith
Swift and Vanessa by William Powell Frith
Alms Houses, Antwerp by William Logsdail_-_National_Portrait_Gallery_(NPG_3241).jpg)
Cinderella by John Everett Millais
Portrait of James Fraser by John Everett Millais
A Roman Holiday by Briton Rivière
Envy, Hatred and Malice by Briton Rivière
Winter Quarters, an engraving based on the work by Frank Paton
Collecting the Sheep by Richard Ansdell
Misplaced Affections by Richard Ansdell
The Lucky Dogs by Richard Ansdell
Home Again! by Frank Holl
Here We Go Round the Mulberry Bush by William Frederick Yeames
Success! by Samuel Edmund Waller
A Cool Retreat by Henry Garland
Mother and Son by Henry William Banks Davis
The Symbol by Frank Dicksee
Yellow Marguerites by Albert Joseph Moore
Helen by Edward Poynter
Idyll by Frederic Leighton
Bianca by Frederic Leighton
Whispers by Frederic Leighton
Elisha Raising the Son of the Shunamite by Frederic Leighton
Self-portrait by Frederic Leighton
Portrait of John Caird by John Everett Millais
Portrait of Matthew Arnold by George Frederic Watts
Portrait of Constantine Alexander Ionides by George Frederic Watts
Portrait of Frederic Leighton by George Frederic Watts
Portrait of Joseph Dalton Hooker by John Collier
Portrait of Benjamin Disraeli by Pieter Van Havermaet
Portrait of Lord de Tabley by Frank Holl
Portrait of John Ballantyne by John Pettie
Portrait of Frederic Leighton by Phillipe Félix Dupuis
Portrait of Horatia Stopford by James Jebusa Shannon
The Misses Wilson by James Sant
Portrait of the Earl of Wharncliffe by Edward Poynter
Portrait of Garnet Wolseley by Paul-Albert Besnard
Portrait of David Dale by Walter William Ouless
The Old Wharf by James Campbell Noble
Roses and Rabbits by John MacWhirter
Miranda by Thomas Francis Dicksee
Dolly by Luke Fildes
Saint Jerome by Alphonse Legros
His First Offence by John Haynes-Williams
Boulders at Rest by John George Naish
Battle of Kandahar by Richard Caton Woodville
The Pied Piper of Hamelin by James Elder Christie
Milking Time by Mark Fisher
Sir Galahad by Herbert Gustave Schmalz
Rebecca at the Well by Frederick Goodall
Little Maud by Edwin Long
A Star in the East by Thomas Davidson
Fresh Flowers from the Country by Valentine Cameron Prinsep
Not of the Fold by Frederick Morgan
The Evening Star by Henry William Banks Davis
Quiet by James Tissot
Goodbye on the Mersey by James Tissot
Golden Prospects by John Brett
St Ives Bay by John Brett
Montrose at Kilsyth by Andrew Carrick Gow
Married for Love by Marcus Stone
References
- ↑ https://chronicle250.com/1881#catalogue
- ↑ Ravenscroft & Goldhill p.113
- ↑ https://chronicle250.com/1881#catalogue
- ↑ Marshall & Warner p.140
- ↑ https://chronicle250.com/1881#catalogue
Bibliography
- Marshall, Nancy Rose & Warner, Malcolm. James Tissot: Victorian Life, Modern Love. Yale University Press, 1999.
- Ravenscroft, Ruth Jackson & Goldhill, Simon. Victorian Engagements with the Bible and Antiquity: The Shock of the Old. Cambridge University Press, 2023.
- Smith, Alison. The Victorian Nude: Sexuality, Morality, and Art. Manchester University Press, 1996.