Royal Academy Exhibition of 1840
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The Royal Academy Exhibition of 1840 was the seventy second annual Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery in London from 4 May to 24 July 1840 and featured submissions from leading painters, sculptors and architects of the early Victorian era.[1]
J.M.W. Turner submitted a series of paintings including landscape scenes of Venice and Naples. One of his more unusual works was The Slave Ship which showed the crew of a slaver throwing their enslaved prisoners overboard in a scene likely inspired by the eighteenth century Zong massacre.[2] Edwin Landseer, a specialist in animal paintings, featured a number of works including Laying Down the Law. One of his best-known paintings it shows a group of dogs who resemble the proceedings of an English court of law.[3]
Francis Grant, an emerging Scottish portrait painter, displayed Queen Victoria Riding Out featuring Queen Victoria and her Prime Minister Lord Melbourne at Windsor.[4] David Wilkie submitted his own Portrait of Queen Victoria to a hostile critical reception.
Gallery



The New Moon by J.M.W. Turner
Bacchus and Ariadne by J.M.W. Turner.jpg)
Rockets and Blue Lights by J.M.W. Turner
Horses Taken in to Bait by Edwin Landseer
The Lion Dog of Malta by Edwin Landseer
Islay, Tilco, a Macaw and Two Lovebirds by Edwin Landseer

The First Meeting of Petrarch and Laura by Henry Nelson O'Neil
The Irish Whiskey Still by David Wilkie
Nell Gwynn at the Tavern by Charles Landseer
The Glee Maiden by Robert Scott Lauder
The Ford by Thomas Creswick
The Assuaging of the Waters by John Martin
Gil Blas Introducing Himself to Laura by William Simson
Mars, Venus and an Attendant Derobing her Mistress for the Bath by William Etty
The Contrast by John Callcott Horsley
Neapolitan Peasants at the Festa of the Madonna dell'Arco by Thomas Uwins
Boar Hunters Refreshed at Saint Augustine's Monastery, Canterbury by John Rogers Herbert
- A Scene from Gil Blas by Daniel Maclise
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Almsgiving by Charles West Cope
A Neapolitan Boy Decorating the Head of His Innamorata by Thomas Uwins
Ave Maria Scene Near Tivoli by William Collins
First Love by William Mulready_-_Fair_Time_('Returning_from_the_Ale-House')_-_N00394_-_National_Gallery.jpg)
Great Temple at Edfou by David Roberts.jpg)
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Portrait of the Duke of Wellington by John Lucas
Portrait of Lord Denman by Martin Archer Shee, previously displayed at Exhibition of 1833
Portrait of James Rivett-Carnac by Henry William Pickersgill
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Portrait of Lord Arbuthnott by David Wilkie_-_Queen_Victoria_(1819%E2%80%931901)%252C_in_Robes_of_State_-_LL_3598_-_Lady_Lever_Art_Gallery.jpg)
Portrait of Earl of Cottenham by Charles Robert Leslie
Portrait of the Duke of Sussex by Thomas Phillips
Portrait of John Whichelo by George Frederick Watts
See also
References
- ↑ https://chronicle250.com/1840
- ↑ Shanes p.222
- ↑ Ormond p.192
- ↑ https://www.rct.uk/collection/400749/queen-victoria-1819-1901-riding-out
Bibliography
- Hamilton, James. Turner – A Life. Sceptre, 1998.
- Herrmann, Luke. J.M.W. Turner. Oxford University Press, 2007.
- Murray, Peter. Daniel Maclise, 1806–1870: Romancing the Past. Crawford Art Gallery, 2009.
- Ormond, Richard. Sir Edwin Landseer. Philadelphia Museum of Art, 1981.
- Shanes, Eric. The Life and Masterworks of J.M.W. Turner. Parkstone International, 2012.
- Tromans, Nicholas. David Wilkie: The People's Painter. Edinburgh University Press, 2007.
- Weston, Nancy. Daniel Maclise: Irish Artist in Victorian London. Four Courts Press, 2009.