Royal Academy Exhibition of 1872
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The Royal Academy Exhibition of 1872 was the 104th annual Summer Exhibition of the British Royal Academy of Arts held at Burlington House in London from 6 May to 5 August 1872. It was the largest held so far with 1,600 works from artists and architects of the Victorian era and attracted over 260,000 visitors.[1] Francis Grant presided over the event as President of the Royal Academy.
The millionaire art collector Alfred Morrison acquired a number of works from the exhibition, including Frederic Leighton's Summer Moon and Henry William Banks Davis's A Panic. John Gilbert was criticised in The Times for the perceived poor quality of his history painting. King Charles I Leaving Westminster Hall. However, Luke Fildes enjoyed success with his debut submission Fair Quiet and Sweet Rest.[2] William Powell Frith, one of the mainstays of the academy, sent in a number of paintings including At My Window, Boulogne and Henry VIII and Anne Boleyn Deer Shooting in Windsor Forest.[3] Another veteran Edwin Landseer exhibited Lady Emily Peel with her Favourite Dogs, a work first commissioned in the 1840s.[4]
John Everett Millais displayed the landscape painting Flowing to the Sea and its companion piece Flowing to the River as well as the group portrait Hearts are Trumps.
Gallery

At My Window, Boulogne by William Powell Frith
Lord Foppington Relating His Adventures by William Powell Frith
The Miniature by William Powell Frith
A Panic by Henry William Banks Davis
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After Vespers by Frederic Leighton
A Condottiere by Frederic Leighton
The Baptismal Font by Edwin Landseer
Danish Craft on the Elbe by Edward William Cooke
Ploughing with Oxen by Léon Lhermitte
Pay for Peeping by John Callcott Horsley
George Herbert and His Mother by Charles West Cope
Oliver Cromwell and His Secretary John Milton, Receiving a Deputation Seeking Aid for the Swiss Protestants by Charles West Cope
Flowing to the Sea by John Everett Millais
Flowing to the River by John Everett Millais
Near Capel Curig by Benjamin Williams Leader
Wild Wales by Benjamin Williams Leader
Noon on the Surrey Hills by George Vicat Cole
The Harbour of Refuge by Frederick Walker
Nymph and Cupid by William Edward Frost
The Harvest Moon by George Mason
The Tower from London Bridge by Henry Dawson
God's Acre by Thomas Faed
Casus Belli by William Quiller Orchardson
Playing at Work by Charles Edward Perugini
The Confessional by Henri Lehmann
The Queens Lodge, Windsor in 1786 by Henrietta Ward
Edward II and Piers Gavestone by Marcus Stone
Dawn of the First Easter Sunday by Edward Armitage
The Return from Flight by Edward Matthew Ward
And the Prayer of Faith Shall Save the Sick by John Frederick Lewis
Lilium Auratum by John Frederick Lewis
The Suppliants by Edwin Long
Silvius and Phoebe by John Pettie
Remorse by Paul Falconer Poole
Perseus and Andromeda by Edward Poynter
Daniel in the Lions' Den by Briton Rivière
Poll the Milkmaid by Arthur Hughes
As You Like It by Arthur Hughes
Whitesand Bay by John Brett
South Bishop Rock, Anticipations of a Wild Night by John Brett
The Arrest of Anne Boleyn by David Wilkie Wynfield
Cephalus and Procris by John Roddam Spencer Stanhope
Winter Gale in the Channel by Henry Moore
The Denunciation of Cain by George Frederic Watts
Petra by Edward Lear
Old York Gate, Adelphi by John O'Connor
The Harem by Francis John Wyburd
The Fall of Rienzi by Frank William Warwick Topham
The Village Well by Hugh Cameron
Terms to the Besieged by John Pettie
Left to Die by Frances Anne Hopkins

Queen Victoria with Three Grandchildren by James Sant_-_Robert_Carruthers_(1799%E2%80%931878)_-_INVMG_1999.097_-_Inverness_Museum_and_Art_Gallery.jpg)
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Sir Henry Irving as Matthias in The Bells by James Archer
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William Robert Grove by James Edgell Collins
Gilbert Ainslie by Frederick Bacon Barwell
Arthur Mitchell by Norman Macbeth
Rith H. Wallis-Dunlop by George Frederic Watts_-_Philip_Hermogenes_Calderon_(1833%E2%80%931898)_-_COMWG_40_-_Watts_Gallery.jpg)
Virginia Dalrymple by George Frederic Watts_-_Sir_George_Otto_Trevelyan_(1838%E2%80%931928)%252C_2nd_Bt%252C_Aged_32_-_584395_-_National_Trust.jpg)
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References
- ↑ https://chronicle250.com/1872#catalogue
- ↑ https://chronicle250.com/1872#catalogue
- ↑ Bills & Knight p.x
- ↑ Ormond p.140
Bibliography
- Bills, Mark & Knight, Vivien (ed.) William Powell Frith: Painting the Victorian Age. Yale University Press, 2006
- Ormond, Richard. The Monarch of the Glen: Landseer in the Highlands. National Galleries of Scotland, 2005.