Works of Herbert Maryon

Colour photograph of the hallmarks from a silver inkwell
Maryon's HM hallmark from his 1910–11 silver inkwell, along with those for the lion passant to indicate purity, the Chester assay office, and the date (K)

The works of Herbert Maryon (1874–1965) were made in a variety of mediums. They were intended to be decorative, functional, or commemorative, and were primarily made during the first four decades of the twentieth century, a span that marked the first half of Maryon's career. In addition to being a sculptor and a goldsmith, Maryon was also an archaeologist, conservator, author, and authority on ancient metalwork—he saw his career as an artist carry him through the Second World War; a second career as a conservator at the British Museum brought him note for his work on the finds from the Sutton Hoo ship-burial.[1][2][3][4]

Maryon designed, executed, and exhibited works while an art student, and as an art teacher.[4] In 1899, while still in school—an education that included studies at the Polytechnic (probably Regent Street), The Slade, Saint Martin's School of Art, and the Central School of Arts and Crafts[4]—Maryon used the Arts and Crafts Exhibition Society's event at the New Gallery to exhibit some of his earliest works: a shield of arms with silver cloisonné, and a silver cup that was designed by William Lethaby,[5] who taught Maryon at the Central School.[6] The following year Maryon became the first director of the Arts and Crafts-inspired Keswick School of Industrial Art, and until his departure in 1904 his work primarily consisted of designs and executions for the school.[4][7] Maryon's pieces for the school ranged from individual commissions to utilitarian tableware; particularly with more functional designs, multiple examples were sometimes executed.[8]

Maryon's career became more academic following his departure from Keswick.[4][9][10][11] During his time teaching sculpture and other forms of art, however—from 1907 until 1927 at the University of Reading, and from 1927 until 1939 at Durham University's Armstrong College—he continued taking commissions.[9][10][11] These included the designs for Statue of Industry,[12][13] memorial plaques,[14][15] and at least three war memorials,[16][17] including the University of Reading War Memorial, where Maryon worked.[18][19]

Works

The following is a substantially incomplete list of the works of Herbert Maryon.

ImageTitle/DescriptionDateDimensionsLocationComments
Metal casket1898Displayed at the Camden School of Art, where it won a prize for works in wrought metal, and where Maryon won a £60 (equivalent to £8,300 in 2024) Extension Scholarship.[20] Maryon's sister Edith Maryon also won a prize, for a modelled head from life, as well as a scholarship.[20]
Shield of arms with silver cloisonné1899Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[21]
Silver cup1899Designed by William Lethaby,[22] Maryon's teacher at the Central School of Arts and Crafts.[6] Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition.[22]
Knocker1900Executed by Jeremiah Richardson.[23][24][25] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[23][24]
Colour photograph of Herbert Maryon's sculpture Winged VictoryWinged Victoryc. 1900Private collectionSimilar to works by Maryon's teacher Alexander Fisher.[26][27]
Black and white photograph of a copper casketCopper casket190036.5 × 21.5 × 10 cmDesigned by Maryon; executed by Thomas Spark; ornamented by Thomas Clark and Maryon.[23][24][25] Displayed in the Royal Albert Hall for the Home Arts and Industries Exhibition, and reviewed in The Studio as "singularly good".[23][24] Auctioned in 2005 by Penrith Farmers’ & Kidd's, with an estimate of £800 to £1,200.[28][29]
Colour photograph of a circular copper box with lid, depicting a tree in enamel, propped against the bodyEnamelled copper box3.5 in diameterPrivate collectionSold on eBay twice, in 2008,[30] and in 2017.[31][32]
Bryonyc. 1900–04Tray centre, said by a historian of the Keswick School to be "suggestive of tangled growth," and to be influenced by the wallpapers of William Morris.[33] Pictured on page 69 of Ian Bruce's The Loving Eye and Skilful Hand.[34]
Black and white photograph of a loving cupLoving cup1901Exhibited at the 1901 Home Arts and Industries Exhibition.[35]
Colour photograph of a bronze memorial tablet on an oak backingMemorial to Bernard Gilpin19013 5/12 × 2 ftSt Cuthbert's Church, Kentmere, CumbriaBronze on oak.[36][37] Commissioned for £15, executed by Thomas Clark.[38][39] Per Nikolaus Pevsner, "Arts and Crafts, almost Art Nouveau".[39]
Memorial to Thomas Allison Scott1902St Oswald's Church, Filey, North YorkshireCommemorates Private Thomas Allison Scott,[40][41][42] who died of enteric fever in Winburg, South Africa, during the Second Boer War.[43][44][45] Unveiled during St. Oswald's day celebrations on 5 August 1902.[46] Another memorial to Scott, and family members, at St Wilfrid's Church in South Kilvington.[45][47]
Memorial tablet1902Westminster AbbeyDedicates stained-glass windows in memory of Hugh Grosvenor, 1st Duke of Westminster.[48][49][50]
Black and white photograph of a hot water jugSilver hot water jug190217 cm highPrivate collectionExecuted by Robert Temple.[51] Exhibited at the 1902 Home Arts and Industries Exhibition.[52][51] Possibly the same jug pictured on page 71 of Ian Bruce's The Loving Eye and Skilful Hand.[53]
Copper hot water jugc. 19026 in high; 3.5 cm widePrivate collectionSame design as above silver jug.[54] Executed by Robert Temple.[54] As of 2024, for sale by Hammer and Hand for £175.[54]
Hot water jugc. 190220 cm highPrivate collectionExecuted by Thomas Clark.[53]
Copper tea potc. 190212 cm highPrivate collection[53]
Black and white photograph of a silver cupSilver cupc. 1902Executed by Robert Temple.[55]
Black and white photograph of a morseMorse in silver and enamelc. 1902Executed by Thomas Clark.[56]
Black and white photograph of six pieces of copper and pewter workCopper and pewter workc. 1902Executed by Jeremiah Richardson, Thomas Clark, and Robert Temple.[56] The casket is likely the 1900 design above.[57]
Black and white photograph of six pieces of copper and pewter workCopper tea caddyc. 19024.5 in highPrivate collectionBack left in photograph. Executed by Jeremiah Richardson, Thomas Clark, or Robert Temple.[58] One version executed by Thomas Clark sold c. 2017–2024.[59]
Black and white photograph of six pieces of copper and pewter workCopper vasec. 190219.5 cm highPrivate collectionBack right in photograph. One version auctioned in 2017 for £70.[58]
Silver cream jug and sugar bowl1902–036 cm highPrivate collectionExecuted by Robert Temple.[53]
Hexham Abbey high-altar cross1902Hexham Abbey, Hexham, NorthumberlandDesigned by Maryon; executed by Jeremiah Richardson.[60] Commissioned for Hexham Abbey in Hexham, and displayed at the 1902 Home Arts and Industries Exhibition.[60][61][62][63] Awarded two blue stars at the Exhibition,[60] signifying excellence in execution.[64]
Black and white photograph of a casketOxidised silver casket1902Presented to Princess Louise upon her 1902 visit to the Keswick School.[65] Designed by Maryon; executed by Jeremiah Richardson, Robert Temple, and Thomas Clark; enamelled by Maryon's sister Mildred Maryon.[66]
Copper hot water jug190318.5 cm high; 10 cm diameter (base)Manchester School of Art Arts and Crafts MuseumPossibly executed by Thomas Clark, whose last name is inscribed on the base. Exhibited at the 1903 Home Arts and Industries Exhibition, and purchased by the Manchester School of Art for its Arts and Crafts Museum.[67][68][69] Exhibited from 22 October 1994 to 26 March 1995 as part of Inspired by Design: The Arts and Crafts Collection of The Manchester Metropolitan University.[69]
Silver water jug designed by Herbert MaryonSilver hot water jug1903Designed by Maryon and executed by the Keswick School.[70] Pictured in The Art Workers' Quarterly in January 1903.[70]
Black and white photograph of the head of a processional crossProcessional cross1903Gilding metal and enamel.[70] Designed by Maryon and executed by the Keswick School.[70] Pictured in The Art Workers' Quarterly in January 1903.[70]
Fire-Irons and Stand1904Designed by Maryon; executed by Matthew Armstrong.[71] Displayed at the Leeds City Art Gallery for the 1904 Arts and Crafts Exhibition Society exhibition, where it was priced at £10 10s.[71]
Black and white photograph of a loving cup mounted on a pedestalThe Luck of Cumberlandc. 19041.5 × 1 ft (without plinth)Silver loving cup, made of 200 ounces of silver.[72][73] Base decorated with a scale pattern to evoke the sea, and "The Luck of Cumberland" inscribed around the rim over a faintly traced border of rose leaves.[74] Conical-shaped lid beaten from a single piece of silver and surrounded by a wreath of oak leaves in high relief, above which stands a winged figure of victory, standing on a globe supported by dolphins.[74] Commissioned by the Cumberland County Council for presentation to HMS Cumberland.[75][76][77] Presented by Albert Grey, 4th Earl Grey in August 1905.[78] Described by The Newcastle Weekly Chronicle as "the most ambitious piece of work yet produced by the school", and Maryon's "last in connection with the school which he is now leaving".[72]
Loving cup1904Gilded metal and enamel.[79] Exhibited at the Thirty-fourth Autumn Exhibition at the Walker Art Gallery from 12 September 1904 to 7 January 1905, priced at £5 (equivalent to £700 in 2024).[79]
Black and white photograph of a processional crossProcessional crossc. 1904Executed by members of the Keswick School.[75][76] Featured in The Studio in December 1905.[75][76]
Black and white photograph of a silver challenge shieldSilver challenge shieldc. 1904Reads in part "challenge shield for elementary day schools of Outwood, Whitefield, Prestwich & Unsworth." Executed by members of the Keswick School.[80][81] Featured in The Studio in December 1905.[80][81]
Challenge shield1904Silver and enamel.[79] Exhibited at the Thirty-fourth Autumn Exhibition at the Walker Art Gallery from 12 September 1904 to 7 January 1905, priced at £9 9s (equivalent to £1,300 in 2024).[79] Possibly related to the challenge shield above.
Colour photograph of a memorial tabletMemorial to 3rd (Militia) Batallian Durham Light Infantry1904St Mary’s Church, Barnard CastleMemorial tablet.[82][83] Unveiled on 27 July 1904 by Charles Surtees, and dedicated by Handley Moule, the Bishop of Durham.[82][84][85] Designed by Maryon, and executed by Richardson, Armstrong, A. Vickers, and Temple.[86]
Victory1906Bronze Statuette.[87] Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £7 7s.[88] and in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[87] Both exhibitions also included other works by Maryon.[89][87][90]
The Mermaid1906Silver and pearl ring.[90] Displayed at the Leeds City Art Gallery for the 1906 spring exhibition, priced at £5 5s.[89] Also displayed in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[87][90]
Silver chalice1906Displayed at the Grafton Galleries for the Arts and Crafts Exhibition Society exhibition from 15 January to 17 March 1906, priced at £5 5s.[91] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[92] Also displayed in July 1907 at the Coniston Institute as pert of an annual exhibition of arts crafts of the Lake District.[87][90]
Silver chalice and paten1906Includes a repoussé vine design.[93][94] Exhibited at the Thirty-sixth Autumn Exhibition at the Walker Art Gallery from 17 September 1906 to 5 January 1907, priced at £7 7s (equivalent to £1,000 in 2024).[95] Reviewed by The Studio as "An example of good craftsmanship".[93][94] Possibly related to the silver chalice above, and possibly the chalice and paten displayed at the Arts and Crafts exhibition at the Coniston Institute in Coniston, Cumbria, in 1908.[96]
Silver cup: "St. George"1906Displayed at the Grafton Galleries for the 1906 Arts and Crafts Exhibition Society exhibition, priced at £12 12s.[97] A "Sicilian Lace Tablecloth" was listed as being displayed by "Mrs. Herbert J. Maryon."[92]
Pewter tray1906Executed by Matthew Armstrong.[98] Displayed with three other items from the Keswick School at the 1906–07 New Zealand International Exhibition in Christchurch.[98]
Silver and pearl pendant1906Exhibited at the Thirty-sixth Autumn Exhibition at the Walker Art Gallery from 17 September 1906 to 5 January 1907, priced at 17s 6p (equivalent to £100 in 2024).[99]
Chalice and patenc. 1908Displayed at the Arts and Crafts exhibition at the Coniston Institute in Coniston, Cumbria, in 1908.[100][96] Possibly related to the silver chalice and paten above.
Enamelled silver necklacec. 1908With plique-à-jour enamels.[100] Displayed at the Arts and Crafts exhibition at the Coniston Institute in Coniston, Cumbria, in 1908.[96][100]
Silver grange cupc. 1908Created for the Westmorland Musical Festival.[96] Displayed at the Arts and Crafts exhibition at the Coniston Institute in Coniston, Cumbria, in 1908.[100][96] Awarded in 1908 to the choir William. Granger for the most marks in three classes.[101][102] Still awarded as of 2017, when it was presented to eight-year-old Jennifer Steele in the "songs from a Disney production" class.[103]
Black and white photograph of a bowlChild's bowl with signs of the zodiac in repoussé1908Silver with gold filigree panels representing the zodiac.[96] Pictured in '"The Studio" Year Book of Decorative Art in 1909.[104] Displayed at the Arts and Crafts exhibition at the Coniston Institute in Coniston, Cumbria, in 1908.[100][96] Displayed at the Grafton Galleries for the 1910 Arts and Crafts Exhibition Society exhibition.[105]
Memorial to Henry Ayrton Chaplinc. 1908St Michael's church, Woodham Walter, EssexMemorial plaque to Henry Ayrton Chaplin.[104][106] A copy displayed by Maryon in 1908 at an exhibition hosted by the Art Students' Club at University College, Reading.[107]
Dawn1910Displayed at a 1910 exhibition of the Arts and Crafts Society in Carlisle,[108] and at the Fortieth Autumn Exhibition at the Walker Art Gallery in 1910, priced at £21.[109]
Colour photograph of a silver inkwellSilver inkwell1910–1122 cm long; 14.5 cm wide; 6 cm highPrivate collectionBears hallmarks for Maryon (HM), lion passant, Chester assay office, and year (K).[110] Auctioned by Woolley & Wallis in April 2025 for £441,[111] then sold by The Peartree Collection that June.[110]
Colour photograph of the Duffield MemorialDuffield Memorial1912Church of St Mary, Great Baddow, EssexBronze.[112][113][114]
Polonius1912Exhibited at the Reading Corporation Art Gallery in 1912.[115] Described by The Reading Observer as "a fine piece of modelling . . . which shows vigorous handling".[115]
Paintingc. 1913Exhibited at the Reading Museum and Art Gallery in 1913.[116]
Pan pipes1914Statuette. Exhibited at the Royal Academy of Arts in 1914.[117]
Colour photograph of the East Knoyle War MemorialEast Knoyle War Memorial1920East Knoyle, WiltshireUnveiled on 26 September 1920.[17][118]
Colour photograph of the Mortimer War MemorialMortimer War Memorial1921Mortimer Common, BerkshireUnveiled on 9 October 1921.[16]
Black and white photograph of the Chorlton Road Congregational Church war memorialChorlton Road Congregational Church war memorial1923Gilded bronze.[119] Erected in Chorlton Road Congregational Church (later Chorlton Road United Reformed Church; demolished c. 2010–14) in Manchester.[119] Displayed in The Builder in April 1923.[119]
Colour photograph of the University of Reading War MemorialUniversity of Reading War Memorial1924University of Reading, Reading, BerkshireUnveiled in June 1924.[18][19]
An Invocation to Isis192549.4 cm high; 12.3 cm wide (plinth)Laing Art GalleryExhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £31 10s.[120][121] Purchased from Maryon by the Laing Art Gallery in 1929.[122] Exhibited at the Reading Museum & Town Hall from 5 June 1976 to 3 July 1976 as part of the exhibition Art and the University, from 1860, and at the Laing Art Gallery from 27 October 2018 to 3 March 2019 as part of the exhibition Exposed: The Naked Portrait.[123][124]
Colour photograph of a 1929 silver medal awarded by the Berkshire County CouncilBerkshire County Council medalc. 1927Designed by Maryon.[125] Multiple copies executed, in silver and in bronze. Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, not priced for sale.[120][125] A silver medal awarded in 1928 to the winner of an egg-laying competition.[126] A medal awarded in 1928 to the winner of a farriery competition, and auctioned by Warwick & Warwick in 2013 in a lot including other medals with a high estimate of £30.[127] A silver medal awarded in 1929 to the winner of the Annual Farriery Competition, and auctioned by Noonans in 2012 for £45,[128] and again in 2024 in a lot including other medals for £90.[129] A bronze medal awarded in 1930 to the winner of the Annual Clean Milking Competition, and auctioned by Noonans in 2024 in a lot including other medals for £110.[130] A silver medal awarded in 1940 engraved "Clean Milk Advisory Scheme" and "Tuberculin Tested Section", and auctioned by Noonans in 2024 in a lot including other medals for £130.[131]
Colour photograph of a 1926 silver medal awarded by the National Pig Breeders' AssociationNational Pig Breeders' Association medalc. 1927Designed by Maryon.[132] Multiple copies executed. Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, not priced for sale.[120][125] One copy held by the British Museum (bronze, 1937),[133] another by the Horsham Museum (silver, 1929),[134] and two by the Science Museum Group (bronze, 1929 & 1930).[135][136]
University of Reading medalc. 1927Designed by Maryon.[137] Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, not priced for sale.[120][125]
Merchant Adventurer1927Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £125.[120][138]
Shepherd1927Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[120][139]
Nymph1927Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £15 15s.[120][140]
Garden Figure1927Exhibited at Laing Art Gallery and Museum in 1927 for the Twentieth Annual Exhibition of Works by Artists of the Northern Counties, priced at £52 10s.[120][141]
Black and white photograph of students dancing around Statue of Industry after tarring itStatue of Industry1929Made for the 1929 North East Coast Exhibition, a world's fair held at Newcastle upon Tyne.[12][13] Tarred and feathered on the night of 25 October 1929 by several hundred students from Armstrong College.[12][13]
Colour photograph of a bronze memorial tabletMemorial to George Stephenson1929George Stephenson's Birthplace, Wylam, NorthumberlandUnveiled 8 June 1929.[14][142][143][144][145] A replica of the memorial was cast at the works of Sir Archibald Ross,[146] and unveiled in the headquarters of the Institution of Mechanical Engineers on 20 February 1931.[142]
Memorial to Charles Parsons1932Discovery Museum, Newcastle upon TyneBronze tablet, cast at the Thames Ditton Foundry, mounted on green marble from Connemara.[147] Unveiled on 2 December 1932 at C. A. Parsons and Company.[148][15][149][150][151][152] Sometime after 2003 the building was demolished and the plaque was donated to the Discovery Museum, where as of 2016 there were plans to place it on display.[149]

Attributed

ImageTitle/DescriptionDateDimensionsLocationComments
Copper lidded jugc. 190014 cm highAuctioned by Mellors & Kirk in 2023 for £110, "the design attributed to Herbert Maryon".[153] As of 2026, for sale by Hill House Antiques & Decorative Arts Limited for £650.[154]
Silver and enamel pendant necklace4.5 cm highStamped "KSIA".[155][156] Sold by Hill House Antiques & Decorative Arts Limited in 2005.[155] Auctioned by Woolley & Wallis in 2023 for £550, "the design attributed to Herbert Maryon, possibly made by Isabel McBean".[156]
Brass vase20.5 cm highPentagonal case with slightly flared rim.[157] Auctioned by Thompson Roddick Auctioneers & Valuers in 2022, "[a]ttributed to Herbert Maryon."[157]

References

  1. ↑ Easby, Dudley T. Jr. (July 1966). "Necrology". American Journal of Archaeology. 70 (3). Archaeological Institute of America: 287. doi:10.1086/AJS501899. JSTOR 501899.
  2. ↑ "Maryon, Herbert". Who Was Who. Oxford University Press. April 2014. Archived from the original on 20 February 2023. Retrieved 13 September 2016.
  3. ↑ Bruce-Mitford, Rupert (23 July 1965). "Mr. Herbert Maryon". Obituary. The Times. No. 56381. London. p. 14. Archived from the original on 20 February 2023. Retrieved 25 December 2018.
  4. 1 2 3 4 5 "Herbert James Maryon". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. University of Glasgow History of Art. 2011. Archived from the original on 27 December 2021. Retrieved 13 September 2016. Free access icon
  5. ↑ Arts & Crafts Exhibition Catalogue 1899, pp. 49, 91.
  6. 1 2 "Art School Notes: Reading". The International Studio. XXXIV (136). New York: John Lane Co.: 342 June 1908. Archived from the original on 23 September 2023. Retrieved 16 December 2018. Open access icon
  7. ↑ Bruce 2001, pp. 54–76, 95, 137.
  8. ↑ Bruce 2001, pp. 59, 61–62, 65–66, 68–71, 74–77.
  9. 1 2 The Institution of Mechanical Engineers (1918). "Herbert James Maryon, in To be considered by the Applications Committee on Wednesday, 24th April, and by the Council on Friday, 3rd May 1918.". Proposals for Membership, Etc. London. pp. 337–339. Archived from the original on 27 January 2021. Retrieved 23 October 2016 – via Ancestry.com.{{cite book}}: CS1 maint: location missing publisher (link)
  10. 1 2 "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (1). The International Institute for Conservation of Historic and Artistic Works. February 1960. JSTOR 1505065.
  11. 1 2 "Contributors to this Issue: Herbert Maryon". Studies in Conservation. 5 (2). The International Institute for Conservation of Historic and Artistic Works. May 1960. JSTOR 1504958.
  12. 1 2 3 "Statue Tarred and Feathered: Outrage in Full View of Crowds". The Manchester Guardian. No. 25, 945. Manchester. 26 October 1929. p. 13. Archived from the original on 20 February 2023. Retrieved 25 December 2018. Free access icon
  13. 1 2 3 "Tarred Statue of Industry: Sculptor's Defence of his Work". The Manchester Guardian. No. 25, 947. Manchester. 29 October 1929. p. 3. Archived from the original on 20 February 2023. Retrieved 25 December 2018. Free access icon
  14. 1 2 ""Rocket" Centenary: Tablet on George Stephenson's House". Lake Wakatip Mail. No. 3, 909. Queenstown, New Zealand. 6 August 1929. p. 7. Archived from the original on 12 October 2018. Retrieved 24 December 2018. Free access icon
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  19. 1 2 Historic England. "University of Reading War Memorial (1113620)". National Heritage List for England. Retrieved 11 October 2018.
  20. 1 2 "Camden School of Art". The Holloway & Hornsey Press. No. 1, 351. Holloway, London. 16 December 1898. p. 5. Archived from the original on 20 February 2023. Retrieved 20 February 2023. Closed access icon
  21. ↑ Arts & Crafts Exhibition Catalogue 1899, p. 49.
  22. 1 2 Arts & Crafts Exhibition Catalogue 1899, p. 91.
  23. 1 2 3 4 Wood 1900a, p. 85.
  24. 1 2 3 4 Wood 1900b, p. 85.
  25. 1 2 Bruce 2001, pp. 55–57.
  26. ↑ Baldry 1900, p. 4.
  27. ↑ "Alexander Fisher a bronze sculpture "Israfel"". Paul Reeves. Archived from the original on 28 September 2020. Retrieved 10 January 2020. Free access icon
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  30. ↑ "Arts & Crafts Copper/Enamel Trinket Box c. 1910". WorthPoint. 3 August 2008. Retrieved 27 December 2018. Free access icon
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  32. ↑ "Herbert J. Maryon Hammered Copper & Enamel Oak Tree Box Lot 109". WorthPoint. 4 December 2017. Archived from the original on 27 December 2018. Retrieved 27 December 2018. Free access icon
  33. ↑ Bruce 2001, pp. 65, 69.
  34. ↑ Bruce 2001, p. 69.
  35. ↑ Gregory 1901, p. 139.
  36. ↑ Northern Counties Magazine 1901, p. 55.
  37. ↑ Bruce 2001, pp. 65, 70.
  38. ↑ Northern Counties Magazine 1901, pp. 54–55.
  39. 1 2 Pevsner 1967, p. 259.
  40. ↑ "T A Scott". War Memorials Register. Imperial War Museums. Retrieved 25 June 2025. Free access icon
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  45. 1 2 "Thomas Allison Scott". War Memorials Online. War Memorials Trust. Archived from the original on 4 August 2025. Retrieved 8 July 2025. Free access icon
  46. ↑ "District Intelligence: Filey". The Driffield Times and General Advertiser. No. 2, 181. Driffield, East Riding of Yorkshire. 9 August 1902. p. 2.
  47. ↑ "News in Brief". The Leeds & Yorkshire Mercury. No. 19, 939. 28 February 1902. p. 8.
  48. ↑ Maryon 1906, p. 240.
  49. ↑ "Hugh Grosvenor, 1st Duke of Westminster". Westminster Abbey. Archived from the original on 5 April 2026. Retrieved 5 April 2026. Free access icon
  50. ↑ "Keswick School of Industrial Arts". The English Lakes Visitor and Keswick Guardian. Vol. XXVI, no. 1, 327. 8 November 1902. p. 5.
  51. 1 2 Bruce 2001, pp. 66, 71.
  52. ↑ Wood 1902, pp. 131–132.
  53. 1 2 3 4 Bruce 2001, p. 71.
  54. 1 2 3 Marshall, David. "Keswick School of Industrial Arts copper "Temple" jug". Hammer and Hand. Archived from the original on 30 April 2024. Retrieved 30 April 2024. Free access icon
  55. ↑ The International Studio 1903, p. 211.
  56. 1 2 The International Studio 1903, p. 212.
  57. ↑ Bruce 2001, p. 57.
  58. 1 2 "A Keswick School of Industrial Arts hammered copper vase designed by Thomas [sic] Maryon". Woolley & Wallis. 21 June 2017. Archived from the original on 30 April 2024. Retrieved 30 April 2024. Free access icon
  59. ↑ "Keswick School Of Industrial Arts KSIA Copper Arts And Crafts Tea Caddy For The 1900 HAIA Exhibition J Clark". KSIA. Archived from the original on 30 April 2024. Retrieved 30 April 2024. Free access icon
  60. 1 2 3 "Keswick School of Industrial Arts". Local News. The English Lakes Visitor and Keswick Guardian. Vol. XXVI, no. 1, 305. 7 June 1902. p. 4.
  61. ↑ Bruce 2001, pp. 59, 61–62, 74.
  62. ↑ "High Altar Cross". Hexham Abbey Heritage. Archived from the original on 20 April 2026. Retrieved 20 April 2026. Free access icon
  63. ↑ "The Gift of a Cross to Hexham Abbey". The Newcastle Daily Journal. Vol. CXIII, no. 14, 405. Newcastle-upon-Tyne. 5 April 1902. p. 8.
  64. ↑ "Keswick School of Industrial Arts". The English Lakes Visitor and Keswick Guardian. Vol. XXVI, no. 1, 304. 31 May 1902. p. 4.
  65. ↑ Bruce 2001, pp. 71, 74–75.
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Bibliography

Walker Gallery Autumn exhibition catalogues

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