Portal:Visual arts

THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Within the visual arts, the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art are also included.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.

The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying on the imagination of the artist to the highest degree and being the furthest removed from manual labour – in Chinese painting, valued styles were "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

Selected article

Portrait of Mariana of Austria is a 1652–1653 oil-on-canvas painting by Diego Velázquez, the leading artist of the Spanish Golden Age, existing in a number of versions. Its subject, Doña Mariana (known as Maria Anna), was the daughter of Emperor Ferdinand III and Maria Anna of Spain. She was nineteen years old when the painting was completed. Although described as vivacious and fun-loving in life, she is given an unhappy expression in Velázquez's portrait. The portrait is painted in shades of black and red, and her face is heavily made up. Her right hand rests on the back of a chair, and she holds a lace handkerchief in her left hand. Her bodice is decorated with jewellery, including a gold necklace, bracelets and a large gold brooch. A clock rests on scarlet drapery behind her, signifying her status and discernment.

Mariana had been betrothed to her first cousin, Prince Baltasar Carlos. He died in 1646 aged sixteen, and in 1649 she married her uncle, Baltasar Carlos's father, Philip IV, who sought her hand so as to preserve the hegemony of the Habsburg dynasty. She became queen consort on their marriage, and after her husband's death in September 1665, regent during the minority of her son, Charles II, until he came of age in 1675. Owing to Charles' inhibiting physical weaknesses, she dominated the political life in Spain until her death in 1696. (Full article...)

Selected picture

Detail of Jonah - Sistine Chapel, Michelangelo
Detail of Jonah - Sistine Chapel, Michelangelo
Detail of Jonah - Sistine Chapel, Michelangelo
Credit: Primalchaos
Buon fresco, as illustrated by a detail of Michelangelo's decoration of the Sistine Chapel ceiling (1508-1512), is a challenging painting technique involving the application of watered-down pigment to wet plaster. Painters are forced to work quickly to apply the pigment before the plaster dries.

Selected quote


“ When I've painted a woman's behind so that I want to touch it, then it's finished! ”
— Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646.


Selected biography

Portrait photograph by George Charles Beresford, 1902

François Auguste René Rodin (/roʊˈdæn/; French: [fʁɑ̃swa oɡyst(ə) ʁəne ʁɔdɛ̃]; 12 November 1840 – 17 November 1917) was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.

Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community. (Full article...)

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