Dhaivata (svara)
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Dhaivata (Sanskrit: धैवत, romanized: Dhaivata [d̪ʱaɪ̯ʋɐt̪ɐ]) is the sixth and penultimate svara of Hindustani and Carnatic music.[1][2] Dhaivata is the long form of the syllable ध (Dha).[3]
Pitch
Culture
- The svara of Dhaivata is Komal and Shuddha.
- Shadja is the basic svara from which the other six svaras derive. The word Shadja breas into Shad And Ja. Shad is 6 and ja is 'giving birth' in Marathi.[4] The translation is :
षड् - 6, ज -जन्म Therefore, it collectively means giving birth to the other 6 notes of the music.
So the svara Dha is formed from Shadja. The frequency of Dhaivata is 400 Hz. Sa 240Hz, Re 270 Hz, Ga 300 Hz, Ma 320 Hz, Pa 360 Hz, Dha 400 Hz, and Ni 450 Hz, Sa 480 Hz (Taar Saptak) etc. Consequently, the Dha after the Pa of 320 Hz (Taar Saptak) has a frequency of 800 Hz i.e. the double of the Lower octave Dha. There are 3 Shruti of Dhaivata. Previously the main Shruti, not only for Re but for all the other svaras, was on the last Shruti but now it is considered to be on the 1st Shrurti. For example, if these are the 3 Shruti's of Re then,
Previously this was the position of the main Shruti of Re.
^
1 2 3
^
This position has become the main Shruti of Re.
The other svaras except Shadja (Sa) and Pancham (Pa) can be Komal or Tivra svaras but Sa and Pa are always Shuddha. Hence svaras Sa and Pa are Achal Svaras, since they do not move from their original position. Ra, Ga, Ma, Dha, Ni are called Chal Svaras, since they do move.
Sa, Re, Ga, Ma, Pa, Dha, Ni - Shuddha Svaras
Re, Ga, Dha, Ni - Komal Svaras
Ma - Tivra Svaras
- Ragas from Bhairav Thaat, Poorvi Thaat, Asavari Thaat, Bhairavi Thaat and Todi Thaat have Komal Dhaivata, rest of the thaats have Shuddha Dhaivata.
- Ragas where Dha is the Vadi svara include Raga Bhairav. Ragas where Dha is the Samvadi svara include Raga Kalingda.
- Dhaivata is said to be sourced from the neighing of the horse.[5][6]
- Dhaivata is associated with the planet Jupiter.[5]
- Dhaivata is associated with the color yellow.[5]
See also
References
- ↑ Rahaim, Matthew (20 May 2013). Musicking Bodies: Gesture and Voice in Hindustani Music. Wesleyan University Press. p. 93. ISBN 978-0-8195-7327-8.
- ↑ "The Notes in an Octave in Indian Classical Music - Raag Hindustani".
- ↑ "[Answered] What is the full form of SA,RA,GA,MA,PA,DHA,NI,SA - Brainly.in". web-client-hi.internal.brainly-master.z-dn.net. 28 July 2018. Retrieved 11 May 2026.
- ↑ "The 7 Shadows of Shadja". 30 January 2013.
- 1 2 3 "Swara and Shruti". 21 March 2017.
- ↑ "The Raga Ragini System of Indian Classical Music". 15 March 2007.