Portal:Speculative fiction/Horror
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Selected horror profileJames Whale (22 July 1889 – 29 May 1957) was an English film director, theater director and actor, who spent the greater part of his career in Hollywood. He is best remembered for several horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935), all considered classics. Whale also directed films in other genres, including the 1936 film version of the musical Show Boat. He became increasingly disenchanted with his association with horror, and many of his non-horror films have fallen into obscurity. At the height of his career as a director, Whale directed The Road Back (1937), a sequel to All Quiet on the Western Front. He was openly gay throughout his career, something that was very unusual in the 1920s and 1930s. As knowledge of his sexual orientation has become more common, some of his films, Bride of Frankenstein in particular, have been interpreted as having a gay subtext and it has been claimed that his refusal to remain in the closet led to the end of his career. Selected horror workThe Historian is the 2005 debut novel of American author Elizabeth Kostova. The plot blends the history and folklore of Vlad the Impaler and his fictional equivalent Count Dracula. Kostova's father told her stories about Dracula when she was a child, and later in life she was inspired to turn the experience into a novel. She worked on the book for ten years and then sold it within a few months to Little, Brown, and Company, which bought it for a remarkable US$2 million. The Historian has been described as a combination of genres, including Gothic novel, adventure novel, detective fiction, travelogue, postmodern historical novel, epistolary epic, and historical thriller. Kostova was intent on writing a serious work of literature and saw herself as an inheritor of the Victorian style. Although based on Bram Stoker's Dracula, The Historian is not a horror novel, but rather an eerie tale. It is concerned with history's role in society and representation in books, as well as the nature of good and evil. As Kostova explains, "Dracula is a metaphor for the evil that is so hard to undo in history." The evils brought about by religious conflict are a particular theme, and the novel explores the relationship between the Christian West and the Islamic East. Horror topics
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