Catherine Opie

Catherine Opie
Born1961 (age 64–65)
Sandusky, Ohio, United States
EducationSan Francisco Art Institute, California Institute of the Arts
Known forPortrait, landscape, and studio photography
Notable workBeing and Having (1991), Portraits (1993—1997), Domestic (1999)
AwardsGuggenheim Fellowship

Catherine Sue Opie (born 1961)[1] is an American fine-art photographer and educator. She is a professor emeritus at the University of California, Los Angeles.[2]

Opie studies the connections between mainstream and infrequent society. Specializing in portrait, studio, and landscape photography, she creates pieces relating to sexual identity. Through photography, Opie documents the relationship between the individual and the space inhabited.[3]

She is known for her portraits exploring the Los Angeles leather dyke community.[4] Her work is held at the Museum of Modern Art[5] and the Solomon R. Guggenheim Museum,[6] and she has won awards including the United States Artists Fellowship (2006) and the Women's Caucus for Art Lifetime Achievement Award (2009).[7]

Life

Opie was born in Sandusky, Ohio.[1] She spent her early childhood in Ohio[8] and was influenced heavily by photographer Lewis Hine.[9] On her 9th birthday, she received a Kodak Instamatic camera and began taking photographs of her family and community.[10] One of her first photographs was a self-portrait of herself flexing.[9] At age 14, she created her own darkroom.[11] Her family moved from Ohio to California in 1975.[12] She earned a Bachelor of Fine Arts from the San Francisco Art Institute in 1985.[13]

She later received a Master of Fine Arts degree from the California Institute of the Arts (CalArts) in 1988. Opie's thesis project, entitled Master Plan (1988), examined how the way landscapes were being used in California disturbed her. The project looked into construction sites, advertisement schemes, homeowner regulations, and the interior layout of homes within the community of Valencia, California.[14]

In 1989, Opie moved to Los Angeles, California, and began working as an artist. She supported herself with a job as a laboratory technician at the University of California, Irvine.[15] Opie and her former partner, painter Julie Burleigh,[16] constructed working studios in the backyard of their home in West Adams, Los Angeles.[17][18]

In 2001, Opie gave birth to a boy named Oliver through artificial insemination.[2]

At the Hammer Museum, Opie was on the first Artist Council (a series of sessions with curators and museum administrators) and served on the board of overseers.[19] Along with fellow artists John Baldessari, Barbara Kruger, and Edward Ruscha, Opie served as a member of the board for the Museum of Contemporary Art, Los Angeles. In 2012, they all resigned; however, they joined the museum's 14-member search committee for a new director after Jeffrey Deitch's resignation in 2013.[20] Opie returned to the board in support of the museum's new director, Philippe Vergne, in 2014.[21] She was also on the board of the Andy Warhol Foundation for the Visual Arts.[2]

Along with Richard Hawkins, Opie curated a selection of work by the late artist Tony Greene at the 2014 Whitney Biennial in New York City.[22] As of 2026, Opie's studio is at The Brewery Art Colony.[2][23]

Work

Art

John and Scott (1993), from the Portraits series (1993-1997), at the Rubell Museum DC in 2022

Opie's work is characterized by formal rigor, technical expertise, art history references, and socio-political commentary. She mixes traditional photography with unconventional subjects.[15][24][25][11] For example, she explores abstraction in the landscape through the placement of the horizon line in the Icehouses (2001) and Surfers (2003) series.[26] She has printed photographs using Iris prints,[1] instant film,[27] and photogravure.[28] Examples of art history references include the use of bright color backgrounds in portraits that reference the work of Hans Holbein the Younger[18] and full-body frontal portraits that reference the work of August Sander.[29] Opie also depicted herself with her son in the traditional pose of Madonna and Child in Self Portrait/Nursing (2004).[30]

Opie's earlier work relies more heavily on documentary photography as opposed to allegory, yet in both she uses powerful and personal iconography.[31] For instance, the portrait Self Portrait/Pervert (1994) uses blood on herself to confront ideas about normality.[32] The symbolism used in this work is a recurring statement for Opie, also seen in another work entitled Self-portrait/Cutting (1993).[33]

Opie first became known for her series with Being and Having (1991) and Portraits (1993–1997), which portray queer communities in Los Angeles and San Francisco.[11]

Being and Having includes 13 colour photographs of Opie's lesbian friends and looks at the performance of gender identity and masculinity, with visual references to 17th-century Old Master portraiture.[34][10]

Also exploring ideas of the outward portrayal of identity, in Dyke (1993), Opie portrayed her friend Steakhouse, who has the word "dyke" tattooed on her neck.[10] This photograph was also the first time Opie used a fabric background for her portraits, again alluding to Old Master paintings. She has said that she sees this photograph as existing within the history of painting, rather than photography.[10]

In Portraits (1993–1997), Opie presents a variety of identities among the queer community, such as drag kings, cross-dressers, and trans men.[15][34] The images reference Renaissance paintings of saints and characters.[31]

A common theme in her work is the concept of community. Opie has stated that "portraiture literally creates a history of one’s community."[10] She has made portraits of groups including LGBT people, surfers, and high school football players.[35][36] Her work is informed by her identity as an out lesbian.[37][10] Her work also explores how the idea of family varies between straight and LGBTQ communities, with that LGBTQ people often basing their families on close friendships and community while straight people focus on their nuclear biological families.[38] She is also interested in how identities are shaped by our surrounding architecture.[39]

Her project American Cities (1997–2006) is a collection of panoramic black-and-white photographs of American cities.[40] This series is similar to an earlier work of hers, Domestic (1995–1998), which documented her 2-month RV road trip, portraying lesbian families engaging in everyday household activities across the country.[34]

Drawing inspiration from the transgressive photography of Robert Mapplethorpe, Nan Goldin, and feminist sex radicals, Opie has also explored controversial topics and imagery in her work.[1] In her O folio—7 photogravures from 1999[28]—Opie compiled extreme close-ups of sadomasochist pornographic images she had taken for On Our Backs.

In 2011, Opie photographed the home of Elizabeth Taylor in Bel Air, Los Angeles. Taylor died during the project and never met Opie. Opie took 3,000 images for the project; 129 comprised the completed study.[41] The resultant images were published as 700 Nimes Road.[42] Collector Daily noted the "relentless femininity of Taylor's taste" in the images contrasted with Opie's self-declared "identity as a butch woman" in Opie's foreword to 700 Nimes Road, and Opie's "status as an ordinary mortal" in comparison to Taylor's stardom.[43]

Opie's first film, The Modernist (2017), is a tribute to French filmmaker Chris Marker's 1962 film La Jetée.[44] Composed of 800 still images, the film features Pig Pen (aka Stosh Fila)—a genderqueer performance artist—as the protagonist. The Modernist has been described as an ode to Los Angeles that also questions the legacy of modernism in America.[45] The twenty-two-minute film is about a performance artist who wants his own home and has fallen in love with the architecture of Los Angeles. Unable to purchase a place to live, the artist starts burning down the architecture of LA.[45]

Teaching

Opie's teaching career began in 2001 at the University of California, Los Angeles (UCLA).[27] In 2019, UCLA announced Opie as the university’s inaugural endowed chair in the art department.[46] She has also taught photography workshops at Anderson Ranch Arts Center and Fine Arts Work Center.[47][48]

Publications

  • Freeways. Museum of Contemporary Art, Los Angeles
  • Catherine Opie, essays by Kate Bush, Joshua Decter & Russell Ferguson. The Photographers' Gallery, London.
  • Catherine Opie: In Between Here and There. Saint Louis, MO: Saint Louis Art Museum, 2000. With an essay by Rochelle Steiner. Exhibition catalogue.
  • Catherine Opie. The Photographers' Gallery, London, 2000.
  • Catherine Opie: Skyways and Ice Houses. Walker Art Center 2002.
  • 1999 / In and Around Home. The Aldrich Contemporary Museum of Art, Ridgefield, CT, and the Orange County Museum of Art, Newport Beach, CA, 2006.
  • Chicago (American Cities), curated by Elizabeth T.A. Smith, published by Museum of Contemporary Art, Chicago, 2006.
  • Catherine Opie: An American Photographer. Guggenheim Museum, New York, NY, 2008. ISBN 978-0892073757
  • "Catherine Opie" This is Not to be Looked At. Morse, Rebecca. Museum of Contemporary Art, Los Angeles, CA, 2008.
  • Catherine Opie: Empty and Full, Molesworth, Helen, ed. Hatje Cantz, Stuttgart, 2011. ISBN 978-3775730150
  • 700 Nimes Road, Catherine Opie, with essays by Hilton Als, Ingrid Sischy, Prestel, Munich, 2015. ISBN 978-3791354255
  • Catherine Opie: Keeping an Eye on the World. Buchhandlung Walter König, König, 2017.[49]
  • Catherine Opie, with essays by Hilton Als, Douglas Fogle, Helen Molesworth, Elizabeth A.T. Smith, interview by Charlotte Cotton, Phaidon Press, New York, 2021. ISBN 978-1838662189

Selected museum works

Awards

Her name appears in the lyrics of the Le Tigre song "Hot Topic".[125]

References

  1. 1 2 3 4 5 "Catherine Opie". Regen Projects. Retrieved November 14, 2018.
  2. 1 2 3 4 Levy, Ariel (March 5, 2017). "Catherine Opie, All-American Subversive". The New Yorker.
  3. ↑ "Catherine Opie | The Community of Difference". SUNPRIDE FOUNDATION | 驕陽基金會. November 30, 2021. Retrieved May 18, 2026.
  4. ↑ Fletcher, Gem (December 1, 2025). "Catherine Opie on the story of her legendary Dyke Deck". Dazed. Retrieved May 18, 2026.
  5. ↑ "Catherine Opie". The Museum of Modern Art. Retrieved November 10, 2021.
  6. ↑ "Catherine Opie". The Guggenheim Museums and Foundation. Retrieved November 10, 2021.
  7. 1 2 "Catherine Opie". Art 21. Retrieved August 10, 2023.
  8. ↑ Bradner, Liesl (August 21, 2010). "Football and art collide at LACMA". Los Angeles Times. Retrieved May 18, 2026.
  9. 1 2 Reilly, Maura (2001). "The Drive to Describe: An Interview with Catherine Opie". Art Journal. 60 (2): 82–95. doi:10.2307/778066. ISSN 0004-3249. JSTOR 778066.
  10. 1 2 3 4 5 6 Hernandez, Arlette (May 22, 2024). "What to Do When the World's on Fire: A Conversation with Catherine Opie". The Museum of Modern Art. Retrieved September 30, 2025.
  11. 1 2 3 "Catherine Opie Biography, Life & Quotes". The Art Story. Retrieved December 11, 2019.
  12. ↑ Mahon, Alyce (March–May 2000). "Destabilising Gender". MAKE: The Magazine of Women's Art (87).
  13. ↑ "Catherine Opie: Capturing a Fractured American Identity". Frieze. February 19, 2022. Retrieved May 18, 2026.
  14. ↑ Kinney, Tulsa (September 1, 2006). "Catherine Opie". Artillery Magazine. Retrieved October 1, 2025.
  15. 1 2 3 "Catherine Opie: American Photographer". The Guggenheim Museums and Foundation. Retrieved May 18, 2026.
  16. ↑ Boone, Lisa (April 12, 2013). "Garden is her canvas, flowers and edibles (and chickens) her paint". Los Angeles Times. Retrieved May 18, 2026.
  17. ↑ Appleford, Steve (January 27, 2013). "Catherine Opie's documentary photography is on display". Los Angeles Times. Retrieved May 18, 2026.
  18. 1 2 Sheets, Hilarie M. (September 19, 2008). "Home Views, Bound by Ice or Leather". The New York Times. ISSN 0362-4331. Retrieved May 18, 2026.
  19. ↑ Emerling, Susan (April 19, 2009). "The Hammer Museum gets together with artists, outside the box". Los Angeles Times. Retrieved May 18, 2026.
  20. ↑ Boehm, Mike (September 24, 2013). "MOCA's search for a director: Is museum experience still optional?". Los Angeles Times. Retrieved May 18, 2026.
  21. ↑ Boehm, Mike; Vankin, Deborah (March 19, 2014). "Artists return to MOCA board". Los Angeles Times. Retrieved May 18, 2026.
  22. ↑ Ng, David (November 15, 2013). "Whitney Biennial 2014 to include L.A. artists, David Foster Wallace". Los Angeles Times. Retrieved May 18, 2026.
  23. ↑ Nelson, Maggie (March 7, 2026). "Catherine Opie in Conversation with Maggie Nelson". AnOther. Retrieved May 18, 2026.
  24. ↑ "Catherine Opie". United States Artists. Retrieved May 18, 2026.
  25. ↑ Trail, Lydia Eliza (May 18, 2026). "Catherine Opie, Chronicler of Queer Communities, Opens First Major UK Museum Show". Ocula. Retrieved May 18, 2026.
  26. ↑ "Icehouses and Surfers". The Guggenheim Museums and Foundation. Retrieved May 18, 2026.
  27. 1 2 Wallentine, Anne (July 26, 2021). "Catherine Opie on Her First Monograph, "a Map of My Mind"". Hyperallergic. Retrieved May 18, 2026.
  28. 1 2 "Catherine Opie". Susan Inglett Gallery. Retrieved May 18, 2026.
  29. ↑ Swirsky, Rebecca (December 15, 2017). "Catherine Opie". Frieze. No. 192. ISSN 0962-0672. Retrieved May 18, 2026.
  30. ↑ Heath, Joanne (2013). "Negotiating the Maternal: Motherhood, Feminism, and Art". Art Journal. 72 (4): 84–86. doi:10.1080/00043249.2013.10792867. ISSN 0004-3249. JSTOR 43188637. S2CID 143550487.
  31. 1 2 Getsy, David J. (2015). "Catherine Opie, Portraiture, and the Decoy of the Iconographic" (PDF). In Honchell, Amy; Ohmes, Jeremy (eds.). Confronting the Abject. School of the Art Institute of Chicago. pp. 15–37. ISBN 978-0-9828798-7-0.
  32. ↑ "Catherine Opie | Artnet". www.artnet.com. Retrieved April 26, 2021.
  33. ↑ "Catherine Opie | Self-Portrait/Cutting". Whitney Museum of American Art. Retrieved April 26, 2021.
  34. 1 2 3 Guralnik, Orna (2013). "Being and Having an Identity: Catherine Opie". Studies in Gender and Sexuality. 14 (3): 239–244. doi:10.1080/15240657.2013.818872. S2CID 145668182.
  35. ↑ Karapetian, Farrah (August 20, 2024). "Catherine Opie: Surfers". The Brooklyn Rail. Retrieved May 18, 2026.
  36. ↑ "Catherine Opie - High School Football". Mitchell-Innes & Nash. Retrieved May 18, 2026.
  37. ↑ Bendix, Trish (July 17, 2012). "Catherine Opie gives us 'Girlfriends'". AfterEllen. Retrieved November 14, 2018.{{cite web}}: CS1 maint: deprecated archival service (link)
  38. ↑ Heartney, Eleanor; Posner, Helaine; Princenthal, Helaine; Scott, Sue A. (2013). The reckoning : women artists of the new millennium. Prestel. p. 157. ISBN 978-3-7913-4759-2.
  39. ↑ "Catherine Opie". KADIST. Retrieved May 18, 2026.
  40. ↑ Pasulka, Nicole (October 16, 2006). "American Cities". The Morning News. Retrieved May 18, 2026.
  41. ↑ Rosenberg, David (January 25, 2016). "An Intimate Portrait of Elizabeth Taylor as Seen Through Her Home". Slate. Archived from the original on March 29, 2020. Retrieved March 23, 2020.
  42. ↑ Bird, Alyssa (October 16, 2015). "Go Inside Elizabeth Taylor's Closets". Architectural Digest. Archived from the original on March 29, 2020. Retrieved March 23, 2020.
  43. ↑ Woodward, Richard B. (February 5, 2016). "Catherine Opie: Portraits and Landscapes and 700 Nimes Road @Lehmann Maupin". Collector Daily. Archived from the original on March 29, 2020. Retrieved March 24, 2020.
  44. ↑ Sparks, Kaegan (February 2019). "Catherine Opie". Art in America. Retrieved March 22, 2019.
  45. 1 2 Barrie, Lita (February 8, 2018). "An Eerie Ode to LA Architecture in Catherine Opie's First Film". Hyperallergic. Retrieved March 22, 2019.
  46. ↑ Vankin, Deborah (June 29, 2021). "Catherine Opie's plan to help UCLA art students graduate with way less debt". Los Angeles Times. Retrieved May 18, 2026.
  47. ↑ Wallace, Andrea Jenkins (July 8, 2025). "Want to Take a Photography Workshop With Catherine Opie? This Artistic Director Can Make It Happen". Cultured Mag. Retrieved May 18, 2026.
  48. ↑ "Summer Salon with Helen Molesworth and Catherine Opie". FINE ARTS WORK CENTER in Provincetown. Retrieved January 9, 2025.
  49. ↑ Opie, Catherine (2017). Catherine Opie : keeping an eye on the world. Hansen, Tone., Bresciani, Ana María., Henie-Onstad kunstsenter. Köln: Verlag der Buchhandlung Walther König. ISBN 978-3960982074. OCLC 1003758665.
  50. ↑ "Master Plan (Floor Series)". OCMA. Orange County Museum of Art. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  51. ↑ "Burnt House from Burlington and Ninth Street". MCASD. Museum of Contemporary Art San Diego. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  52. ↑ "Being and Having". MoMA. Museum of Modern Art. Archived from the original on March 26, 2023. Retrieved August 13, 2023.
  53. ↑ "Angela Scheirl". MFAH. Museum of Fine Arts, Houston. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  54. ↑ "Angela Scheirl". MoMA. Museum of Modern Art. Archived from the original on June 11, 2023. Retrieved August 13, 2023.
  55. ↑ "Dyke". MoMA. Museum of Modern Art. Archived from the original on September 30, 2022. Retrieved August 13, 2023.
  56. ↑ "Dyke". Guggenheim. Solomon R. Guggenheim Museum. Archived from the original on November 30, 2022. Retrieved August 13, 2023.
  57. ↑ "Dyke". Tang Teaching Museum. Skidmore College. Archived from the original on June 30, 2022. Retrieved August 13, 2023.
  58. ↑ "Dyke". Whitney. Whitney Museum. Archived from the original on March 28, 2023. Retrieved August 13, 2023.
  59. 1 2 3 "Catherine Opie". Rubell Museum. Archived from the original on May 31, 2023. Retrieved August 13, 2023.
  60. ↑ "Jo". WAM. Worcester Art Museum. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  61. ↑ "Mike and Sky". MoMA. Museum of Modern Art. Archived from the original on June 2, 2023. Retrieved August 13, 2023.
  62. ↑ "Mike and Sky". Whitney. Whitney Museum. Archived from the original on March 28, 2023. Retrieved August 13, 2023.
  63. ↑ "Pig Pen". Crystal Bridges. Crystal Bridges Museum of American Art. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  64. ↑ "Catherine Opie". Wadsworth Atheneum. Retrieved August 13, 2023.
  65. ↑ "Self Portrait/Cutting". LACMA. Los Angeles County Museum of Art. Archived from the original on November 28, 2021. Retrieved August 13, 2023.
  66. ↑ "Self Portrait/Cutting". MOCA. Museum of Contemporary Art, Los Angeles. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  67. ↑ "Self Portrait/Cutting". Guggenheim. Solomon R. Guggenheim Museum. Archived from the original on August 10, 2023. Retrieved August 13, 2023.
  68. ↑ "Self Portrait/Cutting". Whitney. Whitney Museum. Archived from the original on March 27, 2023. Retrieved August 13, 2023.
  69. ↑ "Untitled #1 from Freeway". Tang Teaching Museum. Skidmore College. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  70. ↑ "Untitled #5". Getty. J. Paul Getty Museum. Retrieved August 16, 2023.
  71. ↑ "Untitled #5". Yale University. Retrieved August 17, 2023.
  72. ↑ "Untitled #16". NevadaArt. Nevada Museum of Art. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  73. ↑ "Untitled #20". Whitney Museum. Archived from the original on March 27, 2023. Retrieved August 17, 2023.
  74. ↑ "Untitled #20". MOCA. Museum of Contemporary Art, Los Angeles. Archived from the original on November 18, 2022. Retrieved August 17, 2023.
  75. ↑ "Crystal Mason". GRM. Groninger Museum. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  76. ↑ "Richard". MBAM. Montreal Museum of Fine Arts. Archived from the original on December 5, 2022. Retrieved August 13, 2023.
  77. ↑ "Ron Athey". MFA. Museum of Fine Arts, Boston. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  78. ↑ "Ron Athey". Whitney. Whitney Museum. Archived from the original on March 28, 2023. Retrieved August 13, 2023.
  79. ↑ "Self Portrait/Pervert". Guggenheim. Solomon R. Guggenheim Museum. Archived from the original on August 12, 2023. Retrieved August 13, 2023.
  80. ↑ "Trash". Kemper Art Museum. Washington University in St. Louis. Archived from the original on March 3, 2023. Retrieved August 13, 2023.
  81. ↑ "Vaginal Davis". MFA. Museum of Fine Arts, Boston. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  82. ↑ "Flipper, Tanya, Chloe, & Harriet, San Francisco, California". MFAH. Museum of Fine Arts, Houston. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  83. ↑ "Flipper, Tanya, Chloe, & Harriet, San Francisco, California". Tate. Archived from the original on June 20, 2019. Retrieved August 17, 2023.
  84. ↑ "Flipper, Tanya, Chloe, & Harriet, San Francisco, California". Whitney Museum. Archived from the original on March 28, 2023. Retrieved August 17, 2023.
  85. ↑ "Dyke Deck". Hood Museum. Dartmouth College. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  86. ↑ "Dyke Deck". MFA. Museum of Fine Arts, Boston. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  87. ↑ "Dyke Deck". RISDMuseum. Rhode Island School of Design. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  88. ↑ "Dyke Deck". Yale University. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  89. ↑ "Divinity Fudge". Sheldon Museum of Art. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  90. ↑ "Untitled #1 (Mini-malls)". MCAChicago. Museum of Contemporary Art Chicago. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  91. ↑ "Untitled #1 (Mini-malls)". MOCA. Museum of Contemporary Art, Los Angeles. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  92. ↑ "Melissa & Lake, Durham, North Carolina". Guggenheim. Solomon R. Guggenheim Museum. Archived from the original on August 13, 2023. Retrieved August 17, 2023.
  93. ↑ "Melissa & Lake, Durham, North Carolina". Tate. Archived from the original on June 20, 2019. Retrieved August 17, 2023.
  94. ↑ "Tammy Rae & Kaia, Durham, North Carolina". SLAM. Saint Louis Art Museum. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  95. ↑ "Tammy Rae & Kaia, Durham, North Carolina". Walker Art Center. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  96. ↑ "Freedom, Oklahoma". VAM. Victoria and Albert Museum. 1999. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  97. ↑ "Untitled, Divinity". SAM. Seattle Art Museum. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  98. ↑ "Untitled #1 (Wall Street)". MCAChicago. Museum of Contemporary Art Chicago. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  99. ↑ "Untitled #11 (Wall Street)". Harn Museum. University of Florida. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  100. ↑ "Untitled #11". Tate. Archived from the original on June 20, 2019. Retrieved August 17, 2023.
  101. ↑ "Untitled #10 (Icehouses)". LACMA. Los Angeles County Museum of Art. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  102. 1 2 "Untitled #1-14 (Icehouses)". Walker Art Center. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  103. ↑ "Untitled #10 (Icehouses)". MOCA. Museum of Contemporary Art, Los Angeles. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  104. ↑ "Self Portrait/Nursing". Guggenheim. Solomon R. Guggenheim Museum. Archived from the original on June 1, 2023. Retrieved August 13, 2023.
  105. ↑ "Fall, Winter, Spring, Summer (Lake Michigan)". MCAChicago. Museum of Contemporary Art Chicago. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  106. ↑ "Football Landscape #3 (Notre Dame vs. St. Thomas More, Lafayette, LA)". TheModern. Modern Art Museum of Fort Worth. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  107. ↑ "Kate (Bike)". SFMoMA. San Francisco Museum of Modern Art. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  108. ↑ "Saint-Gilles-du-Gard". CMOA. Carnegie Museum of Art. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  109. ↑ "Football Landscape #13 (Twentynine Palms vs. Big Bear, Twentynine Palms, CA)". LACMA. Los Angeles County Museum of Art. Archived from the original on October 26, 2016. Retrieved August 17, 2023.
  110. ↑ "Inauguration". Hirshhorn. Smithsonian Institution. Archived from the original on June 6, 2023. Retrieved August 13, 2023.
  111. ↑ "Inauguration". LACMA. Los Angeles County Museum of Art. Archived from the original on November 20, 2017. Retrieved August 13, 2023.
  112. ↑ "Inauguration". MOCA. Museum of Contemporary Art, Los Angeles. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  113. ↑ "Jewelry Boxes #6". LOC. Library of Congress. Archived from the original on April 28, 2020. Retrieved August 13, 2023.
  114. ↑ "700 Nimes Road". Louisiana. Louisiana Museum of Modern Art. Retrieved August 13, 2023.
  115. ↑ "Elizabeth". ICABoston. Institute of Contemporary Art, Boston. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  116. ↑ "Thelma and Duro". NPG. National Portrait Gallery, London. Archived from the original on August 17, 2023. Retrieved August 17, 2023.
  117. ↑ "monument/monumental". The Broad. Archived from the original on August 13, 2023. Retrieved August 13, 2023.
  118. ↑ Muchnic, Suzanne (January 22, 2016). "L.A. Story: Catherine Opie on Her Controversial Photographs of Los Angeles Subcultures, in 1998". ArtNews. Archived from the original on April 14, 2016. Retrieved March 30, 2019.
  119. ↑ Boehm, Mike (October 26, 2010). "Herb Alpert-funded awards will pay five artists $75,000 each". Los Angeles Times. Retrieved May 18, 2026.
  120. ↑ "Catherine Opie Named 2004 Larry Aldrich Award Recipient". e-flux Announcements. December 2, 2004. Retrieved March 4, 2019.
  121. ↑ Burke, Anne Marie (January 3, 2017). "Opie receives Smithsonian's Archives of American Art Medal". UCLA Newsroom. Retrieved October 27, 2017.
  122. ↑ "Catherine Opie". National Academy of Design. Retrieved May 18, 2026.
  123. ↑ "Catherine Opie". Guggenheim Fellowship. Retrieved May 18, 2026.
  124. ↑ Easter, Makeda (April 10, 2019). "Guggenheim fellowship 2019: Robin Coste Lewis and Catherine Opie among 20 SoCal winners". Los Angeles Times. Retrieved April 11, 2019.
  125. ↑ Oler, Tammy (October 31, 2019). "57 Champions of Queer Feminism, All Name-Dropped in One Impossibly Catchy Song". Slate Magazine.

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