Jamais Sans Nous
| Jamais sans nous | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | December 1991 | |||
| Studios | Square, Brussels | |||
| Genre | Congolese rumba | |||
| Length | 38:01 (LP version) 50:21 (CD version) | |||
| Label | Tamaris | |||
| Producer | Jossart N'Yoka Longo | |||
| Zaïko Langa Langa chronology | ||||
| ||||
Jamais sans nous (French: Never without us) is a studio album by Congolese rumba band Zaïko Langa Langa, released in December 1991 through Tamaris. The album was commercially successful and reached number one on the UK Sterns Music Charts in January 1992 shortly after its release. The six-track record featured the hits "Masudi", "Reviens Hyppau", "Dede", and "Persévérer" that went on to became some of the most popular in the band's catalog. "Dede" and "Persévérer" were re-recorded and included on other releases.[1]
Background
According to Jossart N'Yoka Longo, the band's leader and president, the title Jamais sans nous was chosen to because is an important part of the history of Congolese music.[2][3] Since the band was founded on 24 December 1969 in the Kasa-Vubu commune of Kinshasa, it has regularly introduced new styles and approaches to Congolese rumba while keeping elements of its original style. Although some of its innovations were questioned at first, many eventually became part of the standard sound of the genre.[4]
Production and composition
The album was recorded at Studio Square in Brussels, with Mbuta Matima directed the recording sessions. However, before the work was completed, the group had to return unexpectedly to Kinshasa because of an urgent situation, which left the project unfinished. Since the musicians did not have enough time to complete the recordings, Matima remained in Brussels and finalized the album by himself.[5]
What Matima inherited was a work-in-progress. Some tracks existed as final takes, while many others featured only voix témoins, provisional guide-vocal recordings used as placeholders during mixing, rather than definitive performances.[5] Working in atypical conditions, Matima was left with a small team of collaborators to see the album through Jean-Paul Kalko, who handled drum programming and additional guitar and vocal work, also sharing mixing duties, Jean-Jacques Bayonne, a former Brazzaville singer associated with the band Orchestre Zimbabwe, the Tamaris label and owner of the Le 5 sur 5 nightclub in Brazzaville, brought in to provide additional vocal animations and Claudio Pastecchia who overdubbed keyboards. Matima himself added animations and took the songs to completion.[5][6][7]
Jamais sans nous was Mbuta Matima's last project with Zaïko Langa Langa. Shortly after the album was completed, his health began to decline. He was later diagnosed with throat cancer and moved to Liège, Belgium, where he spent the rest of his life. Matima died on 26 May 1996 at the age of 45.[5][6][7]
Cover
According to Eddy Ngombé, the album's sleeve presented its own challenge as no official group photograph was available at the time of pressing. During an evening event, Jean-Jacques Bayonne was photographed performing the iconic dances associated with Zaïko Langa Langa's live performances, including Etutana and Mayele Mabe.[5] These movements were then rendered by Tamaris' art direction team as illustrations and stylized for the cover design, producing a spare, distinctive visual that became one of the most recognizable covers in the group's entire discography.[5]
Legacy
The album's legacy is closely tied to its impact on modern Congolese rumba and soukous music. While the use of the distortion pedal was not new to Congolese music, having already been explored in rumba by pioneering guitarists such as Félix Manuaku Waku and Rigo Star, as well as in other forms of Congolese popular music, Shiro Mvuemba revitalized and popularized the effect for a new generation through his sebene solo on "Poupa".[7] His interpretation gave the distorted guitar a fresh prominence and helped to make it fashionable again and inspiring many guitarists who followed.[2]
"Persévérer" was given the piconema "El Meque" and "La Pelea" by the Colombian audience of the band.
Track listing
Jamais sans nous was released on LP, CD and cassette format. Instrumental versions of "Reviens Hyppau" and "Dede" are included on the CD version.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Reviens Hyppau" | Mbuta Matima | 6:02 |
| 2. | "Masudi" | Patcho Star | 6:35 |
| 3. | "Videma" | Omer Boanga | 6:08 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Dede" | Jossart N'Yoka Longo | 6:20 |
| 2. | "Persévérer" | Oncle Bapius | 6:17 |
| 3. | "Poupa" | Mondial Mafuta | 6:35 |
Personnel
The personnel credits are adapted from the album booklet and Eddy Ngombé's interview.
- Jossart N'Yoka Longo – vocals (tracks 1, 3, 4)
- Adamo Ekula – vocals (tracks 1–4, 6)
- Malage de Lugendo – vocals
- Mondial Mafuta – vocals
- Thylon Muanda – vocals
- Doudou Adoula – animation
- Nono Monzuluku – animation, shaker
- Shiro Mvuemba – lead guitar (tracks 2, 6)
- Baroza Bansimba – lead guitar (tracks 4, 5)
- Mbuta Matima – lead guitar (tracks 1, 3), rhythm guitar, additional animation, executive producer, artistic director
- Enoch Zamuangana – rhythm guitar
- Shango Landu – rhythm guitar
- Omer Boanga – mi-solo guitar
- Alpha Kopeya – keyboards
- Claudio Pastecchia – keyboards
- Jean-Marie Motingia – bass
- Oncle Bapius – bass
- Jean-Paul Kalko – mixing, mi-solo guitar, drum programming, additional animation
- Jean-Jacques Bayonne (credited as Wamaniola) – additional animation
- Joseph Najih – mixing
- Bruno Quinquet – recording engineer
References list
- ↑ 4 January 1992 - Part 2 | John Peel Show | BBC Radio One
- 1 2 ""Makinu", la nouvelle leçon de rumba congolaise de Zaïko Langa Langa" ["Makinu", the new Congolese rumba lesson from Zaïko Langa Langa]. Rfi.fr/fr/musique (in French). Paris, France: Radio France Internationale. 16 December 2025. Retrieved 18 June 2026.
- ↑ Africa House TV (13 June 2019). Jossart N'yoka Longo: Jamais sans nous. Retrieved 18 June 2026 – via YouTube.
- ↑ "Comment Zaïko Langa Langa a changé l'histoire de la rumba congolaise" [How Zaïko Langa Langa changed the history of Congolese rumba]. Nofi.media (in French). 6 March 2026. Retrieved 18 June 2026.
- 1 2 3 4 5 6 Mbuta Likasu Officiel (5 March 2024). Malgré ba albums Papa Bonheur, Eau Bénite, Wenge, Gatho Oyo maison Tamaris abimisa, film amona? [Despite the albums Papa Bonheur, Eau Bénite, Wenge, and Gatho Oyo released by Tamaris, what did he see?] (in Lingala and French). Retrieved 18 June 2026 – via YouTube.
- 1 2 "Discographie et étapes marquantes de Zaïko Langa-Langa (1970–1980)" [Zaïko Langa-Langa: Discography and key milestones (1970–1980)]. Mbokamosika (in French). 2 January 2019. Retrieved 22 June 2026.
- 1 2 3 Ngwala, Turine (3 May 2018). "Zaiko Langa Langa: D'abord et avant tout la guitare solo" [Zaiko Langa Langa: First and foremost, the solo guitar]. Musique (in French). Retrieved 18 June 2026.