The Pre-Raphaelite
| The Pre-Raphaelite | |
|---|---|
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| Artist | Henry Nelson O'Neil |
| Year | 1856 |
| Type | Oil on panel, genre painting |
| Dimensions | 47 cm × 39.3 cm (19 in × 15.5 in) |
| Location | |
The Pre-Raphaelite is an 1856 oil painting by the British artist Henry Nelson O'Neil.[1] It shows an artist sitting at work on a painting on an easel as his two models pose for him. The picture was intended as a satirical take on the Pre-Raphaelite Brotherhood, then at the height of its prominence.[2] The artist is shown depicting a scene from the Romantic poem Love and Duty by Alfred Tennyson, who was a particular inspiration to the Pre-Raphaelites.[3]
O'Neil was a member of The Clique, a group of artists that pre-dated the Pre-Raphaelites by a decade. They were also critical of many of the rules of traditional Academic art, but remained hostile to the style of the Pre-Raphaelites, particularly O'Neil.[4] It was displayed at the 1857 exhibition of the British Institute in London along with a pendant painting The Post Raphaelite under the joint subtitle Two Extremes. The pendant painting made similar fun of a too-Academic style of painting. The two works were discussed in The Art Journal. It was auctioned by Christie's in 2021.[5]
References
- ↑ Cooper p.22
- ↑ Pointon p.66-73
- ↑ https://onlineonly.christies.com/s/british-european-art/henry-nelson-oneil-a-r-a-british-1817-1880-44/138578
- ↑ https://victorianweb.org/painting/oneil/index.html
- ↑ https://onlineonly.christies.com/s/british-european-art/henry-nelson-oneil-a-r-a-british-1817-1880-44/138578
Bibliography
- Cooper, Suzanne Fagence. Pre-Raphaelite Art in the Victoria and Albert Museum. Harry N. Abrams, 2003.
- Pointon, Marcia R. (ed.) Pre-Raphaelites Re-viewed. Manchester University Press, 1989.
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