Track listing
Bonus features| Title |
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| 1. | "Documentary" | |
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| 2. | "Put Your Records On" (music video) | |
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| 3. | "Trouble Sleeping" (music video) | |
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| 4. | "Like a Star" (music video) | |
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| 5. | "I'd Like To" (music video) | |
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CD – Live in New York| Title | Writer(s) |
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| 1. | "Call Me When You Get This" | | 5:53 |
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| 2. | "Trouble Sleeping" | | 3:49 |
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| 3. | "Breathless" | | 5:14 |
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| 4. | "Enchantment" | | 4:29 |
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| 5. | "Till It Happens to You" | - Bailey Rae
- Pamela Sheyne
- Paul Herman
| 4:53 |
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| 6. | "Since I've Been Loving You" | | 5:48 |
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| 7. | "Like a Star" | Bailey Rae | 5:26 |
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| 8. | "Put Your Records On" | - Bailey Rae
- Beck
- Chrisanthou
| 3:53 |
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| 9. | "Butterfly" | | 4:02 |
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| 10. | "I'd Like To" | | 5:28 |
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| 11. | "Choux Pastry Heart" | | 4:56 |
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| 12. | "Seasons Change" | | 5:50 |
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| Total length: | 59:41 |
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Personnel
Credits adapted from the liner notes of Live in London & New York.[3]
|
London and New York
- Corinne Bailey Rae – vocals, guitar
- Sam Blue Agard – drums
- Vicky Akintona – backing vocals
- Oroh Angiama – bass, double bass
- Alexander Bennett – keyboards
- LaDonna Harley-Peters – backing vocals
- Jan Ozveren – guitar
|
London only
- Jim Corry – tenor saxophone
- Caroline Dale – strings
- Joely Koos – strings
- Bea Lovehoy – strings
- Wil Malone – string arrangements
- Perry Manson – strings
- Cate Musker – strings
- Everton Nelson – strings
- Chris Pistiledes – strings
- Jason Rae – alto saxophone, flute
- Jacky Shave – strings
- Tom Piggot Smith – strings
- Malcolm Strachan – trumpet
- Gavyn Wright – London Session Orchestra direction, strings
|
Production and technical
- Abbey Road Interactive – creating, documentary editing, DVD interface design
- Carol Abbott – vision mixing
- Gerard Albo – front of house engineering, stereo mix
- Perry Bellisario – VT editing
- Jude Bennett – production for EMI
- Victoria Biram – script supervision
- Lucy Bullivant – production team assistance
- Rebecca Coates – production for EMI
- Mark Cooper – executive production
- Stefan Demetriou – production for EMI
- Matt Dixon – production for EMI
- Janet Fraser Crook – direction
- Mike Felton – light supervision
- Alison Howe – production
- John Henry's Ltd. – floor monitoring
- Laura Kennedy – production runner
- Sue Longstaff – production management
- Sharon Lord – executive production (Webster Hall recording)
- Ted Mico – executive production (Webster Hall recording)
- Stephania Minia – production executive
- Matty Myhaf – backline tech
- Doe Phillips – tour/production management
- Sam Ribeck – floor management
- Paul Richardson – design
- Chris Rigby – lighting direction
- Irene Rukerebuka – illustrations
- Matthew Rumbold – production for EMI
- Stylorouge – additional illustrations, art direction, design
- Dave Swallow – backline tech
- Gerry Tivers – camera supervision
- Jeremy Turner – engineering management
- Duncan Wild – monitor engineering
Additional film crew
- Mark Bond – camera
- Mike Felton – light supervision, mixing, recording
- John Hudson – surround sound mix
- Joe Walters – camera
Bailey Rae's own crew
- Gerard Albo – sound engineering
- Lynette Garland – styling
- Emma Libotte – hair, make-up
- Doe Phillips – production/tour management
- Scottie Sanderson – advance production
- Richard Simpson – styling
- Vern Stannard – backline technician
- Duncan Wild – monitor technician
References
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| Studio albums | |
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| Live albums | |
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| Extended plays | |
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| Singles | |
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| Related | |
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| Authority control databases | |
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