La mujer de todos
| La mujer de todos | |
|---|---|
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| Directed by | Julio Bracho |
| Written by | Alexandre Dumas (novel) Robert Thoeren (play) Julio Bracho Mauricio Magdaleno Antonio Momplet Xavier Villaurrutia |
| Produced by | Alfredo Ripstein hijo Gregorio Walerstein |
| Starring | María Félix Armando Calvo Gloria Lynch |
| Cinematography | Alex Phillips |
| Edited by | Mario González |
| Music by | Raúl Lavista |
Production company | Cinematográfica Filmex |
| Distributed by | Variety Distribution |
Release date |
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Running time | 95 minutes |
| Country | Mexico |
| Language | Spanish |
La mujer de todos is a 1946 Mexican drama film directed and co-written by Julio Bracho and starring María Félix, Armando Calvo and Gloria Lynch.[1] It is an adaptation of the 1848 novel The Lady of the Camelias by Alexandre Dumas with the setting moved to Mexico at the beginning of the twentieth century.
The film's sets were designed by the art director Jesús Bracho.
Plot
Set in Mexico City during the Porfiriato era at the beginning of the twentieth century, the narrative follows María Ostorga (María Félix), a beautiful but socially ostracized courtesan known as "la mujer de todos" (everyone's woman). Due to her controversial lifestyle and dependency on wealthy patrons, María has achieved a reputation for callousness. However, her life changes drastically when she meets and falls in love with Jorge Serralde (Armando Calvo), an idealistic and passionate young man from an affluent, aristocratic family. Jorge looks past her notoriety, offering her genuine love and urging her to abandon her destructive lifestyle and superficial social climbing.
Deeply moved by Jorge's devotion, María agrees to leave the capital and retire to a quiet life in the countryside, away from her former suitors and the scrutiny of high society. The couple experiences a brief period of domestic tranquility, during which María's emotional stability improves. However, their relationship faces severe resistance from Jorge's status-conscious family, who view a formal alliance with a former courtesan as a catastrophic stain on their lineage. Jorge's father clandestinely visits María, appealing to her love for his son and imploring her to leave Jorge so he can pursue a respectable societal marriage and preserve his family's honor.
Realizing that her scandalous past will permanently compromise Jorge’s career and familial standing, María makes the ultimate sacrifice. She deliberately pushes Jorge away by falsely claiming that she has grown bored of their simple life and intends to return to her wealthy former lovers. Heartbroken and deceived, Jorge returns to his family in anger. María’s health rapidly declines under the emotional weight of her sacrifice, exacerbated by a terminal illness. The film reaches its tragic climax as Jorge uncovers the truth behind her deception too late, rushing back to her side only to find her dying, isolated but steadfast in her love.
Main cast
- María Félix as María Romano
- Armando Calvo as Capitán Jorge Serralde
- Gloria Lynch as Señora Cañedo
- Alberto Galán as Coronel Juan Antonio Cañedo
- Patricia Morán as Angélica
- Arturo Soto Rangel as General
- Juan Calvo as Conde
- Ernesto Alonso as Carlos
- Alberto Pomo as César
- Maruja Grifell as Portera
References
- ↑ Encyclopedia of Contemporary Latin American and Caribbean Cultures p.555
Bibliography
- Daniel Balderston, Mike Gonzalez & Ana M. Lopez. Encyclopedia of Contemporary Latin American and Caribbean Cultures. Routledge, 2002.
External links
- 1946 films
- 1946 Spanish-language films
- Films directed by Julio Bracho
- Films set in the 1900s
- Mexican historical drama films
- 1946 historical drama films
- Films based on French novels
- Mexican black-and-white films
- 1946 Mexican films
- Films scored by Raúl Lavista
- Spanish-language historical drama films
- 1940s Mexican film stubs
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