Royal Academy Exhibition of 1866
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The Royal Academy Exhibition of 1866 was the ninety eighth annual Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery in London from 7 May to 28 July 1866. One of the most notable works on display was the Irish artist Daniel Maclise's The Death of Nelson, an oil painting based on the fresco he had produced for the Houses of Parliament.[1] It was the first exhibition during the Presidency of Francis Grant, in succession to Charles Lock Eastlake. The same year the Academy began its protracted move to a new permanent home at Burlington House in Piccadilly. [2]
Paintings on display included Uncle Toby and the Widow Wadman by William Powell Frith[3] and The Woodman's Dinner by Richard Redgrave. [4] Edwin Landseer displayed The Arab Tent and Lady Godiva's Prayer while Henry Tanworth Wells exhibited Volunteers at a Firing Point, his diploma work for membership of the Royal Academy.
The Scottish artist Peter Graham made his debut with the landscape painting A Spate in the Highlands which showed a flood in the Highlands and drew critical acclaim.[5]
Gallery


Portrait of Elinor Guthrie by Frederic Leighton_-_Uncle_Toby_and_the_Widow_Wadman_-_N01781_-_National_Gallery.jpg)
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Pot Luck by Thomas Faed
Ere Care Begins by Thomas Faed
The Thorn by Charles West Cope_-_The_Last_Moments_of_Raphael_-_K250_-_Bristol_City_Museum_%5E_Art_Gallery.jpg)
Queen Victoria and the Prince Consort at Aldershot by George Housman Thomas
Thetis by George Frederic Watts
The Remorse of Judas by Edward Armitage
Solitude by Frederick Richard Lee
A Breezy Day on the English Coast by Thomas Creswick
The Close of Summer by Benjamin Williams Leader
A Chat Round the Brasero by John Phillip
The Door of a Café in Cairo by John Frederick Lewis
Going to the Spring by Paul Falconer Poole
Going to a Party by John Callcott Horsley
Gran's Treasures by George Bernard O'Neill
An Arrest for Witchcraft in the Olden Time by John Pettie
Give Us This Day Our Daily Bread by James Clarke Hook
Not Sold Yet by John Templeton Lucas
Mors Janua Vitae by Joseph Noel Paton
I Wonder Who Lived in There! by Joseph Noel Paton
Margaret in the Cathedral by Thomas Jones Barker
Palissy the Potter by Henrietta Ward
Reynolds' First Sketch by Eyre Crowe
Awaiting Publication of 'Le Moniteur' for News of the Arrest of Robespierre by William Henry Fisk
The Wappenshaw by John Faed
La Festa di Lido by Valentine Cameron Prinsep
The Guarded Bower by Arthur Hughes
A Spate in the Highlands by Peter Graham
Orchids by Martha Darley Mutrie_-_The_Dismayed_Artist_-_OP194_-_Wolverhampton_Art_Gallery.jpg)
Apricots by Albert Joseph Moore
Pomegranates by Albert Joseph Moore
The Shulamite by Albert Joseph Moore
The Story of a Life by William Quiller Orchardson_-_Her_Most_High%252C_Noble_and_Puissant_Grace_-_LEEAG.PA.1903.0201_-_Leeds_Art_Gallery.jpg)
On the Ribble, Near Preston, Harvest Time by Henry Dawson
Daniel Maclise Painting The Death of Nelson in the House of Lords by John Ballantyne
The Water Carriers by Richard Ansdell
Spanish Posada, Granada by Richard Ansdell
Anne Boleyn and Percy by David Wilkie Wynfield
Stealing the Keys by Marcus Stone
Damon and Aglae by Simeon Solomon
Portrait of Robert Bullock Marsham by Henry Tanworth Wells
Portrait of William Marsden by Henry William Pickersgill
Portrait of Derwent Coleridge by Samuel Laurence
Portrait of George T. Clark by Henry Wyndham Phillips
Portrait of Alice Woolner by Arthur Hughes
Portrait of Edmund Walker Head by Henry Weigall
Portrait of Duke of Cambridge by John Prescott Knight
The Four Eldest Children of the Crown Prince of Prussia by George Koberwein
Portrait of Anna Brassey by Francis Grant
Portrait of George Richards by Stephen Pearce
References
Bibliography
- Mingay, G.E. (ed)The Victorian Countryside: Volume 1. Routledge, 2000.
- Murray, Peter. Daniel Maclise, 1806–1870: Romancing the Past. Crawford Art Gallery, 2009..