God's Country and the Woman

God's Country and the Woman
Theatrical release poster
Directed byWilliam Keighley
Screenplay byNorman Reilly Raine
Story byPeter Milne
Charles Belden
Based on
God's Country and the Woman
1915 novel
by James Oliver Curwood
Produced byLouis F. Edelman
StarringGeorge Brent
Beverly Roberts
Barton MacLane
Robert Barrat
Alan Hale, Sr.
Joe King
CinematographyTony Gaudio
Edited byJack Killifer
Music byMax Steiner
Color processTechnicolor
Production
company
Distributed byWarner Bros. Pictures
Release date
  • January 10, 1937 (1937-01-10) (New York)[1]
Running time
85 minutes
CountryUnited States
LanguageEnglish

God's Country and the Woman is a 1937 American Technicolor lumberjack drama film directed by William Keighley and written by Norman Reilly Raine. The film stars George Brent, Beverly Roberts, Barton MacLane, Robert Barrat, Alan Hale, Sr. and Joe King. The film is based on a 1915 novel by James Oliver Curwood entitled God's Country and the Woman. The film premiered in New York on January 10, 1937.[2][3]

Plot

The Russett Company and Barton Lumber Company compete for lumber in the American Northwest.

Cast

Production

God's Country and the Woman is Warner Bros.' first feature-length film in three-strip Technicolor. It was filmed on location near Mount St. Helens in Washington and features extensive footage of logging operations, including a Willamette steam locomotive in operation.[4]

Production began on July 6, 1936 and concluded by November.

Reception

In a contemporary review for The New York Times, critic Frank S. Nugent wrote: "The picture—like most Curwood products—is a direct and hearty melodrama in which a punch on the jaw counts more than three pages of small talk and leaves, besides, a livid welt for the color cameras to record."[1]

Writing for Night and Day in 1937, Graham Greene wrote that "it isn't a very good film" and: "An attempt at fast cutting and quick dissolves confirms our belief that colour will put the film back technically twelve years".[5]

Variety wrote that the "hackneyed and incredible story" led to many of the actors giving melodramatic performances and that the director, William Keighley, "has tried to pound some action into it …. perhaps he figured that the yarn would be even tougher to take if played straight." The reviewer wrote favourably on the use of Technicolor: "Photography is good and the color job A1. But one wishes there was a bit better reason for it."[6]

In their March, 1937 edition, Modern Screen gave the film a two-star review and wrote that "definite progress is being made with color photography, as proved by some scenic shots of breathtaking beauty" but that there was "room for improvement" in the photography of the actors, as the "harsh skin tones" were jarring. Supporting actors, Alan Hale, Barton MacLane and Victor Potel were complimented for their performances and "comedy is nicely handled" by El Brendel , Roscoe Ates and Billy Bevan.[7]

See also

References

  1. 1 2 Nugent, Frank S. (January 11, 1937). "The Screen". The New York Times. p. 15.
  2. ↑ "God's Country and the Woman (1937) - Overview". Turner Classic Movies. Archived from the original on October 23, 2020. Retrieved August 22, 2015.
  3. ↑ "God's Country and the Woman". Afi.com. Retrieved August 22, 2015.
  4. ↑ "God's Country and the Woman". Turner Classic Movies. Archived from the original on October 23, 2020.
  5. ↑ Greene, Graham (1937). "God's Country and the Women/Michael Strogoff". In Taylor, John Russell (ed.). The Pleasure-Dome: Graham Greene. Oxford, England: Oxford University Press (published 1980). p. 154.
  6. ↑ "God's Country and the Woman". Variety. January 14, 1937. p. 13. Retrieved July 1, 2026 – via Internet Archive.
  7. ↑ "God's Country and the Woman". Modern Screen. Vol. 14, no. 4. March 1937. p. 135.
This page is issued from Wikipedia. The text is available under Creative Commons Attribution-Share Alike 4.0 unless otherwise noted. Additional terms may apply for the media files.