Yoshihisa Taira

Yoshihisa Taira
平 義久
Portrait by Fernand Michaud, 1984
Born(1937-03-03)March 3, 1937
Tokyo, Japan
DiedMarch 13, 2005(2005-03-13) (aged 67)
Paris, France
OccupationComposer

Yoshihisa Taira (or Taïra) (平 義久, Taira Yoshihisa; 3 March 1937 – 13 March 2005) was a Japanese composer of contemporary classical music primarily active in France. Grove Music Online remarks that "His treatment of time and space, sonority, poetic lyricism, silence [...] were derived from traditional Japanese music and art, and are compatible with a French modernist aesthetic".[1]

Biography

Yoshihisa Taïra was born in Tokyo on 3 March 1937.[1] Initially, he attended the Tokyo University of the Arts, studying composition under Tomojirō Ikenouchi, and graduating in 1965.[1] He then arrived in France to study at the Conservatoire de Paris; his teachers there included André Jolivet, Henri Dutilleux, Olivier Messiaen,[1] Taïra also studied with Iannis Xenakis.[2]

He was a composition lecturer at the École Normale de Musique in Paris.[1] Among his best-known students at École Normale were Chien-Hui Hung, Mansoor Hosseini and Malika Kishino.

Taïra died in Paris, on 13 March 2005.[1]

Works

Source:[1] Taira's works are partially published by Éditions Musicales Transatlantiques.

Orchestra

  • Hiérophonie III
  • Stratus for flute, harp and strings ensemble
  • Chromophonie
  • Sonomorphie III
  • Méditations
  • Trans-apparence
  • Erosion I for flute and orchestra
  • Moksa, vimoksa
  • Tourbillon for 6 percussionists and orchestra
  • Polyèdre

Chamber music

  • Hiérophonie I for 4 cellos
  • Hiérophonie II for 15 instruments
  • Fusion for 2 flutists and 3 percussionists
  • Stratus for harp and flute
  • Dioptase for three strings
  • Radiance for solo piano and 13 instruments
  • Eveil for oboe and harp
  • Interférences I for and cellos
  • Clea for 12 strings
  • Dimorphie for 2 percussions
  • Fu-mon for 4 flutes
  • Ressac for 13 instruments
  • Pénombres I for 2 guitars and 12 strings
  • Pénombres II for double bass and piano
  • Synchronie for 2 flutes or flute and shakuhachi
  • Pénombres III for harp and small ensemble
  • Pénombres V for viola and piano (1996)
  • Pénombres VI for alto saxophone and piano
  • Flautissimo for 32 flutes
  • Aïalos for G flute and harp
  • Synergie for 2 double basses

Instrumental

  • Sonate for violin
  • Sonate for viola
  • Sonomorphie I for piano
  • Sublimation for harp
  • Hiérophonie IV for 4 flutes (one performer)
  • Maya for bass flute in C or alto flute in G
  • Convergence I for marimba
  • Convergence II for double bass
  • Convergence III for violin
  • Cadenza I for flute
  • Monodrame I for percussion
  • Monodrame II for bassoon
  • Monodrame III for guitar
  • Monodrame IV for vibraphone

References

Citations

Sources

  • Herd, Judith (2001). "Taïra, Yoshihisa". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/gmo/9781561592630.article.49729. ISBN 978-1-56159-263-0. (subscription, Wikilibrary access, or UK public library membership required) (subscription, Wikilibrary access, or UK public library membership required)
  • Potter, Caroline (2017). "French Musical Style and the Post-War Generation". In Smith, Richard Langham; Potter, Caroline (eds.). French Music Since Berlioz. Aldershot: Ashgate Publishing. pp. 331–354.