Royal Academy Exhibition of 1874

The Royal Academy Exhibition of 1874 was the hundred and sixth annual Summer Exhibition of the British Royal Academy of Arts which was held at Burlington House in London's Piccadilly between 4 May to 3 August 1874.[1] It featured submissions from leading painters, sculptors and architects of the Victorian era.
The most discussed work of the exhibition was Elizabeth Thompson's The Roll Call. It shows a roll call of British soldiers in the aftermath of a battle of the Crimean War. It marked her breakthrough. Two of her previous submissions to the Royal Academy had been rejected and the third given an obscure hanging.[1]
Another work that drew widespread notice was the Realist Applicants for Admission to a Casual Ward by Luke Fildes.[1] The French artist James Tissot displayed his genre painting London Visitors.[2]
It should not be confused with the Winter Exhibition, held earlier the same year, which featured a retrospective of the works of Edwin Landseer.[3]
Gallery

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Picture of Health by John Everett Millais_-_Winter_Fuel_-_1897.4_-_Manchester_Art_Gallery.jpg)
Scotch Firs by John Everett Millais_-_The_Ball_on_Shipboard_-_N04892_-_National_Gallery.jpg)
Waiting by James Tissot
My Lady Is a Widow and Childless by Marcus Stone_-_The_Warning_before_Flodden_-_OP435_-_Wolverhampton_Art_Gallery.jpg)
Under the Lee of a Rock by James Clarke Hook
Portrait of James Hunt by Francis Grant
Knitting a Stocking by Francis Grant
Wandering Thoughts by William Powell Frith
The Picture Gallery by Lawrence Alma-Tadema
The Queen of the Tournament by Philip Hermogenes Calderon
Pot Pourri by George Dunlop Leslie
The Nut Brown Maid by George Dunlop Leslie
Rhodope by Edward Poynter
The Moorish Garden, a Dream of Granada by Frederic Leighton
Old Damascus, Jew's Quarter by Frederic Leighton
Antique Juggling Girl by Frederic Leighton
Capital and Labour by Henry Stacy Marks
Taming of the Shrew by Charles West Cope
Grandmamma's Christmas Visitors by George Adolphus Storey
There's No Place Like Home by Thomas Sidney Cooper
A Roman Fruitseller by Keeley Halswelle
Under the Lion of St Mark's by Keeley Halswelle
The Embankment, London by John O'Connor
The Field of the Cloth of Gold by John Gilbert
The Dinner Hour, Wigan by Eyre Crowe
A Dewy Morning on the Mountains, Capel Curig by Benjamin Williams Leader
Cartagena, Spain by James Webb
A State Secret by John Pettie
Apollo by Briton Riviere
An Appeal to the Podesta by William Frederick Yeames
Indoor Gossip, Cairo by John Frederick Lewis
A Lady Receiving Visitors by John Frederick Lewis
Violets and Primroses by Thomas Faed
Alice Bridgenorth and Julian Peveril by Alfred Elmore
The Herd Lassie by Richard Ansdell
Startled Foresters by Richard Redgrave
Woodcutters by John Linnell
Innocence by Henry Lejeune
Ophelia by William Quiller Orchardson
Joseph, Overseer of Pharaoh’s Granaries by Lawrence Alma-Tadema
The Heart of Surrey by George Vicat Cole
Portrait of Maria, Duchess of Edinburgh by Gustav Richter
Portrait of Sir William Fergusson by Rudolf Lehmann
Portrait of Lord Frederick Cavendish by George Richmond
Portrait of Lord Selborne by Walter William Ouless
Portrait of John Remington Mills by Henry Tanworth Wells
References
- 1 2 3 "1874 "Excellence Executed by a Woman"1". Chronicle250.com. Retrieved June 21, 2026.
- ↑ "London Visitors". Emuseum.toledomuseum.org. Retrieved Jun 21, 2026.
- ↑ "The Works of the Late Sie Edwin Landseer". Royalacademy.org.uk. Retrieved June 21, 2026.
Bibliography
- Marshall, Nancy Rose & Warner, Malcolm. James Tissot: Victorian Life, Modern Love. Yale University Press, 1999.