Royal Academy Exhibition of 1862
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The Royal Academy Exhibition of 1862 was the ninety fourth annual Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery in London between 5 May and 26 July 1862.[1] William Powell Frith who has enjoyed great success with his 1858 work The Derby Day chose to exhibit his major new painting The Railway Station elsewhere in a blow to the Academy.[2] He did however submit a portrait of the fellow painter Thomas Creswick. Attention was also drawn away to the 1862 International Exhibition held in South Kensington, follow-up to the Great Exhibition of 1851.
The veteran painter of seascapes Clarkson Stanfield submitted a view of Stack Rock in Antrim[3] while his son George displayed a landscape of Limburg. Henry Wallis who had produced an iconic painting The Death of Chatterton several years before now showed The Death of Christopher Marlowe.[4] Thomas Jones Barker displayed The Dawn of Victory, a scene from the Indian Mutiny.[5]
Several works made reference to the 1860 Anglo-French expedition to China including Francis Grant's portraits of the diplomat Lord Elgin and his own brother general Sir Hope Grant. John Watson Gordon produced a portrait of the Prince of Wales for Oxford University.
Gallery
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Dolores by John Phillip
The Water Drinkers by John Phillip
The Bay of Tangier by Edward William Cooke_-_The_Houses_of_Parliament_from_Millbank%252C_London_-_2002.75_-_London_Museum.jpg)
Chancel of St Paul's Antwerp by David Roberts
Church of Our Lady, Bruges by David Roberts
View from Waterloo Bridge by David Roberts
Limburg by George Clarkson Stanfield
Mary Stuart's Farewell to France by Henry Nelson O'Neil
Sisters by Frederic Leighton
Odalisque by Frederic Leighton
Duett by Frederic Leighton
The Star of Bethlehem by Frederic Leighton
Sir Galahad by George Frederick Watts
Alone with the Tide by James McNeill Whistler
Oak Tree Ford by Frederick Richard Lee
The Acre by the Sea by James Clarke Hook
Sea Air by James Clarke Hook_-_Roast_Pig_-_VIS.1514_-_Sheffield_Galleries_and_Museums_Trust.jpg)
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The Young Photographers by Frederick Daniel Hardy- The Painter's First Work by Marcus Stone
Castle Donington by Henry Dawson
The River Tees at Rokeby by Thomas Creswick
The Income Tax, Day of Appeal by John Morgan
Daniel Defoe in the Pillory by Eyre Crowe
Bedtime by Arthur Hughes
The Rift within the Lute by Arthur Hughes
The Dawn of Victory by Thomas Jones Barker
The Rock of Gibraltar by Frederick Richard Lee- West Highlands with Dunstaffnage Castle by Richard Ansdell
The Haymakers by James Thomas Linnell
Hallo Largesse by William Maw Egley
The Rainbow by Henry Clarence Whaite
Sir Walter Raleigh at Durham House by Henry Wallis
Children at the Tower by George Bernard O'Neill
The Quaker and the Tax-Gatherer by George Bernard O'Neill
Invention of the Combing-machine by Alfred Elmore
Rivals to Blondin by William Henry Knight
The Child Jeremiah by Simeon Solomon
The First Sense of Sorrow by James Sant
Ballad Singing in Andalucia by Dennis Wood Deane
Panope by William Edward Frost

Lady Margaret Beaumont and Her Daughter by George Frederick Watts_-_William_Beckett_(1784%E2%80%931863)_-_LEEAG.PA.1995.0013_-_Leeds_Art_Gallery.jpg)

Duke of Atholl by John MacLaren Barclay_-_Thomas_Creswick_(1811%E2%80%931869)_-_03-1340_-_Royal_Academy_of_Arts.jpg)
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References
Bibliography
- Atlick, Richard Daniel. Paintings from Books: Art and Literature in Britain, 1760-1900. Ohio State University Press, 1986
- Riding, Christine. John Everett Millais. Harry N. Abrams, 2006.