Royal Academy Exhibition of 1826
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The Royal Academy Exhibition of 1826 was an art exhibition held at Somerset House in London between 1 May and 8 July 1826. It was fifty eight annual Summer Exhibition of the British Royal Academy of Arts.[1] It featured submissions from leading painters, sculptors and architects of the Regency era.
The President of the Royal Academy Thomas Lawrence attracted some of the greatest praise of the exhibition for the eight portrait paintings he displayed.[2] There included his Portrait of George Canning and a Portrait of Robert Peel, then serving in the government of Lord Liverpool as foreign secretary and home secretary respectively. The works had been commissioned by Peel, a third painting of Lord Liverpool exhibited at the academy the following year.[3]
Two of the notable history paintings on display were Edwin Landseer's The Hunting of Chevy Chase and Benjamin Robert Haydon's Venus and Anchises. It was the first time in seventeen years that Haydon had displayed a work at the academy due to a boycott. By contrast the younger Landseer was a rising young painter who would go on to be a prominent figure in the establishment. [4] Landseer portrayed a scene inspired by a popular ballad and the picture was greeted with enthusiasm by critics.[5]
John Constable exhibited two landscape paintings. Parham Mill and The Cornfield. Although he hoped to have his The Opening of Waterloo Bridge ready in time for the exhibition, it wasn't finally displayed until the 1832 edition.[6]
The Scottish painter David Wilkie was a notable absentee, following a breakdown in his health he briefly quit painting and travelled around Continental Europe.[7]
Gallery
Portrait of Lady Wallscourt by Thomas Lawrence
Portrait of Lady Manners by Thomas Lawrence_-_George_Canning_-_NPG_1832_-_National_Portrait_Gallery.jpg)


View from the Terrace of a Villa at Niton, Isle of Wight by J.M.W. Turner

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Venus and Anchises by Benjamin Robert Haydon
The Ballad of Old Robin Gray by William Allan
Captain Macheath Upbraided by Polly and Lucy by Gilbert Stuart Newton
The Young Shrimpers by William Collins
Don Quixote and Dorothea by Charles Robert Leslie_-_The_Judgement_of_Paris_-_LL_3588_-_Lady_Lever_Art_Gallery.jpg)
Marengo by James Ward
The Quay at Antwerp, engraving based on the painting by Augustus Wall Callcott
Rouen Cathedral by David Roberts
St Albans by George Jones
Portrait of the Marquis of Anglesey by Peter Edward Stroehling
Portrait of John Bell by George Clint
Portrait of Lord Lilford by Henry William Pickersgill
Portrait of Sir Jacob Astley by Henry William Pickersgill
Portrait of John Poole by Henry William Pickersgill
Portrait of Martin Davy by William Beechey
Portrait of Earl Grey by John Jackson
Portrait of Dixon Denham by Thomas Phillips
Portrait of Robert Southey by Samuel Lane
Portrait of Luke Hansard by Samuel Lane
References
- ↑ https://chronicle250.com/1826#catalogue
- ↑ https://chronicle250.com/1826#catalogue
- ↑ Albinson, Funnell & Peltz p.19-21
- ↑ https://chronicle250.com/1826#catalogue
- ↑ Ormond p.64-58
- ↑ Hamilton. Constable p.300
- ↑ Tromans p.11
Bibliography
- Albinson, Cassandra, Funnell, Peter & Peltz, Lucy. Thomas Lawrence: Regency Power and Brilliance. Yale University Press, 2010.
- Bailey, Anthony. John Constable: A Kingdom of his Own. Random House, 2012.
- Hamilton, James. Constable: A Portrait. Hachette UK, 2022.
- Hamilton, James. Turner - A Life. Sceptre, 1998.
- Ormond, Richard. Sir Edwin Landseer. Philadelphia Museum of Art, 1981.
- Tromans, Nicholas. David Wilkie: The People's Painter. Edinburgh University Press, 2007.