Royal Academy Exhibition of 1876
_-_On_the_Thames_(How_Happy_I_Could_Be_with_Either%5E)_-_A1.323_-_The_Hepworth_Wakefield.jpg)
The Royal Academy Exhibition of 1876 was the hundred and eighth annual Summer Exhibition hosted by the British Royal Academy of Arts. It ran between 1 May and 7 August 1876 at Burlington House in London's Piccadilly. It showcased works from leading artists and architects of the Victorian era, and attracted over 320,000 visitors during its run.[1]
Charles West Cope displayed The Council of the Royal Academy Selecting Pictures for the Exhibition, 1875 which showed leading members of the Royal Academy judging which paintings should be shown at the previous year's exhibition, which was one of the most widely discussed works. The large number of portrait paintings on display were commented on, while The Art Journal praised Over the Hills and Far Away by John Everett Millais as "the grandest piece of landscape in this year's exhibition".[2]
The French artist James Tissot displayed On the Thames, which drew near unanimous criticism due to its portrayal of a man accompanied by potential female conquests on a boat in the Pool of London.[3] He also exhibited The Convalescent, painted in his own London garden. Henri Félix Emmanuel Philippoteaux showed The Charge of the Heavy Brigade depicting the Battle of Balaclava during the Crimean War.
Gallery

An Audience at Agrippa's by Lawrence Alma-Tadema
The Rivals by Charles Edward Perugini
The Lover's Seat by William Powell Frith
The Vicar of Wakefield by William Powell Frith
A Zuyder Zee Fishing Haven by Edward William Cooke.jpg)
Hard Lines by James Clarke Hook
À Bientôt by Valentine Cameron Prinsep
Teresina by Frederic Leighton
The Hollow Tree by John Linnell
Coming Down to Dinner by John Callcott Horsley
High Mass at a Fishing Village on the Zuyder Zee by George Clausen
The New Curate by David Wilkie Wynfield
The Old Gateway by John Seymour Lucas
An Appeal for Mercy, 1793 by Marcus Stone
Pallas Athena and the Herdsman's Dogs by Briton Riviere
Darning Day by Eyre Crowe
The Hop-Gardens of England by Cecil Gordon Lawson
Richard II Resigning the Crown to Bolingbroke by John Gilbert
Rebecca by William Charles Thomas Dobson
King Lear Disinheriting Cordelia by John Rogers Herbert
Gordale Scar by John William Inchbold
Margaret by Philip Hermogenes Calderon
His Reverence by Philip Hermogenes Calderon
Under Lock and Key by John Callcott Horsley
A Birthday Tea Party by Thomas Webster
Launching the Lifeboat by Henry Moore
The Widower by Luke Fildes
Looking Out For a Safe Investment by Erskine Nicol
The Last Bit of Scandal by William Frederick Yeames
Return Through the Valley of Death engraving based on the original painting by Thomas Jones Barker
Her Majesty's Buckhounds by William Henry Hopkins
The Morning of the Battle of Waterloo by Ernest Crofts
Spindrift by John MacWhirter
The Lady of the Woods by John MacWhirter
Near Viareggio, Where Shelley's Body Was Found by William Blake Richmond
Cleopatra by Lawrence Alma-Tadema
Getting Better by John Everett Millais
On the Banks of the Nile, Upper Egypt by John Frederick Lewis
Portrait of Earl Cairns by Lowes Cato Dickinson
Portrait of Edmund Law Lushington by Lowes Cato Dickinson
Portrait of Henry Wilkinson Cookson by Lowes Cato Dickinson
Portrait of Robert Bulwer-Lytton by John Everett Millais
Portrait of Berthe Schlesinger by John Everett Millais
Portrait of Richard Francis Burton by Frederic Leighton
Portrait of Lionel Smith Beale by Henry Tanworth Wells
Portrait of the Earl of Milltown by Francis Grant
Portrait of Ellen Terry by Johnston Forbes-Robertson
References
- ↑ https://chronicle250.com/1876
- ↑ https://chronicle250.com/1876
- ↑ Cusack p.187
Bibliography
- Cusack, Tricia (ed.) Art and Identity at the Water's Edge. Taylor & Francis, 2017.
- Marshall, Nancy Rose & Warner, Malcolm. James Tissot: Victorian Life, Modern Love. Yale University Press, 1999.