The Complete Commodore & Decca Masters

The Complete Commodore & Decca Masters
Box set by
Released2009
RecordedApril 20, 1939 – March 8, 1950
GenreVocal jazz
LabelHip-O
ProducerMilt Gabler
Professional ratings
Review scores
SourceRating
AllMusicStarStarStarStarStar[1]
All About Jazz(favorable) [2]

The Complete Commodore & Decca Masters is a 3CD box set of recordings by Billie Holiday, released by Hip-O Records in 2009, compiling all the master takes released as 78 rpm singles by Commodore and Decca Records. It includes an essay by Ashley Kahn.[3]

Background

In 1939, Columbia Records refused to let Billie Holiday record the anti-lynching protest song "Strange Fruit". Milt Gabler invited her to record it for his small specialty label Commodore Records, and Columbia granted her a one-time exemption from her contract to do so, in which she recorded four songs (material for two 78 rpm records). "Strange Fruit", backed with "Fine and Mellow", turned out to be the biggest selling record of her career. Although she continued to record for Columbia, in 1944, following the 1942–44 musicians' strike, Holiday permanently left Columbia for Commodore. Small labels like Commodore had been quicker to settle with the musician's union than large labels like Columbia, thus Holiday was able to return to recording quicker by switching to the smaller label. The Commodore tracks were more dominated by torch songs and dramatic ballads than her swing oriented Columbia material had been, although her later Columbia sides (e.g. "God Bless the Child") show she had already been evolving in this direction.

Later the same year, Holiday then followed Gabler to Decca Records, to record "Lover Man". Decca had allowed Gabler to keep his own label, while also being employed by them, so long as he directed all potential hits to Decca. Both Holiday and Gabler suspected "Lover Man" had the potential to be a hit, thus it became her first Decca single, and indeed another of her biggest hits. "Lover Man" was notable for featuring a string section, and all her Decca tracks typically featured string arrangements and even choral backing, rather than jazz combos. This was Holiday's choice, as strings were often used in the white pop records of the day, and when she recorded "Lover Man" she wanted the same sound offered to artists like Bing Crosby, and specifically her friend Frank Sinatra. During this same period, Holiday began performing in concert halls rather than nightclubs, and her live performances became more theatrical than jazz, with many of these dramatic songs becoming centrepieces of her set. Holiday continued to record for Decca throughout the 1940s, before again switching to Norman Granz's Clef label (later Verve) in the next decade.

The orchestras Holiday recorded with while at Commodore and Decca were variously led by Toots Camarata, Bob Haggart, Bill Stegmeyer, John Simmons, Buster Harding, Sy Oliver, and Gordon Jenkins.

"Big Stuff" was a Leonard Bernstein single, with Billie doing a new vocal to a song Bernstein had written as the prologue to his 1944 ballet Fancy Free. The B-side was another Bernstein song from the ballet, without Holiday – "Fancy Free (Galop Variation and Finale)" performed by the Ballet Theatre Orchestra Under Direction of Leonard Bernstein.

"You Can't Lose a Broken Heart" and "My Sweet Hunk o' Trash" were collaborations with Louis Armstrong.

"Guilty" was the only track not originally released as a 78 rpm record, first appearing on the much later compilation LP The Blues Are Brewin' (Decca – DL 8701) in 1958.[4]

Track listing

Disc one: The Commodore Recordings

TrackTitleWriter(s)Date recordedCatalog numberRelease dateLength
1."Strange Fruit"Abel MeeropolApril 20, 1939Commodore 526-a19393:12
2."Yesterdays"Jerome Kern, Otto HarbachApril 20, 1939Commodore 527-a19393:24
3."Fine and Mellow"Billie HolidayApril 20, 1939Commodore 526-b19393:16
4."I Gotta Right to Sing the Blues"Harold Arlen and Ted KoehlerApril 20, 1939Commodore 527-b19392:49
5."How Am I to Know"Jack King, Dorothy ParkerMarch 25, 1944Commodore 569-b19442:43
6."My Old Flame"Sam Coslow, Arthur JohnstonMarch 25, 1944Commodore 585-b19443:01
7."I'll Get By"Fred E. Ahlert and Roy TurkMarch 25, 1944Commodore 553-b19442:58
8."I Cover the Waterfront"Johnny Green, Edward HeymanMarch 25, 1944Commodore 559-a19443:29
9."I'll Be Seeing You"Sammy Fain and Irving KahalApril 1, 1944Commodore 553-a19443:30
10."I'm Yours"Johnny Green and Yip HarburgApril 1, 1944Commodore 585-a19443:16
11."Embraceable You"George Gershwin and Ira GershwinApril 1, 1944Commodore 7520-a19443:15
12."As Time Goes By"Herman HupfeldApril 1, 1944Commodore 7520-b19443:10
13."He's Funny That Way"Richard Whiting, Neil MoretApril 8, 1944Commodore 569-a19443:15
14."Lover Come Back To Me"Sigmund Romberg, Oscar Hammerstein IIApril 8, 1944Commodore 559-b19443:19
15."I Love My Man (Billie's Blues)"Billie HolidayApril 8, 1944Commodore 7519-a19443:07
16."On The Sunny Side Of The Street"Jimmy McHugh and Dorothy FieldsApril 8, 1944Commodore 7519-b19443:01

Disc two: The Decca Recordings

TrackTitleWriter(s)Date recordedCatalog numberRelease dateLength
1."Lover Man"Jimmy Davis, Roger ("Ram") Ramirez, and James ShermanOctober 4, 1944Decca – 23391a19453:15
2."No More"Toots Camarata and Bob RussellOctober 4, 1944Decca – 23483a19462:45
3."That Ole Devil Called Love"Allan Roberts and Doris FisherNovember 8, 1944Decca – 23391b19452:52
4."Don't Explain"Billie Holiday and Arthur Herzog Jr.August 14, 1945Decca – 23565a19463:20
5."You Better Go Now"Bickley Reichner and Robert GrahamAugust 14, 1945Decca – 23483b19462:29
6."What Is This Thing Called Love?"Cole PorterAugust 14, 1945Decca – 23565b19463:09
7."Good Morning Heartache"Irene Higginbotham, Ervin Drake, and Dan FisherJanuary 22, 1946Decca – 23673a19463:05
8."No Good Man"Irene Higginbotham, Dan Fisher, Sammy GallopJanuary 22, 1946Decca – 23673b19463:04
9."Big Stuff"Leonard BernsteinMarch 13, 1946Decca – 23463a19462:29
10."Baby, I Don't Cry Over You"Morton KrouseApril 9, 1946Decca – 23957a19463:09
11."I'll Look Around"George Cory and Douglass CrossApril 9, 1946Decca – 23957b19463:12
12."The Blues Are Brewin'"Eddie DeLange and Louis AlterDecember 27, 1946Decca – 48259a19513:02
13."Guilty"Richard Whiting, Harry Akst, and Gus KahnDecember 27, 1946(unreleased on 78?)19583:11
14."Deep Song"George Cory and Douglass CrossFebruary 13, 1947Decca – 24138a19473:10
15."There Is No Greater Love"Isham Jones, Marty SymesFebruary 13, 1947Decca – 23853a19472:56
16."Easy Living"Ralph Rainger and Leo RobinFebruary 13, 1947Decca – 24138b19473:10
17."Solitude"Duke Ellington, Eddie DeLange and Irving MillsFebruary 13, 1947Decca – 23853b19473:07
18."Weep No More"Gordon Jenkins and Tom AdairDecember 10, 1948Decca – 24551a19493:19
19."Girls Were Made to Take Care of Boys"Ralph BlaneDecember 10, 1948Decca – 24551b19493:11

Disc three: The Decca Recordings Continued

TrackTitleWriter(s)Date recordedCatalog numberRelease dateLength
1."Porgy (I Love You)"George Gershwin and Ira GershwinDecember 10, 1948Decca – 24638a19492:54
2."My Man"Jacques Charles, Channing Pollock, Albert Willemetz, and Maurice YvainDecember 10, 1948Decca – 24638b19492:55
3."Ain't Nobody's Business If I Do"Porter Grainger and Everett RobbinsAugust 17, 1949Decca – 24726a19493:19
4."Baby Get Lost"Leonard Feather and Billy Moore, JrAugust 17, 1949Decca – 24726b19493:13
5."Keeps On A-Rainin'"Spencer Williams and Max KortlanderAugust 29, 1949Decca – 27145a19503:14
6."Them There Eyes"Maceo Pinkard, Doris Tauber and William TraceyAugust 29, 1949Decca – 27145b19502:49
7."Do Your Duty"Wesley 'Sox' WilsonSeptember 8, 1949Decca – 48259b19513:14
8."Gimme a Pigfoot (and a Bottle of Beer)"Wesley 'Sox' WilsonSeptember 8, 1949Decca – 24947a19502:43
9."You Can't Lose a Broken Heart"James P. Johnson and Flournoy E. MillerSeptember 30, 1949Decca – 24758a19493:13
10."My Sweet Hunk o' Trash"James P. Johnson and Flournoy E. MillerSeptember 30, 1949Decca – 24758b19493:18
11."Now or Never"Billie Holiday and Curtis Reginald LewisSeptember 30, 1949Decca – 24947b19503:15
12."You're My Thrill"Jay Gorney and Sidney ClareOctober 19, 1949Decca – 24796a19493:22
13."Crazy He Calls Me"Carl Sigman and Bob RussellOctober 19, 1949Decca – 24796b19493:02
14."Please Tell Me Now"Arnold Clawson and Toussaint PopeOctober 19, 1949Decca – 24857a19503:12
15."Somebody's on My Mind"Billie Holiday and Arthur Herzog Jr.October 19, 1949Decca – 24857b19502:55
16."God Bless the Child"Billie HolidayMarch 8, 1950Decca – 24972a19503:08
17."This Is Heaven to Me"Ernest Schweikert and Frank ReardonMarch 8, 1950Decca – 24972b19502:51

Billie Holiday's Commodore and Decca recordings have been compiled many times, beginning with 78rpm albums in the 1940s and then 10 inch vinyl LPs. Some compilations also include many alternate takes of the songs, but only the master takes originally released as 78 rpm singles are included in this set.

Personnel

April 20, 1939 (tracks 1-1 to 1-4)

Source:[5]

March 25, 1944 (tracks 1-5 to 1-8), April 1, 1944 (tracks 1-9 to 1-12) & April 8, 1944 (tracks 1-13 to 1-16)

October 4, 1944 (tracks 2-1 & 2-2) & November 8, 1944 (track 2-3)

August 14, 1945 (tracks 2-4 to 2-6)

January 22, 1946 (tracks 2-7 & 2-8)

  • Billie Holiday – vocals
  • Bill Stegmeyer – conductor, alto saxophone
    • Joe Guy, Chris Griffin – trumpet
    • Armand Camgros, Hank Ross, Bernard Kaufman – tenor saxophone
    • Tiny Grimes – guitar
    • Joe Springer – piano
    • John Simmons – bass
    • Sid Catlett – drums

March 13, 1946 (track 2-9)

  • Billie Holiday – vocals
  • Joe Guy – trumpet
  • Tiny Grimes – guitar
  • Joe Springer – piano
  • Billy Taylor – bass
  • Kelly Martin – drums

April 9, 1946 (tracks 2-10 & 2-11)

December 27, 1946 (tracks 2-12 & 2-13)

  • Billie Holiday – vocals
  • John Simmons – conductor, bass
    • Rostelle Reese – trumpet
    • Lem Davis – alto saxophone
    • Bob Dorsey – tenor saxophone
    • Bobby Tucker – piano
    • Denzil Best – drums

February 13, 1947 (tracks 2-14 to 2-17)

  • Billie Holiday – vocals
  • Bob Haggart – conductor, bass

December 10, 1948 (tracks 2-18 & 2-19) & December 10, 1948 (tracks 3-1 & 3-2)

  • Billie Holiday – vocals
  • Mundell Lowe – guitar (December 10, 1948)
  • Bobby Tucker – piano
  • John Levy – bass
  • Denzil Best – drums

August 17, 1949 (tracks 3-3 & 3-4)

August 29, 1949 (tracks 3-5 & 3-6)

September 8, 1949 (tracks 3-7 & 3-8)

  • Billie Holiday – vocals
  • Sy Oliver – conductor
    • Lester "Shad" Collins, Bobby Williams, Buck Clayton – trumpet
    • Henderson Chambers, George Stevenson – trombone
    • Pete Clark, George Dorsey – alto saxophone
    • Budd Johnson, Freddie Williams – tenor saxophone
    • Dave McRae – baritone saxophone
    • Everett Barksdale – guitar
    • Horace Henderson – piano
    • Joe Benjamin – bass
    • Wallace Bishop – drums

September 30, 1949 (tracks 3-9 to 3-11)

  • Billie Holiday – vocals
  • Louis Armstrong – vocals (except "Now or Never")
  • Sy Oliver – conductor
    • Bernie Privin – trumpet
    • Sid Cooper, Johnny Mince – alto saxophone
    • Art Drellinger, Pat Nizza – tenor saxophone
    • Everett Barksdale – guitar
    • Billy Kyle – piano
    • Joe Benjamin – bass
    • Jimmy Crawford – drums

October 19, 1949 (tracks 3-12 to 3-15)

March 8, 1950 (tracks 3-16 & 3-17)

  • Billie Holiday – vocals
  • Gordon Jenkins & His Orchestra – strings

References

  1. ↑ The Complete Commodore & Decca Masters review at AllMusic, accessed March 22, 2016
  2. ↑ The Complete Commodore & Decca Masters review at All About Jazz, accessed March 22, 2016
  3. ↑ The Complete Commodore & Decca Masters, Discogs.com, accessed March 22, 2016
  4. ↑ The Blues Are Brewin', Discogs.com, accessed March 22, 2016
  5. ↑ Billie Holiday sessionography, at the Jazz Discography Project, accessed Feb 20, 2016