Royal Academy Exhibition of 1853
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The Royal Academy Exhibition of 1853 was the eighty fifth annual Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery on Trafalgar Square in London between 2 May and 23 July 1853. [1]
The exhibition further cemented the presence of the Pre-Raphaelite Brotherhood as a major force in British art. William Holman Hunt's Our English Coasts, depicting a group of sheep on a clifftop, had taken him six months painting En plein air to complete. He also displayed Claudio and Isabella, inspired by William Shakespeare's play Measure for Measure.[2] Meanwhile John Everett Millais presented two history paintings The Proscribed Royalist, inspired by the War of the Three Kingdoms as The Order of Release, featuring a scene from the aftermath of the 1745 Jacobite Rebellion.[3]
Amongst veteran artists who has established their reputations in the pre-Victorian era Edwin Landseer submitted several works. Clarkson Stanfield exhibited his maritime painting The Victory Towed into Gibraltar set during the Napoleonic Wars. [4] The Scottish artist David Roberts's The Inauguration of the Great Exhibition commemorated Queen Victoria's opening of the Crystal Palace two years earlier.[5] Several paintings commemorated the Duke of Wellington who had died the previous year, while Stephen Pearce painted The Arctic Council Planning a Search for Sir John Franklin.
Gallery



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Venice by David Roberts_-_San_Giorgio_Maggiore_and_the_Salute%252C_Venice%252C_with_Fishing_Craft_of_Chioggia_and_the_Lagoon_-_1230225_-_National_Trust.jpg)
The Pier and Bay of St. Ives by Edward William Cooke
Love's Labour's Lost by Edward William Cooke_-_The_Execution_of_the_Marquis_of_Montrose_-_1877-12_-_Salford_Museum_and_Art_Gallery.jpg)


Night (Two Stags Battling by Moonlight) by Edwin Landseer
Morning by Edwin Landseer
The Village Post Office by William Frederick Witherington
The Meeting of Jacob and Rachel by William Dyce
Boaz and Ruth by Charles Lock Eastlake
The Lost Path by Richard Redgrave
Caspar and Duck by Alfred Hitchens Corbould
The Sick Lamb by Richard Ansdell
Sophia and Olivia by Thomas Faed
The Rising Moon by Arthur Gilbert
Lady Jane Grey and Roger Ascham by John Callcott Horsley
Canterbury from Tonford by Thomas Sidney Cooper
Catherine's Dream by Henry Nelson O'Neil
By the Waters of Babylon by Philip Hermogenes Calderon
Under the Hawthorn by John Linnell
How Shepherds Lose Their Sheep Signed by Thomas Danby
Metastasio as a Child is Discovered by Gravina Singing by Robert McInnes
Juliet and the Friar by William James Grant
The Pearl of Triana by John Phillip
His Last Return from Duty by James William Glass_-_An_Episode_in_the_Happier_Days_of_Charles_I_-_0070-1901_-_Bury_Art_Museum.jpg)
The Sirens by Victor Mottez





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Eliza Seymour by Claude Jacquand_-_George_Dawson_(1821%E2%80%931876)_-_1935P146_-_Birmingham_Museums_Trust.jpg)
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Sir John Bent by Philip Westcott
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William Wills Hooper by Richard Augustus Clack
Charles James Napier by Edwin Williams
Warren Stormes Hale by John Robert Dicksee
See also
- Salon of 1853, contemporary French art exhibition
References
- ↑ https://chronicle250.com/1853#catalogue
- ↑ https://chronicle250.com/1853#catalogue
- ↑ Riding p.25
- ↑ Van der Merwe & Took p. 163
- ↑ https://www.rct.uk/collection/407143/the-inauguration-of-the-great-exhibition-1-may-1851
Bibliography
- Murray, Peter. Daniel Maclise, 1806-1870: Romancing the Past. Crawford Art Gallery, 2009.
- Riding, Christine. John Everett Millais. Harry N. Abrams, 2006.
- Van der Merwe, Pieter & Took, Roger. The Spectacular Career of Clarkson Stanfield. Tyne and Wear County Council Museums, 1979.