Joo Ho-jin
| Joo Ho-jin | |
|---|---|
| Can This Love Be Translated character | |
![]() Joo Ho-jin on his job as simultaneous interpreter for dating show Romantic Trip (portrayed by Kim Seon-ho) | |
First appearance | Episode 1 |
Last appearance | Episode 12 |
| Created by | Hong Jeong-eun Hong Mi-ran |
| Portrayed by | Kim Seon-ho |
| In-universe information | |
| Nickname | Papago |
| Occupation | Multi-lingual interpreter Korean, Chinese, Japanese, English, Italian, French |
| Family | Joo |
Significant other | Cha Mu-hee |
| Origin | Seoul |
| Nationality | South Korean |
Birth year | 1991 |
Family | Yoon Won-jae (maternal grandfather, deceased) Joo Seong-han (father) Yoon Mi-jung (mother) Dario (step-father) Na Jin-seok (half-brother) Na Yeon-jeong (Na Jin-seok's mother) |
| Korean name | |
| Hangul | 주호진 |
| RR | Ju Hojin |
| MR | Chu Hojin |
Joo Ho-jin (Korean: 주호진) is a fictional character and the protagonist of the South Korean romantic-comedy series Can This Love Be Translated? which premiered on Netflix on January 16, 2026. The series was written by the screenwriting duo Hong Jung-eun and Hong Mi-ran, collectively known as the Hong sisters, and directed by Yoo Young-eun. The character is portrayed by actor Kim Seon-ho.[1][2]
In the series, Joo works as a freelance multi-lingual simultaneous interpreter, utilizing his skills as a polyglot. The story follows him navigating a complex relationship with a top actress Cha Mu-hee, played by Go Youn-jung, while working as interpreter for a dating reality show Romantic Trip, which is filmed in Canada and Italy.[3]
Character storyline
Joo Ho-jin is a professional simultaneous interpreter who lives a highly structured life, but makes an annual trip to Shonan, Japan to manage his lingering attachment to his first love, Shin Ji-sun (Lee E-dam). During one of these visits, he meets aspiring actress Cha Mu-hee (Go Youn-jung) at a local ramen shop. After assisting her in a personal dispute, the two spend time together before parting ways at the Enoden railway crossing.[4]
They reunite in South Korea when Ho-jin is hired to interpret for Mu-hee's international press tour following the success of her film, The Quiet Woman. Their paths cross again at a hotel in Japan, where Ho-jin discovers Mu-hee is struggling with hallucinations of Do Ra-mi, her character in the film. He helps her with an appointment with a Japanese psychiatrist and serves as her interpreter.[4]
Seeking to avoid the wedding of his first love to his half-brother, Na Jin-seok, Ho-jin joins the crew of the dating reality show Romantic Trip, where Mu-hee is a featured participant. Tasked with translating for Mu-hee and her co-star Japanese actor Hiro Kurosawa (Sota Fukushi), Ho-jin finds his professionalism as an interpreter compromised by his growing feelings for her. When a misunderstanding regarding his past relationship with Shin Ji-sun leads Mu-hee to withdraw from him, he attempts to resign from the show.[5]
Following a failed reconciliation attempt, Ho-jin encounters Mu-hee's alter-ego, Do Ra-mi, and realizes the depth of her condition. He follows her to Italy to investigate the origin of her trauma. During the final stage of filming, Ho-jin maintains a dual life: he serves as the show's interpreter by day and acts as a protective, secret handler for Do Ra-mi by night. Through this process, he identifies the childhood trauma fueling Mu-hee's psychological fragmentation and works to facilitate her healing.[6][7]
Characterization
In the series's promotional materials published by Netflix Tudum, Joo Ho-jin is characterized as a "language genius," highlighting his role as a polyglot proficient in Japanese, English, and Italian, in addition to his native Korean. As depicted in the series, he is a former novelist who later become a professional simultaneous interpreter, traveling globally for his work.[8][4] After meeting Cha Mu-hee, he is given the nickname "Papago," a reference to his role as skilled interpreter.[9]
Regarding his personality, production notes describe Ho-jin as reserved, introspective, and highly rational.[10] It states that he "prioritizes exactitude above all else in his work and personal life, and "prefers to deal with the complexities of language rather than his own emotions."[4] Actor Kim Seon-ho explained that Ho-jin is affectionate yet emotionally restrained and rarely reveals his own feelings directly, maintaining a defense mechanism stemming from his discomfort with expressing his own emotions.[11][12] Kim also described the character as capable and intelligent; although he may seem indifferent at times, he possesses an underlying warmth and stands firmly on his own as a mature man.[13][14] This perspective was echoed by Director Yoo Young-eun, who characterized Ho-jin as grounded and rational, processing the world in a logical manner akin to "zero or one." While he shows kindness through polite manners and deliberate actions, he maintains firm boundaries and refrains from acting on his emotions until he has fully processed them.[15]
Within the Myers–Briggs Type Indicator framework, Kim identified Ho-jin as a "T" (Thinking) type,[11] while co-star Go Youn-jung categorized the character more specifically as an ISTJ.[16] Kim noted that these personality traits manifest in a communication style that is neat, sharp, and direct, often delivered with a formal, literary cadence.[12] Director Yoo highlighted the character's linguistic choices, such as the use of the term dangshin,[A] noting that it reflects a traditional, elevated manner of speech.[15]
Director Yoo sought to portray Ho-jin as a refined, classic figure rather than a follower of contemporary trends, a concept reflected in both his wardrobe and living environment. He resides in a house inherited from his maternal grandfather, a space filled with books and antiques that serves as a metaphor for his lingering ties to the past. Discussing the set design, Yoo explained, "I wanted to create a modern exterior and interior design to show that it wasn't a newly built house, but one passed down through generations. We ended up filming in a setting that combined Western and Hanok styles. I looked for a single-story building because I thought a tall structure would feel too Western."[15]
Character development, casting and portrayal
Concept and creation

In 2019, the Hong Sisters initiated development on a television project for tvN featuring an interpreter as the protagonist, with Park Jun-hwa attached as director.[17] Although the production initially planned for overseas filming in China, these plans were canceled due to the COVID-19.[18] The project resumed in 2023 under Trii Studio, a label under Imaginus, the parent company of the Hong sisters' own label, Studio Sot, with Yoo Young-eun serving as director. In June 2024, the project was officially confirmed as a Netflix original series.[19][20][21]
During this second iteration, the Hong Sisters worked closely with Yoo. Their initial goal was to craft a romantic comedy about two people with clashing personalities who overcome their misunderstandings through language. This theme shaped everything from the title and situations to the characters' professions. However, as the story progressed, the narrative evolved from a focus on linguistic barriers into a deeper journey of truly understanding another person.[22][23]
The protagonist, Joo Ho-jin, is a highly skilled simultaneous interpreter,[24] whose unique profession defines the narrative framework. Building on the Hong Sisters' initial concept, which stemmed from observing the public's reliance on mobile translation apps. They posited that utilizing a human interpreter would intensify this dependency through the necessity of absolute trust, thereby providing a basis for a powerful romantic connection. Central to this vision is the premise that love is a form of communication; however, because each individual possesses a distinct "love language," expressions of love are frequently prone to misinterpretation. They designed Ho-jin as a character who encounters a love interest with a diametrically opposed communication style, creating a recurring cycle of misunderstandings that serves as the primary narrative conflict.[25][26]
Casting

The casting process went through several iterations, beginning in April 2023 when Son Suk-ku was offered the lead role,[27] but ultimately declined in favor of Nine Puzzles.[28] In July 2023, it was reported that Kim Seon-ho was in talk to be Joo Ho-jin.[29] Netflix officially confirmed the casting of Kim and costar Go Youn-jung in June 2024.[30] The casting marked Kim's first leading role in a Netflix original series, as well as his return to the romantic comedy genre following Hometown Cha-Cha-Cha (2021).[31][32]
Director Yoo Young-eun explained that Kim was chosen because his specific acting strengths matched the complex traits of the main character, which were shaped through extensive discussions with the writers. Because the drama focuses on a slow-burn romance, Yoo needed actor who could clearly project subtle emotional changes. Kim was selected because of his exceptional talent with these expressions, as well as his ability to handle the serious, restrained traits of Ho-jin while delivering the writers' signature comedy style.[33][34] The Hong Sisters expressed their satisfaction with the casting. They noted, "After casting actor Kim Seon-ho, we truly enjoyed writing the script while imagining his performance. From Ho-jin's characteristic neatness to the dynamic moments where he wavers due to love, and the cool-headedness with which he controls the unexpected twists thrown by Mu-hee, he portrayed everything perfectly. He performed even better than we had imagined, making us incredibly happy."[35]
"Everyone has their own language. To understand a person; actions, eye contact, tone of voice, and even physical touch are all languages too."
Having enjoyed the Hong Sisters' previous dramas, Kim was drawn to this project because the role of an interpreter appealed to him. He specifically resonated with the line in the script, "Every person has their own language." He stated that he received the full script before the official table read and had anticipated the Hong Sisters' signature fantasy elements.[36][37] From the outset, he was aware of the dual-identity dynamic between Cha Mu-hee and Do Ra-mi, a concept which bore some similarity to Pretty Crazy, a project he was originally attached to. However, he noted that the narrative here is distinctly different. He found the concept of Do Ra-mi serving as the interpreter between Ho-jin and Mu-hee unique and engaging, and he approached the role with an open mind.[38][39]
Portrayal
From actor Kim Seon-ho's perspective, no scene was particularly difficult, with the exception of learning the new languages. Even so, he did not characterize the process as overly hard, noting that looking back he found it enjoyable to learn the lines.[40] However, during the series' press conference, he remarked that acting in a foreign language is more challenging than performing action sequences.[41]
In Ho-jin’s official character profile, he is described as a polyglot fluent in six languages. However, Kim's performance required him to speak only Korean, Japanese, English, and Italian. To prepare for the role, Kim, who was not fluent in those foreign languages, completed four months of intensive training. His preparation involved a multi-stage rehearsal approach. He first memorized the script verbatim and performed the lines in Korean to establish the emotional framework. He then worked with his language coaches to master the pronunciation and vocalization required for each language. Although he made his own adjustments, deciding that his speed and tone should remain consistent across languages while still meeting his coaches' standards. He achieved a natural delivery through rigorous repetition. He also supplemented his training by studying grammar during his personal time. While filming, he also worked simultaneously with his language coaches.[42][43] He mentioned that multilingual scenes demanded sustained focus, noting that he occasionally stuttered when transitioning back to his native Korean due to the intensity of acting in foreign languages.[44]

To portray an interpreter effectively, Kim drew on real-world experiences to build the character's voice, habits, and body language, observing many of the professional interpreters he encountered. He cited Sharon Choi, as a key influence.[12] He also consulted with his Japanese coach, who is a professional interpreter,[45] as well as his Italian coach, who works as an interpreter at the Italian embassy.[12]
Based on this research, he focused on the precise calibration of his vocal delivery. As he spent much of his time working from an isolated booth,[B] he focused on a flat, natural tone transmitted via microphone to earpieces, deliberately keeping his pitch low and ensuring his pronunciation remained clear and free of slurs.[42] He lowered his tone from his usual register[46] and also adjusted his speech patterns to distinguish between interpreting and non-interpreting moments.[12] Given the importance of voice acting, he established a daily morning routine of drinking warm tea to preserve his voice throughout the production.[47]
The Hong sisters welcomed improvisation, allowing Kim and co-star Go Yoon-jung to contribute their own ideas and ad-libs, which director Yoo noted enriched the scenes beyond the original script.[48] Kim also invested heavily in building on-screen chemistry with Go.[13][14] He observed that their rapport grew gradually, mirroring the development of their characters. While the initial filming in Japan felt awkward because they had only worked together for five days in Korea, their bond deepened during subsequent shoots in Canada and Italy. They spent their free time memorizing and rehearsing lines together,[49] even swapping parts to better grasp the nuances of their roles, as each character's personality mirrored their co-star's real-life MBTI type rather than their own—with Kim as a "feeling type" and Go as a "thinking type."[50]
Kim engaged in extensive discussions with Director Yoo and the Hong sisters to map out the evolution of Ho-jin, a man defined by his solid, upright nature who begins to waver under the influence of Mu-hee. He noted, "I realized that if Ho-jin couldn't maintain his center well, there was a risk that he would be swept away or the meaning of the character would be lost as Cha Mu-hee's emotions fluctuated." To stay grounded, he adopted a restrained, flat delivery.[46] He softened Ho-jin's stubbornness and introduced a necessary flexibility in how he approached Do Ra-mi, Mu-hee's alter ego. Recognizing her as pure and childlike, Kim portrayed Ho-jin as warmer, albeit clumsy and unsure, to convey his desire to help.[51] Kim concluded his approach to this "old-school romantic dynamic" by characterizing Ho-jin as a "tree that doesn't sway" in contrast to Mu-hee's "grass swaying in the wind." He added that as their characters grow closer, their perspectives begin to merge, describing the process as their "colors mix and dye each other."[10]
As Ho-jin is adept at reading others but inexperienced in expressing himself, Kim prioritized precision in his performance, noting, "I wanted to stay very composed and express my emotions with as few physical reactions as possible. Things such as the direction of a character's gaze, the movement of their eyebrows, or even a single hand gesture can carry much more weight when the rest of the body is still. I had to think through every little detail. Even if a movement didn't really stand out, I put much thought and intention into it, just as I do with dialogue."[52] Kim explained that he made prior agreements with the writers about how much of his own personality to incorporate into the character. As a result, his subtle physical expressions, natural reactions, and specific performance nuances closely reflect his own, adding that he was pleased if viewers noticed.[53][54]
Themes and analysis
Sejong University visiting professor Son Chi-yeok notes that the character setup of Ho-jin adheres to the Hong Sisters' signature style. In the Hong Sisters' universe, seemingly perfect characters are suspended between the "past and present" or "reality and fiction," and they only achieve personal growth through colliding with their opposites. However, Son argues that Ho-jin is unique due to his profession as an interpreter. Because he views language as a tool for work rather than an expression of feeling, he distrusts relationships built on words. He withholds emotion from both his family and Ji-sun, clinging to a rigid, logical existence that cannot accommodate instability. This defensive structure only begins to crumble after he encounters Mu-hee.[55]
His professional habits also frame his romantic interactions. Art Insight editor Kang So-jeong notes that Ho-jin uses his profession as a psychological shield, adhering to an ethics of strictly accurate translation that remains free from personal emotion. She argues that this habit of clinical and straightforward communication, while essential to his work, becomes a liability in his personal life, where its perceived bluntness hinders his relationships.[56] Kim Hyun-jung of Science Times cites a 2024 Human Nature journal article by Marta Kowal et al., which defines "love as a commitment device" rather than "a mere feeling." Kim argues that Ho-jin's role as an interpreter mirrors this definition; he constantly interprets Mu-hee's intentions to ensure their relationship is a long-term commitment.[57]
Gong Na-ri of The Media & Arts Culture identifies Ho-jin as a practical psychoanalyst for Mu-hee. She notes that he observes Mu-hee's "untranslated language" through her alter-ego, Do Ra-mi, as well as her impulsive behavior and delusions. Gong interprets his approach through a Freudian lens, comparing Ho-jin's explanations of Do Ra-mi's actions to the psychoanalytic interpretation of dreams, and suggests his presence acts as a psychological mirror that helps integrate Mu-hee's fragmented self.[58] Heo Gyu-hyeong, Chief Director of the Yonsei Sansup Mental Health Clinic, documented a discussion with fellow psychiatrists Kim Ji-yong and Oh Dong-hoon that further analyzed Ho-jin’s role beyond that of a mere interpreter. They argued that while navigating Mu-hee’s dual personality, Ho-jin functions as someone who connects her "scattered heart." The psychiatrists argue that the true "interpretation" in the drama lies in acknowledging all facets of a person rather than dismissing them as "fake." By seeking the emotions behind Do Ra-mi’s words instead of trying to eliminate her, Ho-jin helps integrate Mu-hee’s fragmented self.[59]
Critics also note Ho-jin's association with the term dajeong (다정; 'affectionate, gentle, or kind'). Professor Choi Yu-kyung highlights the appearance of a poem by Kim Kyung-mi titled Dajeongi Nareul (다정이 나를; 'Kindness Kills Me') in the series. The poem serves to explain the dynamics of Ho-jin and Mu-hee's relationship. Choi argues that Mu-hee, who believes she cannot be loved, is terrified of Ho-jin's kindness. His kindness shakes her and forces her to confront feelings buried deep in her unconscious.[60] Writing for The Hankyoreh, popular culture critic Hwang Jin-mi evaluates Ho-jin as dajeonghan namseongseongui yutopia (다정한 남성성의 유토피아; 'utopia of gentle masculinity') due to his character setup. His persona as a sunjeong dajeong mungwanam (순정 다정 문과남; 'a devoted, kind, liberal arts man') serves as an antithesis to igwanam (이과남; 'tech bro'). This latter archetype is frequently associated with the rise of gender divide in South Korea, further intensified by derogatory online tropes such as pongpongnam (퐁퐁남)[C] and eogulchung (억울충).[D] Hwang argues that Ho-jin's sensitivity and capacity to embrace personal flaws offer a model for successful romance, presenting him as an alternative to the toxicity prevalent in male-dominated online subcultures.[63]
Regarding Ho-jin's aesthetic, Kim Ui-hyang of The Boutique notes that his refined style suits his character. Kim characterizes his fashion as a "smart dandy look" or "warm classic," which centers on the principles of quiet luxury by prioritizing high-quality fabrics and precise silhouettes over overt branding.[64] Columnist Cho Soo-jin offers a semiotic analysis of Ho-jin's fashion, arguing that his clothing mirrors the central conflict of the character: his professional ability to decode complex global languages contrasted with his tendency to misinterpret emotional cues. Cho observes that Ho-jin utilizes rigid, structured tailoring and neutral tones in professional settings to project logic and emotional distance. However, as his feelings for Mu-hee evolve, his wardrobe shifts; the transition from crisp, tightly buttoned formal wear to softer, textured knits serves as a visual metaphor for the cracking of his defenses and his character development.[65]
Tech reporter Hwang Jeong-ho mentioned "Human Papago Joo Ho-jin" within the context of evolutionary AI tech in the field of translation. He argues that AI-driven translation is evolving the interpreter's role from a profession into a specialized skill. In high-stakes fields like law and medicine, human interpreters like Joo Ho-jin remain essential for ensuring professional accountability, interpreting non-verbal intent, and navigating complex social dynamics that AI cannot replicate. Ultimately, the role is shifting from linguistic bridging to facilitating the critical human connection necessary for successful communication.[66]
Reception and impact
Viewers reception
The character of Joo Ho-jin generated significant social media interest, with viral clips contributing to what media outlets described as a "Joo Ho-jin fever" and widespread praise for Kim Seon-ho's performance.[67] Kim's portrayal served as a key driver for Can This Love Be Translated?,[68] which reached the Top 10 in 60 countries and topped the global non-English chart for two consecutive weeks following its premiere. The series remained in the Top 10 for five weeks, accumulating over 271 million viewing hours and 20.6 million views during its first seven weeks.[69] Later, the Netflix engagement report for the first half of 2026, released on July 17, 2026, recorded the series ranking 19th globally with 28.6 million views and 377,700,000 hours viewed.[70]
Kim's impact was further evidenced by big data analytics firm Good Data Corporation, which ranked him second after costar Go Youn-jung in TV-OTT drama cast buzzworthiness for three consecutive weeks in January, while the series also ranked first in the integrated TV-OTT drama category during that same period.[71] By the end of January, Kim had gained more than one million new social media followers.[72]
Critical reception
Decider praised Kim's undeniable chemistry with co-star Go Youn-jung.[73] Keshri from India Today observed that Kim reclaimed his standing as a romantic lead through a sincere performance, writing, "He represents a version of masculinity that feels gentle, emotionally secure, and refreshingly non-threatening."[74][75] Writing for Ize, columnist Cho Seong-kyung stated that Kim "is once again earning fans' trust with his romantic acting."[76] Jung Yu-mi, writing for the same outlet, remarked that the interpreter role suited Kim and revealed his true potential. She highlighted his "gentle baritone voice" and characterized the performance as "exquisite," attributing its success to his natural delivery, nuanced acting, and precise emotional timing.[77]
Reviewing for The Korea Times, Baek Byung-eul commended Kim's performance as an interpreter fluent in six languages. Baek argued that this linguistic framework structurally drove the romance, serving as the primary mechanism that allowed the two leads to bridge their contrasting lives and understand each other's genuine emotions.[78] Jeong Seo-yeong of Woman Donga asserted that Kim proved his breadth as an actor by mastering the unique diction and gestures of each foreign language, while also praising his restrained gaze and immersion into the role.[79]
Writing for Korea Medical, Lee Bo-hyun analyzed the technical qualities of Kim's vocal delivery and how they enhance his acting, crediting his skill to his theater training. Lee noted that Kim's voice combines a masculine presence with a softness. He further highlighted Kim's clear pronunciation, stable resonance, and natural breath control, which allow him to convey emotional shifts without monotony. Lee concluded that Kim's steady, low register provides a sense of stability "akin to that of a professional voice actor."[80]
Kim Seon-ho's portrayal garnered significant critical recognition, resulting in multiple award nominations. At the 2026 Asia Star Entertainer Awards, he and co-star Go Youn-jung were nominated in the Fan Choice Couple category.[81] He also received nominations for Best Lead Actor and the People's Choice Award for Male Actor at the 2026 Global OTT Awards,[82] as well as a nomination for Best Performance in an International Series at the SEC Awards.[83] Further accolades included nominations for Outstanding Asian Star at the 2026 Seoul International Drama Awards,[84] and the Popularity Award and Best Actor at the 2026 Blue Dragon Series Awards.[85]
Cultural impact
The romantic narrative of Ho-jin and Mu-hee served as a direct catalyst for set-jetting tourism, prompting South Korean travel agencies to introduce specialized tour packages to Japan, Italy, and Canada.[86] In Japan, the storyline surrounding the couple's serendipitous first meeting in Kamakura and Enoshima drove a significant influx of international travelers, leading to overtourism near the featured railway crossing.[87] The protagonists' romance spurred an autumn tourism surge in Alberta, doubling accommodation bookings in Banff and Canmore[88] following scenes featuring the northern lights and their first kiss.[89] This interest led to extended commercial flight schedules between Incheon and Calgary,[90] alongside official filming location guides featuring the couple published by Travel Alberta and Destination Canada in partnership with Netflix.[91][92][93]
On June 1, 2026, a dialogue from the series was featured in 2026 10th Grade Literature Exam in Hanoi, Vietnam. The exam question quoted an exchange where Ho-jin states that there are over 7,100 languages in the world, to which his teacher responds, "There are as many languages as there are people in the world, because everyone speaks their own language." Based on this excerpt, candidates were required to write an essay exploring an individual's capacity to listen to the voices around them.[94][95] Ho-jin's appearance in the exam quickly gained online attention, with young viewers expressing excitement that a popular drama had become part of a major test, while teachers praised the material as fresh and relatable for encouraging student reflection on communication and empathy.[96]
See also
Notes
- ↑ In Korean, dangsin (당신) is a second-person pronoun that translates literally to "you," but it is rarely used in standard polite conversation.
- ↑ set of "Romantic Trip" staff's trailer
- ↑ Pongpongnam (퐁퐁남) is a neologism combining pongpong (퐁퐁; 'a dishwashing soap brand') and nam (남; 'man'). Proponents, primarily misogynists, use this derogatory term to describe husbands they view as emasculated income providers. It stems from Seolgeojiron (설거지론; 'Dishwashing Theory'), a narrative claiming that women with promiscuous pasts marry elite, inexperienced men who then surrender their paychecks and perform household chores like dishwashing.[61][62]
- ↑ Eogulchung (억울충) is a neologism combining eogul (억울; 'feeling victimized/wronged') and chung (충; 'insect'). The term is slang used in South Korea to describe men who display a perpetual sense of victimization regarding systemic issues like mandatory military service and changing gender roles.
References
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- ↑ Ramachandran, Naman (December 18, 2025). "'When Life Gives You Tangerines' Star Kim Seon-ho, 'Sweet Home' Actor Go Youn-jung's Netflix Rom-Com 'Can This Love Be Translated?' Unveils Teaser". Variety. Archived from the original on May 3, 2026. Retrieved May 3, 2026.
- ↑ Ha, Seoyeon; Lee, Jennifer; Oh, Sally (December 18, 2025). "'Can This Love Be Translated?' Main Trailer Presents a Heart-Fluttering Romantic Trip". About Netflix. Archived from the original on May 3, 2026. Retrieved May 3, 2026.
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- ↑ Kim, Ji-hwan (June 6, 2026). 인공지능 시대, 마음도 번역할 수 있을까? [In the Age of AI, Can We Translate Minds Too?]. Catholic News (in Korean). Archived from the original on May 15, 2026. Retrieved June 6, 2026.
- ↑ Abraham, Hannah (January 29, 2026). "'Can This Love Be Translated?' Finale Recap". Forbes. Archived from the original on May 4, 2026. Retrieved May 4, 2026.
- ↑ Burt, Kayti (January 16, 2026). "Breaking Down the Ending of 'Can This Love Be Translated?'". TIME. Archived from the original on May 3, 2026. Retrieved May 3, 2026.
- ↑ Morin, Natalie (December 10, 2025). "Can This Love Be Translated? Decodes the Language of Love in January". Netfix. Archived from the original on December 10, 2025. Retrieved December 10, 2025.
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{{cite web}}: CS1 maint: bot: original URL status unknown (link) - "7th Week at Top 10 Non-English Shows". Netflix Tudum. March 1, 2026. Archived from the original on May 25, 2026. Retrieved May 25, 2026.
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