Waltzes (Chopin)
Frédéric Chopin's waltzes are pieces of moderate length for piano, all written between 1824 and 1849. They are all in waltz triple meter, specifically 3
4 (except Op. P1/13, which is in 3
8 time), but differ from earlier Viennese waltzes in not being intended for dancing; nonetheless, several have been used in ballets, most notably Les Sylphides. Some are accessible by pianists of modest capability, others require advanced technique.
Chopin may have written as many as 37 piano waltzes, but only nineteen (along with one inauthentic waltz) are numbered and only eight were published (in Opp. 18, 34, 42 and 64) before he died. His desire was that any unpublished works should be burned, but his sister Ludwika and Julian Fontana proceeded anyway to publish Waltzes 9–13 (as Opp. 69 and 70). Six waltzes composed 1826–1831 and present in Frédéric’s Paris home were at first preserved but then lost in an unintended 1863 fire in Ludwika's house. Another six were eventually published as Waltzes 14–19. These Chopin had given to related people without guarding the manuscripts. Waltz 18 was untitled; it is in 3
4 time and bears some characteristics of a waltz but is marked Sostenuto. Waltz 17 is not accepted as authentic by the Fryderyk Chopin Institute; to the other five in this group it has assigned WN numbers (29, 18, 28, 53 and 63). Waltz 20 is likewise inauthentic. Another authentic waltz in A minor was rediscovered in 2024 and has not yet been published or numbered.[1][2] Separately, the last variation of Chopin’s (authentic) Variations on a German National Air (Der Schweizerbub), WN 6, is in the form of a waltz. Besides, there remain:
- Extant waltzes in private hands, unavailable to researchers
- Waltzes believed destroyed or lost
- Waltzes of which documentary evidence exists but whose manuscripts are not known to exist
Famous are the Minute Waltz and the Waltz in C♯ Minor, both from Op. 64, the last set of waltzes Chopin published before his death.
List of waltzes by or attributed to Chopin
| Series No. | Key | Composed | Published | Opus No. | Brown | Kobylańska | Chominski | Dedication | Notes |
|---|---|---|---|---|---|---|---|---|---|
| 1 | E♭ major | 1833 | 1834 (June) | Op. 18 | B.62 | Laura Horsford | Grande valse brillante; used in Les Sylphides | ||
| 2 | A♭ major | 1835 | 1838 | Op. 34/1 | B.94 | Josefine von Thun-Hohenstein | The three waltzes, Op. 34 were also published as Grandes valses brillantes, but this title is usually reserved for the Waltz in E♭ major, Op. 18 | ||
| 3 | A minor | 1831 | 1838 | Op. 34/2 | B.64 | Baroness C. d'Ivry | |||
| 4 | F major | 1838 or earlier | 1838 | Op. 34/3 | B.118 | Mlle. A. d'Eichthal | |||
| 5 | A♭ major | 1840 | 1840 | Op. 42 | B.131 | Grande valse; sometimes called the 2/4 waltz since the main melody sounds as if in 2/4 time against a 3/4 bass. | |||
| 6 | D♭ major | 1846–1847 | XI 1847 | Op. 64/1 | B.164/1 | Countess Delfina Potocka | Valse du petit chien is the title Chopin gave this waltz, which is popularly known as Minute Waltz | ||
| 7 | C♯ minor | 1846–1847 | XI 1847 | Op. 64/2 | B.164/2 | Baroness Nathaniel de Rothschild (= Charlotte de Rothschild) | Used in Les Sylphides and Secret | ||
| 8 | A♭ major | 1846–1847 | XI 1847 | Op. 64/3 | B.164/3 | Countess Katarzyna Branicka (or Bronicka) | |||
| 9 | A♭ major | 1835 (24 September) | 1855 | Op. posth. 69/1 | B.95 | Charlotte de Rothschild, Mme Peruzzi and Maria Wodzińska | L'adieu | ||
| 10 | B minor | 1829 | 1852 (Krakow) | Op. posth. 69/2 | B.35 | Wilhelm Kolberg | |||
| 11 | G♭ major | 1833 | 1855 | Op. posth. 70/1 | B.92 | Used in Les Sylphides | |||
| 12 | F minor/A♭ major | 1841 (June) | 1852 (Krakow) | Op. posth. 70/2 | B.138 | Marie de Krudner, Mme. Oury, Élise Gavard & Countess Esterházy | |||
| 13 | D♭ major | 1829 (3 October) | 1855 | Op. posth. 70/3 | B.40 | ||||
| 14 | E minor | 1830 | 1868 | Op. Posth | B.56 | KK IVa/15 | P1/15 | No autograph exists | |
| 15 | E major | 1829 | 1861 Lviv, Ukraine | - | B.44 | KK IVa/12 | P1/12 | No autograph exists | |
| 16 | A♭ major | 1827 | 1902 | - | B.21 | KK IVa/13 | P1/13 | Emilia Elsner[note 1] | [note 2] |
| 17 | E♭ major | 1827 | 1902 | B 46 | KK IVa/14 | P1/14 | Emilia Elsner | [note 3] | |
| 18 | E♭ major | 1840 | 1955 | - | B.133 | KK IVb/10 | P2/10 | Émile Gaillard | Headed "Sostenuto"; not always classified as a waltz (sometimes referred to as Klavierstück in E♭ major, 1840). From 1938 present in the "Conservatoire Paris " |
| 19 | A minor | 1847–49 (?) | 1955, 1958 | Op. Posth | B.150 | KK IVb/11 | P2/11 | Charlotte de Rothschild or daughter | Unedited edition pub. Paris 1955; ed. Jack Werner 1958. From 1901 present in the "Bibliotheque du Conservatoire de Paris " |
| 20 | F♯ minor | 1838 (?) | 1932 | - | KK Anh. Ib/7 (formally Anh. Ia/7) | A1/7 | Not by Chopin; first published in 1861, and in 1986 published under the name Valse mélancolique by Stanislaw Dybowski on the bi-weekly "Ruch Muzyczny". However, in 2012 it was discovered by Luca Chierici to be a shortened version of a piece by Charles Mayer named Le Régret, Op. 332. | ||
| - | A minor | 1824 | - | - | - | KK Vf | Countess Lubienska | Lost. It was reported on Izabela Grabowska's lost album. "A delicious waltz dedicated to Countess Lubienska" (source: Koptiajev) | |
| - | C major | 1824 (1831?) | - | - | KK Vb/8 | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
| - | C major | 1826 | - | - | KK Vb/3 | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
| - | A♭ major | 1827 | - | - | KK Vb/4 | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
| - | D minor | 1828 | - | - | KK Vb/6 | La Partenza; MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
| - | A minor | 1829 | - | - | Discovered 1937; was in possession of H. Hinterberger of Vienna, but now believed destroyed | ||||
| - | A minor | 1829 (?) | - | - | - | - | Sketches for a brief prelude and main theme | ||
| - | A♭ major | 1829–30 (by 21 December 1830) | - | - | KK Vb/5 | Mentioned in a letter from Chopin to his family, 21 December 1830; MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
| - | E♭ major | 1829–30 | - | - | KK Vb/7 | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant. Mentioned in letters from Breitkopf to Izabela Barcińska in 1878 | |||
| - | A minor | 1830–35 | - | Manuscript discovered at The Morgan Library & Museum in 2024[1] | |||||
| - | ? | 1845 (by) | - | - | - | KK Ve/12 | Mentioned in diary of L. Niedźwiecki | ||
| - | B major | 1848 (12 October) | - | - | B.166 | KK Va/3 | Madame Erskine | Manuscript in a private collection (London), according to a letter of Arthur Hedley (March 10, 1960) | |
| - | B♭ major | 1849 | - | - | Discovered 1952; Arthur Hedley claimed to have seen it in a private English collection, according to Jeffrey Kallberg[6] | ||||
| - | ? | ? | - | - | - | KK Ve/10 | Listed in auction catalogue, Paris, March 1906 | ||
| - | ? | ? | - | - | - | KK Ve/11 | Mentioned in letters from Breitkopf to Izabela Barcińska in 1878 | ||
| - | ? | ? | - | - | - | KK Vf | Several waltzes; lost | ||
See also
Notes
- ↑ Emilia Elsner kept an album of Chopin's manuscripts, which was destroyed during World War II.[3]: 29
- ↑ First published in 1902, from a manuscript in the possession of the family of Jósef Elsner, by F. Hoesick in Warsaw and Breitkopf & Härtel in Leipzig.[4]: 132
- ↑ This Waltz was published together with the Waltz in A♭ major (see above, No 16).[5]: 133
References
- 1 2 Hernández, Javier C. (2024-10-27). "Hear a Chopin Waltz Unearthed After Nearly 200 Years". The New York Times. Retrieved 2024-10-27.
- ↑ Guy, Jack (2024-10-29). "Lost Chopin music unearthed nearly 200 years after composer's death". CNN. Retrieved 2024-10-29.
- ↑ Orga, Ateş (2015). Fryderyck Franciszek Chopin. London, New York, Sydney: Omnibus Press. p. 192. ISBN 978-1-78038-444-3.
[Tomasz] Nidecki married Elsner's daughter Emilia (by his second marriage). Chopin contributed seventeen pieces to her autograph album, destroyed in World War II.
- ↑ Paderewski, Ignacy J., ed. (1949). Fryderyk Chopin Complete Works IX Waltzes. Warsaw: The Fryderyk Chopin Institute.
This Waltz was published for the first time in 1902, from a manuscript in the possession of the family of Jósef Elsner, by F. Hoesick in Warsaw and Breitkopf & Härtel in Leipzig (as a supplement to the collected edition of Chopin's works, Klav. Bibl. No. 23 183 II). The Warsaw Musical Society has in its collections an autograph manuscript of Chopin dedicated to Madame Le Brun (Chopin, His Life and Work, Warsaw 1904, p. 533).
- ↑ Paderewski, Ignacy J., ed. (1949). Fryderyk Chopin Complete Works IX Waltzes. Warsaw: The Fryderyk Chopin Institute.
This Waltz was published together with the Waltz in A-flat Major (see above, No. 16).
- ↑ Kallberg, Jeff. "Chopin's 18th Waltz - privately owned". pianoworld.com. Piano World. Retrieved 14 August 2026.