Baile chino

Baile Chino is a ritual dance originating in Norte Chico and Zona Central regions of Chile. Flautists, drummers and dancers move in a group and express devotion to Jesus and the Virgin Mary. Dancers flex their legs and hop while flautists play pifilca flutes. It was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2014.[1] Traditionally, the baile chino is a strictly male institution, but often has a female flag bearer. Dancers and musicians form two symmetrical columns that is led by a single singer (known as an alférez) reciting couplets regarding religious concepts or stories.[2]

The name 'chino' refers to the Quechua and Aymara term for servant.[3]

History

Baile Chino originated in the pre-Columbian era of central Chile, in approximately 900 to 1400 AD. People in this era fabricated flutes similar to the pifilca flute used in modern-day Baile chino.[4] Syncretism with the Catholicism of Spanish conquistadors was produced and the religious influence can be seen today.

See also

References

  1. ↑ "Decision of the Intergovernmental Committee: 9.COM 10.11 - UNESCO Intangible Cultural Heritage". ich.unesco.org. Archived from the original on 2026-04-16. Retrieved 2026-07-29.
  2. ↑ "Baile Chino". UNESCO.
  3. ↑ de Arce, José Pérez (1998). "Sonido Rajado: The Sacred Sound of Chilean Pifilca Flutes". The Galpin Society Journal. 51: 17–50. doi:10.2307/842759. ISSN 0072-0127.
  4. ↑ Muñoz, Claudio Mercado (2002-01-01). "Ritualidades en conflicto: los bailes chinos y la Iglesia Católica en Chile Central". Revista Musical Chilena (in Spanish). 56 (197): 39–76. ISSN 0717-6252.