Salon of 1882
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The Salon of 1882 was an art exhibition held at the Palace of Industry in Paris between 1 May and 15 July 1882. [1] it was annual Salon organised by the Académie des Beaux-Arts. It took place during the Belle Époque In the Republic. It should not be confused with the seventh Impressionist Exhibition held in the city the same year.
Despite his close association with the Impressionists Édouard Manet chose to exhibit at the Salon, which was more closely associated with Academic Art. A year before his death, he displayed one of his best known paintings 'A Bar at the Folies-Bergère, which features scene in the Parisian nightclub. Although widely praised and now considered his final masterpiece, critics at the time largely preferred his other submission Spring.[2]
Paul Cézanne finally made his Salon debut with a painting of his father that he had first produced in 1866.[3] Rinaldo Carnielo exhibited the sculpture Mozart Expiring. [4] William Stott of Oldham and Frank O'Meara enjoyed success with landscapes painted en plein air in the village of Grez-sur-Loing.[5]
Gallery


Italian Customs at the Simplon Pass by Eugène Giraud
La Grande Iza by Vlaho Bukovac
The Last Montagnards by Charles Ronot
In the Studio by Eugène Lecoindre
Printemps by Louise Ward
14 Juillet 1880, inauguration du monument à la République by Alfred Philippe Roll
Un Deuil by Daniel Ridgway Knight
General Lapasset Burning His Flags by Henri-Charles-Etienne Dujardin-Beaumetz
Mireille Giving Alms at Saint-Trophime by Pierre Auguste Cot
Daphnis and Chloe by Elizabeth Jane Gardner
Something for the Cat by Adolf von Becker
A French Cobbler by Adolf von Becker
Young Florentin Playing with Cats by Gustave-Claude-Etienne Courtois
Fishing Boat on the Beach by Anton Mauve
The Artist's Father, Reading "L'Événement by Paul Cézanne
La paye des moissonneurs by Léon Lhermitte
La vérité by Paul Baudry
Scene from the Chouannerie by Auguste-Émile Belle_-_1881.jpg)
The Death of Sergeant Blandan by Louis-Théodore Devilly
Blanchisseuses by Marie Petiet
Captive by Mademoiselle Claudie
Portrait of Madame Lerolle by Henri Fantin-Latour
Portrait of Étienne Arago by Jules Emmanuel Valadon
An Egyptian Eunuque by Théodore Ralli
Mozart Expiring by Rinaldo Carnielo
Quand même by Antonin Mercié
See also
- Royal Academy Exhibition of 1882, held at Burlington House in London
References
Bibliography
- Allard, Sébastien, Loyrette, Henri & Des Cars, Laurence. Nineteenth Century French Art: From Romanticism to Impressionism, Post-Impressionism and Art Nouveau. Rizzoli International Publications, 2007.
- Beeny, Emily A. Groom, Gloria Lynn & Allan, Scott. Manet and Modern Beauty: The Artist's Last Years. J. Paul Getty Museum, 2019.
- Brauer, Fae. Rivals and Conspirators: The Paris Salons and the Modern Art Centre. Cambridge Scholars Publishing, 2014.
- Harris, Nathaniel & Forsythe, James. The Art of Manet. Gallery Books, 1989.