Saodat Ismailova

Saodat Ismailova
Saodat Ismailova in 2021
Born1981 (age 44–45)
Tashkent, Uzbek SSR, Soviet Union
EducationUzbekistan State Institute of Arts and Culture, Le Fresnoy - Studio national des arts contemporains
OccupationFilm director
Websitehttps://saodatismailova.org

Saodat Ismailova (b. 1981) is an Uzbek filmmaker and artist who came of age in the post-Soviet era and has established an artistic life between Paris and Tashkent while remaining deeply engaged with her native region as a source of creative inspiration.[1] After graduating in film making from the Tashkent State Institute of Arts, she began a residency at Fabrica, a research and communication center in Italy. Since then she shares her time between Tashkent, Uzbekistan and Paris, France. She first achieved international recognition with the release of Zukhra, a video installation that recounts the history of Uzbekistan through a state of sleeping character. In 2014, she premiered her first feature film, 40 Days of Silence, at the Berlin International Film Festival, where it was nominated for best debut film.[2] She then went on to make a number of short films while at the Norwegian Office for Contemporary Art and Le Fresnoy, a French contemporary arts studio.

Ismailova has worked to develop and promote Central Asian cinema, both in Uzbekistan and Europe. In 2019, she put together an educational program CCA LAB with the support of ACDF on contemporary art in the Uzbek capital of Tashkent, where she also exhibited solo exhibition Q’org’on Chirog; and in 2021, she established the DAVRA collective, in order to research and publicise Central Asian culture.

In 2024 she participated at Nebula exhibition during 60th Venice Biennale of Arts where she presented Melted into the Sun commissioned by Fondazione In Between Art and Film. She has received Foundation Pernod Ricard’s Nouveau Programme support and became a golden medallist of Art Basel as an emerging artists in 2025.[3]

Biography

Early life and education

Saodat Ismailova was born in 1981, in Tashkent, the capital of the Uzbek Soviet Socialist Republic.[4][5][6][7][8] She developed a passion for cinema at an early age, inspired by her father, an Uzbek cinematographer, and her grandmother, a storyteller.[4][9] Ismailova studied film at the Uzbekistan State Institute of Arts and Culture, where she became a fan of the work of Soviet filmmakers Sergei Parajanov and Andrei Tarkovsky, who had broken from the established style of Soviet realism in favour of expressionist and existentialist themes.[4] In 1999, she won the Grand Prize at the Student Tashkent Film Festival.[8]

Work and exhibitions

After completing her studies at the State Art Institute of Tashkent, she was granted a residency at Fabrica, the Benetton Group's research and communications centre in Treviso, Italy.[10][11] There she co-directed with Carlos Casas Aral: Fishing in an Invisible Sea, awarded Best Documentary at the 2004 Turin Film Festival.[12][10][13]She also took charge of making documentary films about Central Asian music for Smithsonian Folkways.[14] The following year, Ismailova was selected for the DAAD Artists-in-Residence programme in Berlin, where she started development on a feature film.[15] In 2008, she formed the Central Asian production company MAP.[13] In 2011, she attempted to shoot this feature in Uzbekistan, but had to film in Tajikistan for production reasons.[9]

She gained worldwide recognition at the 2013 Venice Biennale for the video installation Zukhra,[4][5][9][11] in which a woman recounts the history of Uzbekistan while lying in bed.[4] The following year, she released her debut feature film, 40 Days of Silence,[4][9][8][16] which she had developed at the Sundance Institute in Utah.[8][14][16] The film premiered at the Berlin International Film Festival,[16][12] where it was nominated for best debut film.[12]

In 2017, she took up a residency at the Office of Contemporary Art, Norway (OCA), producing the short film The Haunted,[8][10][11] which covered the extinction of the Turan tiger.[17] The film was unveiled the same year at Tromsø Kunstforening.[18] In 2018, Ismailova completed her studies at Le Fresnoy, France's National Studio of Contemporary Arts, where she realized Stains of Oxus and Two Horizons.[11][10][18] That year also saw her multimedia performance Qyrq Qyz, which retold a Central Asian legend of 40 warrior women,[19][9] and which was staged at BAM (Brooklyn Academy of Music) in New York and the Musée du quai Branly in Paris and produced by Aga Khan Music Program.[20]

In 2019 she put together an educational program CCA Lab on contemporary art in Tashkent at the Centre for Contemporary Arts, Tashkent (CCAT) that lasted one year.[11][21] The same year she exhibited a solo show "Syncretic verses" in Ilkhom theatre, and later the same year Q’org’on Chirog at CCAT; [11] The following year, she produced the film Her Five Lives for the Asian Film Archive and "Her Five Lives" which charted the history of Women in Uzbekistan.[4]

In 2021, Ismailova established the DAVRA collective, which brought together artists from throughout Central Asia,[4][6][22][21] in order to preserve, document, and amplify Central Asian cultural heritage.[10][11][23][21] The same year, Saodat Ismailova was invited to documenta fifteen, as the only Central Asian representative, she made a film which is Central Asian retelling of Cinderella.[4] She created the 40-day program at documenta fifteen and hosted DAVRA participants, where they shared their research on Chilltans, a kind of spirit in Central Asian folklore[6][24] as part of the Ismailova's participation in documenta fifteen. That same year, Ismailova had a solo exhibition at Aspan Gallery, Almaty, titled What was my name?.[11][10]

Ismailova exhibited at the main exhibition Milk of Dreams at the 59th Venice Biennale:[25][26]Chillahona a three channel video with a reimagined Tashkent traditional Embroidery, film is dedicated to perestroika years in Uzbekistan.That same year, she was awarded £25,000 by the EYE Filmmuseum,[5][8] where she had her personal show, titled 18,000 Worlds.[27]The jury recognised her exceptional ability to move fluidly between film and visual art, describing her work as "refreshing, urgent and balanced."[28] She is also a receiver of Magnum Foundation, Counter Histories Program support, 2022.[29]

She received Foundation Pernod Ricard’s Nouveau Programme support as well as Han Nefkens Foundatio Prize in collaboration with the Museo Reina Sofía (Madrid), the Singapore Art Museum (Singapore), and the Walker Art Center (Minneapolis) in 2024[30]. She participated at Nebula exhibition during 60th Venice Biennale of Arts where she presented Melted into the Sun commissioned by Fondazione In Between Art and Film. The same year, she had a solo show at Pirelli HangarBicocca “A Seed Under Our Tongue,” the first survey of Saodat Ismailova's work in Italy.[31] She has received Foundation Pernod Ricard’s Nouveau Programme support and became a golden medallist of Art Basel as an emerging artists in 2025. By invitation of Kunsten festival des Arts, Ismailova has presented newly commissioned performative work Arslanbob: The healing forest, 2025. [32]

Her films are in the collections of the Stedelijk Museum, in Amsterdam, and the Centre Pompidou, in Paris, Tate Modern, UK, FRAC Corsica, TBA 21, Museum of Modern Art, Almaty, Tselliny Centre for Contemporary Culture, Almaty, M KHA, Antwerp, Victoria & Alberts, UK, Pinault Collection, CNAP and others. [11][21]

Style

Ismailova's films focus on Central Asian history,[5][19] paying particular attention to women's history and cultural practices.[7][23] Her work has been described as "hypnotic", due to her slow pacing and rhythmic editing style.[4][23] The Eye Filmmuseum described her work as allowing the viewer to hear images and see sound.[8] Ismailova herself said that her work intends to invite the viewer to "actively participate in the experience".[9]

References

  1. ↑ "How I became an artist: Saodat Ismailova". Art Basel. Retrieved 10 June 2026.
  2. ↑ "Chilla | 40 Days of Silence". www.berlinale.de. Retrieved 10 June 2026.
  3. ↑ "How I became an artist: Saodat Ismailova". Art Basel. Retrieved 10 June 2026.
  4. 1 2 3 4 5 6 7 8 9 10 Greenberger, Alex (22 August 2022). "A Rising Filmmaker Accomplishes the Rare Feat of Showing at Both Documenta and the Venice Biennale". ARTnews. Retrieved 21 May 2023.
  5. 1 2 3 4 "Saodat Ismailova wins £25,000 Eye Art & Film Prize". ArtReview. 10 June 2022. Retrieved 21 May 2023.
  6. 1 2 3 "Saodat Ismailova, DAVRA, and 40 days of Central Asia at documenta 15". Adamdar. 13 June 2022. Retrieved 21 May 2023.
  7. 1 2 "Saodat Ismailova". Aspan Gallery. 2021. Retrieved 21 May 2023.
  8. 1 2 3 4 5 6 7 den Hamer, Sandra (10 June 2022). "Saodat Ismailova wins Eye Art & Film Prize 2022". EYE Film Institute Netherlands. Retrieved 21 May 2023.
  9. 1 2 3 4 5 6 Pikulicka-Wilczewska, Agnieszka (28 August 2019). "Uzbekistan: Where memory falters, creativity begins – a glance at Saodat Ismailova". Eurasianet. Retrieved 21 May 2023.
  10. 1 2 3 4 5 6 "Saodat Ismailova". e-flux. Retrieved 21 May 2023.
  11. 1 2 3 4 5 6 7 8 9 "Saodat Ismailova". Documenta fifteen. Retrieved 21 May 2023.
  12. 1 2 3 "Berlinale Talents - Saodat Ismailova". Berlinale Talents. Retrieved 8 June 2026.
  13. 1 2 "Saodat Ismailova". TorinoFilmLab. Retrieved 21 May 2023.
  14. 1 2 Macaulay, Scott (24 June 2010). "Sundance Director's Lab Diary: Saodat Ismailova". Filmmaker. Retrieved 21 May 2023.
  15. ↑ "Saodat Ismailova". www.daad.de. Retrieved 10 June 2026.
  16. 1 2 3 Karimova-Tillyaeva, Lola. "Saodat Ismailova". Lola Karimova. Retrieved 21 May 2023.
  17. ↑ Kreuger, Andrew (2017). "Saodat Ismailova: "The Haunted"". Retrieved 21 May 2023.
  18. 1 2 "Saodat Ismaïlova – Le Fresnoy – Studio national". www.lefresnoy.net. Retrieved 8 June 2026.
  19. 1 2 "Saodat Ismailova, an Uzbek film-maker, bridges two worlds". The Economist. 17 April 2019. Retrieved 21 May 2023.
  20. ↑ "Aga Khan Music Initiative premieres Qyrq Qyz (Forty Girls), pioneering multimedia production based on Central Asian epic tale". Aga Khan Development Network. Retrieved 10 June 2026.
  21. 1 2 3 4 "Saodat Ismailova". DAVRA. Retrieved 8 June 2026.
  22. ↑ "UNESCO Almaty will present recommendations for digital skills development for Cultural and Creative Industries in Central Asia". UNESCO. 17 May 2023. Retrieved 21 May 2023.
  23. 1 2 3 "Dislocation Blues: Saodat Ismailova". Tate. May 2023. Retrieved 21 May 2023.
  24. ↑ Jarry, Rémy (20 July 2022). "documenta fifteen Means Well But Falls Short In Its Trial-And-Error". COBO Social. Retrieved 21 May 2023.
  25. ↑ Maps, Arsenale See on Google (30 March 2022). "Biennale Arte 2022 | Saodat Ismailova". La Biennale di Venezia. Retrieved 10 June 2026. {{cite web}}: |first= has generic name (help)
  26. ↑ Cuniberti, Liv (2022). "Saodat Ismailova". Venice Biennale. Retrieved 21 May 2023.
  27. ↑ "Saodat Ismailova: 18,000 Worlds". EYE Film Institute Netherlands. 21 January 2023. Retrieved 21 May 2023.
  28. ↑ "Winner Eye Prize 2022 | Saodat Ismailova". Eye Filmmuseum. Retrieved 10 June 2026.
  29. ↑ "Counter Histories Fellows". Magnum Foundation. Retrieved 10 June 2026.
  30. ↑ "Grants I Han Nefkens Foundation, Museo Reina Sofía, Singapore Art Museum and Walker Art Center Moving Image Commission, Saodat Ismailova". Fundació Han Nefkens (in French). Retrieved 10 June 2026.
  31. ↑ "Saodat Ismailova: A Seed Under Our Tongue". Pirelli HangarBicocca. Retrieved 10 June 2026.
  32. ↑ "KUNSTENFESTIVALDESARTS — Saodat Ismailova". kfda.be. Retrieved 10 June 2026.
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