Beat the Devil (film)

Beat the Devil
1953 film poster
Directed byJohn Huston
Screenplay byJohn Huston
Truman Capote
Based on
Beat the Devil
by James Helvick
Produced byJohn Huston
StarringHumphrey Bogart
Jennifer Jones
Gina Lollobrigida
Robert Morley
Peter Lorre
Edward Underdown
CinematographyOswald Morris
Edited byRalph Kemplen
Music byFranco Mannino
Production
companies
Distributed byBritish Lion Films
(United Kingdom)
United Artists
(United States)
Release dates
  • November 24, 1953 (1953-11-24) (London)
  • March 12, 1954 (1954-03-12) (New York City)
Running time
94 minutes
Countries
  • United States
  • Great Britain
  • Italy[1][2]
LanguageEnglish
Box office£115,926 (UK)[3]
$1.1 million[4]

Beat the Devil is a 1953 adventure comedy film directed by John Huston and starring Humphrey Bogart, Jennifer Jones and Gina Lollobrigida in her American debut.[5] Huston and Truman Capote wrote the screenplay, loosely based upon the 1951 novel of the same name by British journalist Claud Cockburn writing under the pseudonym James Helvick. Huston intended the film as a sort of loose parody of his 1941 film The Maltese Falcon, which also starred Bogart. Capote said, "John [Huston] and I decided to kid the story, to treat it as a parody. Instead of another Maltese Falcon, we turned it into a... [spoof] on this type of film."[6]

The script, written and revised as the shooting progressed,[7] concerns the adventures of a group of swindlers and their associates who try to claim land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard a tramp steamer to Mombasa.[8]

Plot

Billy Dannreuther is a formerly wealthy American who has fallen on hard times. He is reluctantly working with four crooks: Peterson, Julius O'Hara, Major Jack Ross and Ravello, who are trying to swindle their way to uranium-rich land in British East Africa. Billy suspects that Major Ross murdered a British colonial officer in London who threatened to expose their plan. While waiting in Italy for passage to Africa, Billy and his wife Maria meet a British couple, Harry and Gwendolen Chelm, en route to a new job for Harry managing a coffee plantation in Kenya. Harry seems a very proper and traditional Englishman, while Gwendolen is flighty and a compulsive liar. Billy and Gwendolen have an affair, while Maria flirts with Harry. Peterson becomes suspicious that the Chelms may be attempting to acquire the uranium themselves. Though this is untrue, it is fueled by Gwendolen's lies about her husband to exaggerate his importance.

Billy and Peterson, the scheme's financier, decide to take a plane instead. Their car gets away while pushing it and careens off a cliff, spurring an errant report they have been killed. Ravello then approaches Harry Chelm and explains the uranium plan. Just then, to everyone's surprise, Billy and Peterson return to the hotel unharmed. The ship's purser then announces that its tippling captain is at last ready to sail. On board, Harry reveals that he knows about Peterson's scheme and intends to inform the authorities. Peterson orders Major Ross to kill him, but Billy thwarts the murder attempt. Disbelieving Harry's outraged accusations, the ship's captain has Harry hancuffed in his room.

The ship's engine malfunctions, and the passengers are put in a lifeboat. When Billy goes to free Harry, he finds that Harry has escaped and gone overside, intending to swim ashore. The passengers land on a North African beach, where they are arrested by Arab soldiers. They are interrogated by Ahmed, an Arab official who suspects that they may be spies or revolutionaries. Billy creates a distraction by fleeing the room, and upon being recaptured befriends Ahmed by fueling Ahmed's fantasies about Rita Hayworth, whom Billy pretends to have known. Ahmed is persuaded to split a fat bribe extorted from Peterson and to send the party back to Italy by sailboat.

Upon landing, the group is questioned by a Scotland Yard detective investigating the murder of the colonial officer. He is satisfied with the interrogation until Gwendolen upends everything by revealing Peterson's scheme, the Major's murder, and Peterson's directing the Major to kill Harry. The detective arrests the four crooks. As they are taken in handcuffs, Gwendolen receives a telegram from British East Africa saying that Harry has acquired the mineral-rich land. Harry foresees himself as Africa's "uranium king", and, inviting her to join him, is willing to forgive Gwendolen for her indiscretions.

Cast

Production

The movie was financed by the Woolf brothers, who had made The African Queen and Moulin Rogue with Huston.[10]

During the filming of Beat the Devil, Humphrey Bogart lost several of his teeth in a car accident. Peter Sellers, unknown internationally but with a talent for imitating voices, was hired to dub lines while Bogart was adjusting to the loss of his teeth and unable to speak clearly.[11]

Much of the film was shot at Ravello, above Italy's Amalfi Coast.[12] The central piazza in front of the cathedral and various cafes around it are shown. Some scenes were also shot in nearby Atrani, including the pool area of the Hotel Convento Luna.

Stephen Sondheim worked as a clapper boy on the film.[13]

Reception

Film still image of Jennifer Jones, Gina Lollobrigida and Humphrey Bogart

Following previews, four minutes were cut from the film and it was reedited with a voiceover narration by Bogart and a flashback structure.[14]

In a contemporary review for The New York Times, critic Howard Thompson called Beat the Devil "a pointedly roguish and conversational spoof, generally missing the book's bite, bounce and decidedly snug construction" and wrote: "[O]ff the printed page and minus the glossy Hollywood trimmings it needs, the fun wears mighty thin. Even with the cast braving a doomed freighter and fantastically thrust into an Arabian uprising, the incidents remain on a naggingly arch and lagging verbal keel. And the business of wondering what will happen next isn't too beguiling when uneasily mirrored by about half the cast. Add to this the harsh, neo-realistic photography, which authentically stalks and X-rays the joke to death."[15]

Bogart reportedly disliked the film, possibly because he lost much of his own money financing it. Roger Ebert, who included the film in his The Great Movies publication, observed that the film has been characterized as the first camp film. Beat the Devil has been in the public domain for many years, its copyright having never been renewed.[16]

Len Deighton cited the film and its "terror and belly laughs" as the inspiration for The IPCRESS File.[17]

2016 restoration

In August 2016, an uncut version of Beat the Devil premiered at The Reel Thing Technical Symposium. The 4K restoration was done by Sony Pictures in collaboration with The Film Foundation and overseen by Grover Crisp.[18][2] Five major differences between the two versions of the film were reported by Gary Teetzel for the website DVD Savant.[19] Four minutes were restored, as compared to the original version, bringing the total running length of the film to 93 or 94 minutes.[1][18] Unlike the original version, this restoration is copyrighted by Sony subsidiary Columbia Pictures.

See also

References

  1. 1 2 "Beat the Devil — The Cinematheque". The Cinematheque. 2017. Archived from the original on 1 June 2017. Retrieved 26 May 2017. Beat the Devil USA/Great Britain/Italy 1954. Dir: John Huston. 93 min. DCP
  2. 1 2 "BEAT THE DEVIL — Il Cinema Ritrovato". Il Cinema Ritrovato. Retrieved 26 May 2017. Restored in 4K by Sony Pictures Entertainment in collaboration with The Film Foundation with the support of RT Features and the Franco-American Cultural Fund, from the 35mm original camera negative and a 35mm fine grain master positive. Audio restoration by Deluxe Media Audio Services. Image restoration by L'Immagine Ritrovata laboratory.
  3. ↑ Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p501
  4. ↑ "1954 Box Office Champs". Variety Weekly. 5 January 1955. p. 59. - figures are rentals in the US and Canada
  5. ↑ "Beat the Devil (1953)". MRQE. Retrieved 1 June 2012.
  6. ↑ Gehring, Wes D. (1999) Parody as Film Genre: "Never Give a Saga an Even Break" Greenwood. p.12. ISBN 9780313261862
  7. ↑ Clayton, Jack, quoted in Plimpton, p. 127
  8. ↑ "Beat the Devil (1953)". Rotten tomatoes. Retrieved 1 June 2012.
  9. ↑ McCarty, Clifford (1965). BOGEY - The Films of Humphrey Bogart. New York, N.Y.: Cadillac Publishing Co, Inc. p. 171.
  10. ↑ Vagg, Stephen (17 January 2026). "Forgotten British Film Moguls: John and James Woolf". Filmink. Retrieved 17 January 2026.
  11. ↑ "10 Things You Might Not Know About Peter Sellers". Mental Floss. Retrieved 11 September 2017.
  12. ↑ "Beat the Devil film locations". Worldwide Guide to Movie Locations. The Worldwide Guide to Movie Locations. Archived from the original on 28 April 2017. Retrieved 4 May 2017.
  13. ↑ Sondheim, Finishing the Hat, pg. 271.
  14. ↑ "Film Forum - BEAT THE DEVIL". Film Forum [New York City]. 2017. Retrieved 26 May 2017.
  15. ↑ Thompson, Howard (13 March 1954). "The Screen: City-Wide Debut". The New York Times. p. 11.
  16. ↑ Ebert, Roger (26 November 2000). "Beat the Devil". Retrieved 20 August 2013.
  17. ↑ Deighton, Len (May 1966). "Why Does My Art Go Boom?". Playboy. pp. 103, 182–184. Retrieved 25 December 2024.
  18. 1 2 Jeffrey Wells (23 August 2016). ""Good Morning, Mr. Dannreuther!"". Hollywood Elsewhere. Archived from the original on 7 November 2017. Retrieved 26 May 2017.
  19. ↑ Glenn Erickson (22 August 2016). "DVD Savant: August 2016 Archives".

Bibliography

  • Plimpton, George (1997). Truman Capote: In Which Various Friends, Enemies, Acquaintances and Detractors Recall His Turbulent Career. New York, Nan A. Talese (an imprint of Doubleday). ISBN 0-385-23249-7.
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