Royal Academy Exhibition of 1880

The Royal Academy Exhibition of 1880 was an art exhibition held between 3 May and 2 August 1880 at Burlington House in London. It was the annual Summer Exhibition organised by the British Royal Academy of Arts. It drew around 300,000 spectators and featured submissions from prominent artists and architects of the later Victorian era.[1]
The rivalry between the Academy and the much newer Grosvenor Gallery continued to grow. While a number of artists associated with Impressionism had already exhibited there, this year major artists in the Academic style submitted works to both exhibitions. [2]
The history painting Napoleon on Board the Bellerophon by William Quiller Orchardson and the seascape Britannia's Realm by John Brett received acclaim and were acquired for the nation through the Chantrey Bequest. [3]
Amongst the portraits on display were two self-portraits by John Everett Millais and George Frederic Watts. These has been produced to hang at the Ufizzi Gallery in Florence, a process organised by the President of the Royal Academy Frederick Leighton. [4] Julius Schrader displayed a portrait of the German Chancellor Otto von Bismarck. The French artist Jules Bastien-Lepage exhibited portraits of the Prince of Wales and the actress Sarah Bernhardt.[5]
Gallery
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_-_Tenby_Fisherwoman_-_SCO.FA.Op.193_-_Scolton_Manor_Museum.jpg)
A Tenby Prawn Seller by William Powell Frith_-_A_Visit_to_Aesculapius_-_N01586_-_National_Gallery.jpg)
- Home with the Tide by James Clarke Hook
_-_Britannia's_Realm_-_N01617_-_National_Gallery.jpg)
The Vine by Philip Hermogenes Calderon
Not at Home by Lawrence Alma-Tadema
The Inquisition by Charles West Cope
Ordered to the Front by Frank Holl

Battle of Blenheim by Richard Caton Woodville
Race to the Market, Tahiti by Nicholas Chevalier
A Venetian Boy Unloading a Market Boat by Hilda Montalba
The Assyrian Captive by Edwin Long
Light of the Harem by Frederic Leighton
In Clover by Robert Walker Macbeth
A Nook in Nature's Garden by James Aumonier
Oxford by James Aumonier
The Halt by Mark Fisher
A Recess on a London Bridge by Augustus Edwin Mulready
Amour ou Patrie by Marcus Stone
Gleaners by Frederick Morgan
En Pénitence by Arthur Hughes
The Young Housewife by William Quiller Orchardson
Syria, The Night Watch by Briton Rivière
The Imperial Assemblage Held at Delhi by Valentine Cameron Prinsep
Endymion by Briton Riviere
The Trial of Queen Catherine by Laslett John Pott
Courship in Cairo by Théodore Ralli
The Armada in Sight by John Seymour Lucas
The Welcome Letter by George Hardy
The House Builders by Frank Dicksee
The Misses Santley by Henry Scott Tuke
George Graham by Frank Holl
Henry Irving as Hamlet by Edwin Long_-_Henry_Parry_Liddon_(1829%E2%80%931890)%252C_DD%252C_Benefactor_-_PCF42_-_Keble_College.jpg)
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The Dean's Daughter, a portrait of Lily Langtry by George Frederic Watts_-_Eveleen_Tennant%252C_Later_Mrs_F._W._H._Myers_-_N05116_-_National_Gallery.jpg)
_-_Charles_West_Cope_(1811%E2%80%931890)_-_03-659_-_Royal_Academy_of_Arts.jpg)
Self-Portrait by John Everett Millais_-_Luther_Holden_(1815%E2%80%931905)%252C_Surgeon_at_St_Bartholomew's_Hospital_(1865%E2%80%931881)_-_SBHX7-39_-_Barts_Health_Archives.jpg)
Catherine Meriel Cowell-Stepney by John Everett Millais
Portrait of the Prince of Wales by Jules Bastien-Lepage_par_Jules_Bastien-Lepage_(1848-1884)_-_1879.jpg)
References
Bibliography
- Green, Richard & Sellars, Jane. William Powell Frith: The People's Painter. Bloomsbury, 2019.
- Payne, Christiana. Where the Sea Meets the Land: Artists on the Coast in Nineteenth-century Britain. Sanson, 2007.