Salon of 1850

The Salon of 1850 was an art exhibition held at the Palais-Royal in Paris between 30 December 1850 and 6 March 1851.[1] Part of the tradition of annual Salons organised by the Academy of Fine Arts, it took place during the French Second Republic. It is also sometimes referred to as the Salon of 1851.
The Palais-Royal had previously been the residence of the Louis Philippe I before his overthrow in the French Revolution of 1848. The Romantic painter Théodore Chassériau displayed the Orientalist Arab Horsemen Carrying Away Their Dead. He also displayed a painting of Desdemona from William Shakespeare's Othello.[2] Camille Corot submitted The Dance of the Nymphs[3] while the Realist Gustave Courbet exhibited The Stone Breakers, later destroyed in the Bombing of Dresden in 1945.[4] He also displayed his well-known work A Burial at Ornans.
In sculpture Antoine-Louis Barye exhibited the bronze statues Lapith Combating a Centaur and Theseus and the Minotaur which he had completed several years earlier.[5] Jean-François Soitoux displayed a statue representing a female personification of the new French republic.[6]
Gallery

Arab Horsemen Carrying Away Their Dead by Théodore Chassériau- Desdemona Retiring to her Bed by Théodore Chassériau
Bather Sleeping Near a Spring by Théodore Chassériau
Sapho by Théodore Chassériau
An Artist Showing his Work by Ernest Meissonier
Trussing Hay by Jean-François Millet


Les Paysans de Flagey revenant de la foire by Gustave Courbet
The Exiles of Tiberius by Félix-Joseph Barrias
The Death of a Sister of Charity by Isidore Pils
The Studio of the Engraver by Jean-Baptiste Antoine Emile Béranger
The Abdication of Doge Foscari by Louis Duveau
Rebecca at the Well by Alexandre-Gabriel Decamps
The Mal'aria by Ernest Hébert
Sleeping Nymph by Armand Cambon
Le génie éteint par la volupté by Hippolyte Lazerges
L'Incendie by Alexandre Antigna- An Unhappy Family by Octave Tassaert
Desolation of the Oceanids by Henri Lehmann
La mort de Coronis by Charles Nègre
Leda and the Swan by Charles Nègre- The Lake at Neufchâtel by Isidore Dagnan
Emigration for Cholera in Marseille by Émile Loubon
Enrôlement des Volontaires, 1792 by Auguste Vinchon- John the Baptist by Alexandre Cabanel
Portrait of Mayer-Goudchaux Worms by Henri Lehmann
Portrait of Hector Berlioz by Gustave Courbet
Bust of Jean-François Champollion by Émile Thomas
Saïd Abdullah of the Mayac by Charles Cordier
Lapith Combating a Centaur by Antoine-Louis Barye
Theseus and the Minotaur by Antoine-Louis Barye
Jaguar Devouring a Hare by Antoine-Louis Barye
La Toilette d'Atalante by James Pradier- The Republic by Jean-François Soitoux
See also
- Royal Academy Exhibition of 1850, which took place at the National Gallery in London
References
- ↑ https://salons.musee-orsay.fr/Detail/occurrences/211
- ↑ Wrightsman p.364-65
- ↑ https://pop.culture.gouv.fr/notice/joconde/000PE000585
- ↑ Jonckheere p.440
- ↑ De Kay p.150-51
- ↑ Lemoine p.16
Bibliography
- Allard, Sébastien & Fabre, Côme. Delacroix. Metropolitan Museum of Art, 2018.
- De Kay, Charles. Barye; Life and Works of Antoine Louis Barye, Sculptor. Barye Monument Association at New York, 1889.
- Jonckheere, Koenraad. A New History of Western Art: From Antiquity to the Present Day. Yale University Press, 2022.
- Lemoine, Bertrand. La Statue de la liberté. Mardaga, 1986.
- Murray, Christopher John. Encyclopedia of the Romantic Era, 1760–1850, Volume 2. Taylor & Francis, 2004.
- Wrightsman, Jayne. The Wrightsman Pictures. Metropolitan Museum of Art, 2005.